H88 


BANCROFT 
LIBRARY 

-> 

THE  LIBRARY 

OF 

THE  UNIVERSITY 
OF  CALIFORNIA 


B 


b 


SONGS 


OF   THE 


WESTERN    COLLEGES 


WITH    INTRODUCTION    BY 

HORACE    GILLETTE    LOZIER 

\\ 

(University  of  Chicago) 

AND 

RICHARD    WALTON    TULLY 

(University  of  California) 


HINDS    &    NOBLE,     PUBLISHERS 
4-5-6-12-13-14   COOPER    INSTITUTE,    NEW  YORK   CITY 


COPYRIGHT,   1902,  BY    HINDS   &    NOBLE. 
Entered  at  Stationers  Hall. 

ALL     RIGHTS     RESERVED. 


1=4  <- 


INTRODUCTION. 


THIS  work   may  be   looked  upon  as  a  composite   of  that  unusual   stripling  — 
Western   College  Traditions. 

No  less  remarkable  than  the  rush  to  maturity  of  so  many  western  institu- 
tions of  learning  is  the  abnormal  growth  of  traditions  in  western  colleges,  and  a 
phenomenal  phase  of  this  growth  is  that  it  has  come  from  a  soil  assumed  to  be 
almost  sterile. 

Although  primitive  conditions  have  attended  the  birth  of  college  traditions  in 
the  West,  nevertheless  the  traditions  themselves  are  strong  and  lusty,  and  are 
proving  themselves  to  be  very  desirable  companions  in  the  campus  life. 

For  many  years  the  western  colleges  have  been  singing  their  college  songs 
unnoticed.  The  compilers  have  endeavored  to  secure  all  of  these  songs  and  place 
them  in  a  book  which  would  not  only  reveal  these  native  western  songs  to  the 
East,  but  give  to  the  western  colleges  a  book  containing  all  the  songs  familiar  to 
their  alumni  as  well  as  to  the  undergraduates. 

It  will  be  noted  that  many  of  the  old  favorites  have  been  included.  This  has 
been  done  at  the  special  request  of  very  many  alumni  and  alumnae,  who  wish  to 
have  some  means  of  living  over  again,  in  the  old  familiar  songs,  the  old  happy 
days,  with  their  sweet  memories  of  Alma  Mater. 

It  is  hoped  that  the  editors  have  succeeded  in  giving  western  college  men  a 
collection  of  those  songs  which  they  have  been  in  the  habit  of  singing  both  in  and 
out  of  college,  —  a  collection  which  through  its  cherished  and  familiar  melodies 
will  link  in  spirit  the  "  old  grad "  and  the  freshman,  though  they  be  half  the 
globe  and  a  half  century  apart. 

HORACE  GILLETTE   LOZIER  (University  of  Chicago). 
RICHARD    WALTON    TULLY  (University  of  California). 


OGOOG7 


CONTENTS. 


A.  and  M.  College  Song  (The)  (Oklahoma  Agri- 
cultural and  Mechanical  College]    ....  150 
All  for   the  Sake  of   California  (University  of 

California) 15 

All  Hail  to  Thee,  Fair  Western  ( Western  College)  121 

Alma  Mater  (Greenville) .  102 

Alma  Mater  (Lake  Erie) 71 

Alma  Mater  (University  of  Chicago) 7 

Alma  Mater  (Ohio  State  University)      ....  65 

Alma  Mater  (Ohio  Wesleyan  University}  ...  56 

Alma  Mater  (University  of  North  Dakota)    .     .  164 

Alma  Mater  (University  of  Wisconsin}      ...  33 

Amici 189 

Annie  Laurie 105 

Asbury  College  Hymn 86 

Ba-Be-Bi-Bo-Bu 139 

Baker  University  Hymn  (Baker  University) .     .  133 

Bavarian  Yodel 80 

Beloit  Song  (Beloit  College) 116 

Bingo     . 186 

Blow,  Ye  Winds,  Heigh-Ho  ! 154 

Bonds  of  Love  (The) 17 

Broke!  Broke!  Broke! 18 

Bull-Dog  (The) 82 

Carleton  Spelling  Song  (Carleton  College)      .    .  120 

Chant  of  the  "  Short  Ags" 171 

Cheer  for  the  Purple  (Northwestern  University)  47 

Ching-a-Ling 172 

Clear    the    Way  for   U.  S.   C.    (University    of 

Southern  California} 187 

College  Clock  (The) 48 

College  Days  of  Old 113 

College  on  the  Hill  (The)  (St.  Olaf  College)   .    .  114 

College  Proverb  (A) 190 

College  Pump  (The) 60 

Collegium  (Hope  College) in 

Colorado  College  Song  (Colorado  College) ...  156 

Commencement  Hymn  (A) 59 

Come,  Let  Us  Sing  (Campbell  University)     .     .  131 

Come  Ye  Back  to  Old  Grinnell  (Iowa  College)   .  125 

Continued  in  Our  Next 158 

Cow  with  a  Brindle  Tail  (The) 81 

Cuckoo  Yodel  (The) 87 

Dear  Aunt  May 160 

Dear  Kenyon  (Kenyan  College) 51 

Dear  Old  Reserve  ( Western  Reserve  University)  67 

Do  I  Love  Her? 126 

Doctor  Peter  Price's  Permanent  Panacea  ...  198 

Don't  I  Though  (Oberlin  College) 52 

Down  in  Mobile 148 


Drinking  Song 152 

Drink  to  Me  Only  with  Thine  Eyes 92 

Ecce  Quam  Bonum 79 

Eighteen  Hundred  and   Ninety-Three  {Univer- 
sity of  Chicago)    10 

Ewing  College  Song  (Ewing  College,)     ....  93 

Fairmount,  Fond  Fairmount  (Fairmount  College)  134 

Festal  Day  is  Come  (The) 200 

Foot  Ball  Song  (A)  (Leland  Stanford  Jr.,  Uni- 
versity)      24 

For    Lincoln   We   Will    Ever    Stand    (Lincoln 

University) 103 

For  Love  of  Wooster  U.  (University  of  Wooster}  58 

Forsaken 74 

For  the  Purple  and  the  Gold  (Knox  College)  .    .  91 

Ghost-Dance  (The)  (Pomona  College)    ....  176 

Gold  and  Blue  (Franklin  College) 79 

Gold  and  Olive  (The)  (Lombard  University)      .  97 

Golden  Bear  (The)  (University  of  California)    .  19 

Good  Night,  Ladies  ! 27 

Grit 166 

H2SO<  On  KCLOs 6 

Hail,  Beloit  (Beloit  College} 115 

Hail,   Stanford,   Hail!     (Leland  Stanford  Jr. 

University) 23 

Hail  Thee,  Our  Bethany  (Bethany  College)     .    .  139 

Hail  to  Old  I.  U.  (Indiana  University}      ...  83 

Hark!  I  Hear  a  Voice  .     .• 104 

Have  You  Got  the  New  Disorder? 4 

Heidelberg  (Heidelberg  University) 62 

He  Was  Nervous 195 

Hillsdale  and  the  Blue  (Hillsdale  College)     .    .  .  112 

I  Arise  from  Dreams  of  Thee 106 

I  Doubt  It 77 

I  Wish  You'd  Shave 180 

Ich  Can  Sprech-A 123 

If 88 

Illinois  (University  of  Illinois) 43 

In  Praise  of  Dear  Old  Greer  (Greer  College)  .     .  95 
In  Praise  of  Old  De  Pauw  (De  Pauw  Univer- 
sity}      85 

Jingle  Bells 108 

John  D.  Rockefeller  (University  of  Chicago)      .  8 

Jolly  Boating  Weather 76 

Jolly  Golfing  Weather 20 

Juanita 34 

Keep  Cool 136 

Knights  of  the  Golden  O  (The)  (Oberlin  College}  50 


Lake    Forest    University    Song    (Lake   Forest 

University) 39 

Last  Night 22 

Lenox  Crimson  (Lenox  College] 124 

Lizette 192 

Long  Live  Stuart  Hall  (Emporia  College}  .     .     .  138 
Long  May  Our  College  Stand  (Iowa  Wesley  an 

University) 123 

Loreley  (The) 146 

Mabel's  Coming  Home  from  College      ....  i 

Mamie's  Charms 107 

Man  Who  Has  Plenty  of  Good  Peanuts  (The)   .  178 

Mary's  Little  Wise  Man no 

Missouri  (University  of  the  State  of  Missouri)  .  147 

Model  College  Girl  (A) 54 

Monst'ous  Drefful  Bogie  Man 12 

My  Bonnie 101 

My  College  Girl 14 

My  Dear  Old  Looking  Glass 32 

My  Grandfather  Had  Some  Very  Fine  Ducks    .  90 

My  Last  Cigar 78 

My  Moustache  . 38 

My  Old  Banjo 28 

My  Old  Kentucky  Home 196 

My  Ottawa  (Ottawa  University) 137 

My  Trusty  Trot 30 

Navy-Blue  and  White  (The)  (Marietta  College).  69 

N.  S.  U.  So  Gay  (Nevada  State  University)      .  161 

New  Medley  (A) 181 

New  Woman  (The) 132 

Nothing— But  Another  Girl 175 

Nut  Brown  Maiden 191 

O,  Pendry,  You  Are  Such  a  Fool 144 

O  Tche  Se  No  De  Ke  (An  Indian  Song)  ...  163 

Ode  to  Denison  (Denison  University)    ....  57 

Oh,  Oregon !  Oh,  Oregon !  (University  of  Oregon)  170 

Old  Butler  (Butler  College) 89 

Old  College  Chum 31 

Orange  and  the  Black  (The)  (Albany  College)    .  165 

Our  College  Cheer 169 

Our  College  Home  (Upper  Iowa  University)     .  130 

Our  College  Upper  Ten 168 

Over  the  Banister 40 

Parody  Song  (A) 44 

Peter  Gray .  109 

Polyglot's  Wooing  (The) 3 

Pope  (The) 96 

Purple  and  Gold  (The)  (University  of  Wash- 
ington)      167 

Purple  and  the  Gold  (The)  (Scio  College)   .     .    .  61 

Quilting  Party  (The) 72 


Rah!  Rah!  (University  of  Michigan)    .     . 


26 


Rah-Rah-Rah,  for  Midland  (Midland  College)  .  142 

Red  and  Gold  (The)  (Simpson  College)      ...  122 

Romeo  and  Juliet 42 

Rosalie 70 

Scarlet  and  Black  (The)  (Iowa  College) ....  128 

Scarlet  and  Cream  (University  of  Nebraska)  .     .  145 
Scarlet  and    Gray   Forever  (The)  (Ohio   State 

University) 66 

She  Answered  Me  Nay .  151 

She  Shook  Her  Head 177 

Shower  (The) i4I 

Silver  and  Gold  (University  of  Colorado)  ...  157 

Sing  Augustana's  Praises  (Augustana  College)  .  107 

Soldier's  Farewell  (The) 129 

Song  of  the  O.  W.  U.  (Ohio    Wesleyan    Uni- 
versity)    53 

Speller's  Fate  (The) '  .     .  .21 

Stars  of  the  Summer  Night 41 

Student's  Farewell  (The) 202 

Sunday-School  Scholar  (The) 98 

Swanee  River 140 

Sweet  and  Low 73 

There  Were  Three  Books 185 

There's  Music  in  the  Air 46 

Thou  Art  My  Own  Love 100 

Three    Cheers    for    K.    S.    U.    (University    of 

Kansas) 1 35 

Three  Cheers  for  T.  A.  and  P.  U.  (Pacific  Uni- 
versity)     174 

Three  Little  Kittens 129 

Toast  to  Wisconsin  (University  of  Wisconsin)  .  35 

Toboggan  Song  (A) 118 

Tribute  to  Wesleyan  (Illinois   Wesleyan    Uni- 
versity)      .  99 

Upidee 64 

University  Hymn  (A) 94 

Vacant  Stare  (The) in 

Vive  Purdue  (Purdue  University) 84 

Wake  the  Echoes  (Mt.  Union  College)  ....  75 
We   Cheer  for    the   U.    of    M.    (University   of 

Minnesota) 45 

Western  College  Boating  Song  (A) 36 

We  Wear  Our  Colors,  Red  and  Gold  (Univer- 
sity of  Denver) 153 

When  First  I  Kissed  Sweet  Margaret    .     .     .     .  114 

When  She  Is  Gone 133 

Where,  O  Where 68 

Yellow  and  Blue  (The)  (University  of  Michigan)  25 
Yellow  and  the  Brown  (The)  (Nebraska    Wes- 
leyan University) 143 

Zip,  Bang,  It  Hit  the  Mark    ........  194 


SONGS  OF  THE  WESTERN  COLLEGES. 


MABEL'S  COMING   HOME  FROM   COLLEGE. 

Music  by  Walter  Howe  Jones. 


Moderate. 


1.  Ma-bel's  com  -  ing  home  from  col  -  lege, 

2.  Won  -  der  if    Miss  Mab's  for  -  got  -    ten, 

3.  Won  -  der  if      she  still    re  -  mem  -  bers 

4.  Ma  -bel's  com  -  ing  home  from  col  -  lege, 


With  the  "sheepskin"  that  she's  won  ; 
Ere  she  con  -  ju  -  gat  -  ed  Greek, 
All  the  mer  -  ry  win  -  ter  nights, 
Ma-bel's  com-  ing  home  to  -  night ; 


I      sup -pose  she's  gained  a    knowl-edge       Of      all  things        be-neath  the      sun.  I     shall 

How    we  roamed  be-  neath  the      cot    -    ton-Woods  that  bent          a  -  bove  the    creek?  Wandered 

Chest-nuts  roast -ed     in     the      em   -    bers,  Coast- ing      par    -     ties     on     the  heights?  Won -der — 

Strange, but  something    in     the  knowl  -  edge,  Makes  the  cloud    -    y     day  grow  bright !  It's     ab  - 


Copyright,  1902,  by  HINDS  &  NOBLE. 

(i) 


MABEL'S  COMING   HOME  FROM   COLLEGE. 


hard 

through 

hang 

surd, 


big     "A.        B." 


ly*  -dare    .  tyd  -•  oi^es?    '•  her,      Now    she's  got 

,  thq     ,gql.d  -  en    weath  -  ,er,     When    the  corn         was         in        the     husk, 

/. *•£&?!,'  f  jfriitt  -•  y*  <     fa,"»;    ble ! — Now     her  learn  -    ing's      such       a     "stack," 

I      don't      de    -**ny    °    'it! —  But    each  bird          b< 


be    -    neath    the    dome 


4 


t 


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rit. 


Would    I      were        a  grave  pro  -  fes 

Then  strolled  slow  -  ly  back  to  -  geth 

If     she'll     let       me  call  her   "Ma 

Seems    to     know    my  joy,  and     cry 


sor,        Then     per  -  haps 
er      Through  the      dew 

bel,"        If       she     still 
it, —   "Ma  -  bel's    com 


she'd    fan  -    cy     me  ! 

fall      and  the    dusk? 

will     call  me  "Jack?" 

ing, — com  -   ing    home  !" 


3< -»|: 


— \ 


rit. 


CHORUS. 

SOPRANO  AND  ALTO. 

-#- 


_S" 


She's      com  -  ing      home,      she's      com  -    ing     home, 
TENOR  AND  BASS. 


W- 


^^     ESEEEE*EE?E    ^ES^EESE^IET 

=f ^£tt=*=^^^^-t=iF^^ 


She's 


Yes,        Ma    -    bel's      com  -  ing 

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IX         I 

com  -  ing  home,she's 


com-ing  home,  Yes,        Ma      -    bel's  com  -   ing 


home,    She's  com  -  ing     home,     .     she's  com-ing     home,     .       Yes,       Ma    -  bel's  com  -  ing  home. 


=«^E35^H 
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home,          She's  com-ing  home,        she's  coming  home,  Yes,      Ma  -  bel's  com  -  ing  home. 

(2) 


Distinctly. 


THE   POLYGLOT'S  WOOING. 

Music  by  Horace  Lozier. 


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if        J'ad  -  dress         A  -    man    -    da       Ann        Then        Kate      and         I           have      war. 
solved      pro    -    po     -      ne   -    re           ad       Kate        Be      -      fore        the        eve   -   ning's  shades, 
pit         to         tell           his      love        to        Kate        Dans         en          po    -     e    -     tique   strain, 
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Ich  bin  dein  "  may  be  sung  falsetto,  an  octave  above. 

Copyright,  1902,  by  HINDS  &  NOBLE. 

(3) 


HAVE  YOU  GOT  THE  NEW  DISORDER? 


Allegretto. 


Music  by  Lloyd  Adams. 

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night;    ....       Lead -ing  off       to  sim  -  ply  no  where,  Catching  all  stray  things  that  go  there,  As  a 
gay Old  heart-fail-ure  and    Par  -  e  -sis  Have  decamp'd  and  gone  to  piec-es,  And  Dys- 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(4) 


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fall  -  en    by     the      way     .... 

Then  stand  ba 

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if1 

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frol  -  ic,   Some-thing  like     the  win  -  ter    col  -  ic,     That    has    of  -  ten  jarred  our    in  -  ner    or  -  gans 

grap  -  pie  With    the  seed      of  grape  and  ap  -  pie,     Or        a     sol  -  dier  but  -  ton  swal-lowed  with  your 

vi  -  tis,    For    here  comes  Ap  -  pen  -  di  -  ci  -  tis,     With    a  brood    of     mi  -  nor  trou  -  bles    on     the 


it=J=n=& 

•^F-b 1- « — 


^ 


some, 
pie. 
wing. 


On  .-  ly  wres-tles  with  the  weal  th-y,  And  the  oth  -  er  -  wise  most 
Hav  -  ing  lev  -  ied  on  these  chat-  tels,  Then  be  -  gin  in  -  ter  -  nal 
Here's  to  Ver  -  mi  -  form,  and  hop  -  ing  You'll  with-stand  all  dras  -  tic 


cres. 


health-y;       Hav    -  ing       got          it,    then     you're  nigh        to  King   -   dom     come, 
bat -ties     That      are      apt          to     end         in      man  -  sions    in         the       sky. 
dop-ing,     And     .     .       earn        the      ap    -     pel   -  la  -     tion,"Un- crowned  King." 


EiEjaE 

3— 

—  ^^  — 

^*    '  i? 

ag  — 

—  f**  — 

«  ^ 

^ 


cres. 


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lit: 


E|±E 


(5) 


H2SO4  ON   KCLO3. 


Lively. 


Music  by  Ernest  Carter. 


mp 


1.  In   chem-is  -  try    one     fa  -  tal     day      A 

2.  A       va  -  por  -  iz  -  ing   dish    he  used,  With  the 
.3.   "Heregoes     a-gain,"  cried  out   the     lad,     "With 


SEE  ^=i=3= 


youth  was     slow  -  ly      work-ing.     He      was    one       un   -   ac   -  cus-tomed      To        a   -  ny    trait      of 
salt      and       H         2          0  ;  His       a  -   cid      then      di    -    lut  -  ed  he ;  But       no,    it     was       no 

con  -  cen  -  trat  -  ed       a  -  cid  ;  "  His     face    was    calm,    his     fea-tures  had  A       calmness  sim  -  ply 


d^3E=^==3=3= 

^ ^ — ^ 


E£ 


shirk  -  ing.        In    -   struc-tions  were      as       naught     to       him,       Be   -    cause       he       wished      to 
go.  A    -    gain       he      tried       it,         and        a   -   gain,    Once      more,  —  but        no          re 

pla   -   cid.     New          KG  L        0  3          he      takes,    The        quan    -   ti      -     ty          in 


gee  The  ef  -  feet       ofH         2          S         0         40nKCL03. 

suit,  "It      should    ex-  pi  ode,"  he  thought,  "  with  force     A       ver  -y      cat  -  a    -  pult  !  " 

creases  ;  He        pours      on        H         2          S          0          4  —  They  picked  him  up       in     piec  -  es. 


Copyright,  1901,  by  HINDS  &  NOBLE. 


ALMA   MATER. -UNIVERSITY   OF  CHICAGO. 


Words  by  Prof.  Edwin  H.  Lewis. 

TENORS. 


Harmonized  by  R.  W.  Atkinson. 

£L 


1.  To-night  we   glad  -  ly    sing    the  praise  Of     her  who  owns  us     as     her  sons;  Our  loy  -  al    voi  -  ces 

2.  Her  might- y     learn-ing     we  would  tell,  Tho'  life     is  something  more  than  lore,  She  could  not  love   her 

3.  The    cit  -  y   White  hath  fled    the  earth, But  where  the   az-ure  -wa-ters    lie,      A      no  -  bier  cit  -  y 

BASSES. 


let  us  raise,  And  bless  her  'with  our  ben-  i  -  sons.  Of  all  f  air  moth-ers  fair- est  she,  Most 
sons  so  well,  Loved  she  not  truth  and  hon  -  or  more.  We  praise  her  breadth  of  char-i-  ty,  He* 
hath  its  birth,  The  cit  -  y  Gray  that  ne'er  shall  die.  For  de  -  cades  and  for  cen  -  tu-ries,  Its 


'—-z2 


=p=g=q 

~£=in±l 


wise  of  all  the    wis  -  est  be,  Most  true  of    all  the   true,  say  we,    Is    our  dear  Al-ma  Ma  -  ter. 

faith  that  truth  shall  make  men  free,  Thatlife  shalllive  e  -  ter-  nal-ly,   Wepraiseour  Al-ma  Ma  -  ter. 

bat-  tle-mented  tow'rs  shall  rise,  Beneath  the  hope-filled  western  skies,  'Tis  our  dear  Al-  ma  Ma  -  ter. 

h 


Copyright, 


oti,  by  HIXDS  &  NOI 
(7) 


Words  by  F.  Frank  Steigmeyer. 

SOLO. 

1- 


JOHN  D,  ROCKEFELLER. 

UNIVERSITY  OF  CHICAGO. 


£„         There    ,,is.       ,a       'Var    -^    -    ty        out      in      thewS 


Arranged  by  James  Kendrick. 

CHORUS. 


^TOey        ^    i?.,      he     mad'e  '  il    '    b^     f°orm  - ,t  ?  "Sj          ^  '  °a  ^!  CM  - 

».  We      ad.  vise     you,    kind  friends,  keep     J      gf    ff  J.  £%         Si  I S         I         &  g}l 


^*~"*          — -StTShf^J 


CHORUS. 


Go  it,  Chi  -  ca 
Go  it,  Chi  -  ca 
Go  it,  Chi  -  ca 


go! 
go! 
go! 


Head  -  ed        by       wis  -  dom    that 
°f  •    •          this        man  .  .        we 
The       race-course     is         long,  .   .        the 


J 


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jrs.  ~  PTut  ^  -£  -  ^    wer  -  h 

world    it        in -eludes,'      A?d        all    '  wLo  wo"ld     sta'rf    «        tte 


And 
X 

Must 


i*EL^| 


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*=t 


=q=s=p:= 

=^i=£=&=; 


t^fcrr-fdf^ 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(8) 


JOHN  D.  ROCKEFELLER. 


m 


f 


m 


oth  -  ers  are  long-ing  to    share       the     lot        of     Chi  -  ca 

For         to      him       we    owe         our    all        at     Chi  -  ca 

train  with  us       here      for  ma    -     ny  a  year      at     Chi  -  ca 


go!  ...  go! 
go!  ...  go! 
go!  ...  go! 


^^ 


^ 


^= 


=t 


=3= 


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3 


S    Tf        -^  *-«••«         -£-*•' 


CHORUS. 
IST  AND  2n  TENOR. 


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l=- 


-rr<S> g— rg  \  i  &>-. 

IT-  -to ^ — r^*-1-  -r2— 


John     D.    Rock  -    e  -  feller,      Won  -  der  -  f ul    man       is        he,  .  .  Gives      all        his  spare  change 

IST  AND  2o  BASS.    (Air.) 

.     •£?.      -*-      ^_.     ^,    I. 


f 


w/ 


to         the       U.  of 


He     keeps      the      ball          a         roll    -  ing  .  . 


In 


^ 


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our  great     'Var      -      si     -      ty;  ...  He        pays       Doc    -    tor         Har  -  per         To 


±=± 


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trf: 


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help      us     grow      sharp    -  er,        To       the    glo    -    ry       of 


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U. 

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(9) 


1893. 

UNIVERSITY  OF  CHICAGO. 


Words  by  F.  Frank  Steigmeyer. 

Moderate. 
SOPRANO  AND  ALTO. 


Arranged  by  R.  W.  Atkinson. 


1.  Oh,  we     came  here      in       the  au    -    tumn  of  eigh  -  teen  nine  -  ty  -  three ;  A 

2.  Oh,there  were  more  profs,    than  stu  -    dents,  but  then       we  did  -    n't      care  ;  They 

3.  Oh,  the     com  -  mons  start  -  ed  up       that    year,  this  was     their  bill        of      fare  :  1 
TENOR  AND  BASS.                                                 ^— •v. 


ITA17    A     »     p         p         P         P       "F         *         p         P         P-l 

i  —  L  i_    -^  —  r  — 

F^-fr4—  K—  «-r-&  tar  tz       iz    i-tz       U'^lz       BEff 

—  »  9-  »•  —  —  »  — 

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Ix       U»       'lx       I 

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(y  17                   ^       "           !         _l  -  ~"^^   i           iw 

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—  Is  M  —  1—    -H* 

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V17              V             m            m            m  -           m            m            5             m           •             m 

_j  d-r-d  d- 

—  rt— 

^~^     ^                               m            9            "w° 

half      -  a  -    doz    -    en         build       -      ings,     had    then       the 
spent     their    days       in        re  -  search    work,  their    eve  -  nings 
"Sauce     with     mold,  weak      cof    -   fee      cold,    and  a  hunk       of 

*          "8"         ~£          m         *"     "^              P                       » 

-J       i       *          ^-  J 

U.        of        C.             Cobb  .  . 
at        the     Fair  ;          And     .  . 
griz    -  zly      bear;         And     the 

fo\.  LJ*        p                  i         C        &        L        iSli          lat 

*          *          *             * 

F         r*        *            * 

S^'b  u               IX         IX         IX        n,.      .             r~         ,          t 

M 

•                                       L*  —   iX         iX         iX        i           iX 

lx        lx                     iX^ 

IX                                                                                                        IX 

A    K                                                                                        K            IS 

x< 

IS           IS 

Vi'           K            K             >»            IS            >>                '  —  -                N  1      -  S 

—    r  '! 

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r       r  - 

«  '    ri 

1 

v  v          s          S          2          2S          *m                            c 

+         «        • 

!       | 

Hall       was       then        the        on    -      ly      place  where     we      could     dai   -    ly      flunk,          And  .  . 
life         up    -    on         the      cam    -    pus  .     .        was      one       con  -    tin  -    ual     swing  ;        We  .  . 
man       who  caught      the      most      roach  -  es,       at     break  -  fast        or         at        tea,            Was  .  . 

E2?ti2       |*(*bp|b»pbl|              |                                                         i*          0  — 

~t        Ix 

is                    N         is         is 

-P  —  r-bf  — 

U          IX         1 

x       lx 

L/    C            !                ^           ^j                ,                                               iw 

i                            • 

~f\_    n     u          JB                          !                                              M                     W                     ^B                                                   Jlk                  *L 

**              S             IS             N 

i                 1 

fflv                     •!                         i                       n          J           ~N  "^    P 

j                     r 

V  >         J        5         ^         J         j         j         e         «      NJ        < 

•         -  . 

|        ^                 1 

in          the        dear        old      Drex    -     el  "  Dorm.,"  was       the       on     -      ly       place         to 
watched     the        Fer    -    ris       wheel        go     'round,     and       we      did     -     n't        do            a 
deemed     the         he    -    ro           of         the       hour,       there      -      aft-    -     er       wore         a 

TT 

bunk, 
thing. 

"C." 

/iY  k*         r                   ili'i*                    it       it     \   r 

ft         it         ft 

*           1 

F          r          r 

2           1 

'^^"^n  K                    ^X            IX             ^                                          i                   v       x               ^ 

•P                                                                                                                           1           L^                            L^                            1^                            *^      ^"^  *^    1*^ 

S            L«            B 

|             1 

k                                                                                      Ix 

CHORDS. 

v  , 

i^b^b      i        *      ~  ^        *l         «         "~^       *         *           i 

->  —  r    =e=j 

^.[)  —  ^  —                                                  —  -4  — 

"1  -S  •*  «- 

*  

•-  —  ^ 
O         Chi    -    ca    -    go,         0          Chi    -    ca    -    go,         How  . 

i*           *           *                        i*                                      ^~~~ 

»              +              9             + 

great    you've    grown      to 
-  1—  p-  »  p-  *  =1 

^  *  —  z=,:iz-__u_  BE  ^  r^     u     LS^^ 

k—  1 

Copyright,  1902,  by  HINDS  &  NOBLE. 
(10) 


1893. 


Ht 


l-^-4L_ 


be  Since  .  .       first       we        cast        our       lot       with    thine       in     eigh   -  teen     nine    -  ty  - 


i 
three,       O      Chi    -  ca    -  go,        O       Chi    -  ca  -    go,    How    great  you've  grown    to 


be         Since 


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^—  —  0  «  «  0——>  —  -0  — 

—  •*  *  *  — 

first         we         cast         our         lot 

with      thine         in        eigh  -    teen       nine      -   ty  -  three. 

0       f       f        *** 

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4  Oh,  the  girls  were  mostly  twenty-eight,  and  after  "Ph.  D's." 
They  took  four  hours  in  those  old  days  ;  there  were  no  extra  fees  ; 
And  the  men  were  mostly  married,  which  proved  a  great  hoo-doo 
To  all  society  events  ;  what  could  the  poor  girls  do  ? 

6  The  base-ball  and  the  foot-ball  teams  were  poor  when  at  their  best, 
But  now  they're  great,  defying  fate  as  champions  of  the  west ; 
To  Morgan  Park  was  quite  a  trip  for  teams  when  we  first  came, 
But  now  we  go  from  coast  to  coast  and  seldom  lose  a  game. 

6  Then  Stagg  was  catcher,  pitcher,  coach,  shortstop,  and  halfback,  too, 
For  in  those  days  of  "  auld  lang  syne  "  our  athletes  were  few  ; 

But  now  three  men  with  brawn  and  brain  are  trying  for  each  place, 
And  these  three  persons  with  A.  Stagg,  decide  the  pennant  race. 

7  Oh,  the  Glee  Club  took  a  trip  that  year,  they  made  it  in  a  day  ; 
The  second  stop  was  Downer's  Grove,  the  first  was  Aurora  ; 

But  now  we  feast  and  dance  and  sing  ;  through  distance  fast  we're  whirled, 
And  when  the  Glee  Club's  air-ship's  done,  we'll  tour  around  the  world. 

(11) 


Moderate. 


MONST'OUS   DREFFUL  BOGIE  MAN. 

MAMMY'S   LULLABY. 

Music  by  Kingsley  Kendrick  Lloyd. 


^ffti 


ipip^ 


1.  Heah,    yo'       Ras-tus,shet    yo'     lit  -  tie  sleep  -  y    haid, 

2.  Laws  now,     Ras-tus,     I    done  gwine  tu'h  swat  yo'  hard, 


Mam-my  gwine  tu'h  rock  huh  lam'   to 
Slap    yo'  tu'h     a    peak  an'  break  it 


tfez 


&==& 


'3 


CHO. 


res', 
off.  .     , 
8va 


Eb-ry     lit  -  tie    pos  -  sum  chile  am    dream-in'   in      its      bed 
Monst'ousdref-ful    bo  -  gie  man  am    wait -in'    in      de      yard',—! 


Yo's   ma  pre-cious  hon-ey,    yes,   yo'     am 
Mammy's  on  -  ly     jo -kin',  yes,  she     am 


Swing,  oh, sing,  ho  !  Lu  -  cy,whar'yo' 
Swing,  oh,sing,  ho  !  Pe  -  tali,  yes,     I 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(12) 


MONST'OUS  DREFFUL  BOGIE  MAN. 

CHO.    Yes,  yo', 


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bin     so      late  ?  .  .                     Lein  -  me  catch     a     nig  -  gah  court  -  in' 
see     yo',  git  !  .  .  .                    Wash  -  in'  -  ton,    I'll   cu'l    yo'    wool    fo' 

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Hur  -  ry     up,      yo'    ras  -  cals,  fo'  dere's  co'n  bread  on      de      plate,  Fo'   mammy     loves    huh 

Neb  -  ber    in       de  whole  roun'  wo'ld    I      seen   sich  chil  -  luns    yit,  But  mammy    loves    huh 


^ 


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poco  ril. 


a  tempo. 


poco  rit.  e  dim. 


a  tempo. 


For  mam      -       my  loves     .     .     .      huh  lams, 


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gr^rril  f  •^-^[L-U^r^ 

L=  - 


^^^|i^-i>rT|fT^][  |i|*gi  ix-jl 


(13) 


MY  COLLEGE  GIRL. 


Alice  W.  Kellogg. 

Lively. 


Junius  W.  Hill. 


SOPRANOS. 

r$  ^  —  f— 

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^             •             V             IX            IX            IX                                                                                                                                           v  •              -»• 

1.  She       is      skilled  in    math-  e    -    mat-ics,  And  knows  more    of      hy  -  dro  -  stat-ics  Than      I 
2.  She      can  French  and     Ger-man     speak,      And     can    write    in       an-cient     Greek,      Get  -  ting 
3.  She,      al    -   tho'    'tis     not    her      hab-it,     Can     dis  -  sect      a     good  sized    rab-bit,    Giv  -  ing 
ALTOS. 

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all 
you 

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IX 

er  learned  at     col  -  lege   first      to       last.         She 
the     va-rious  ac  -  cents  quite  cor  -  rect.        Tho' 
the   name  of    each  and    ev  -  'ry      bone.     Much 

-TT-*  — 

per  - 

she 
she 

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forms  ex  -  per  -    i 
deals  hard  blows   at 
knows  of    plant  and 

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Russians 
tree, 

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In     his  - 
On    the 

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div-ers  el  -  e  -  ments,  At  which  Ed  -  i  -  son  would  shy  and  stand  a-ghast.  She  per- forms  ex  -  per - 
tor  -  i  -  cal  dis-cussions,Not  a  flaw  in  all  her  log  -  ic  I  de  -  tect.  Tho' she  deals  hard  blows 
land  and  in  .the  sea,  Slight-ing  not  meanwhile  the  all -im  -  por-tant  stone.  Much  she  knows  of  plant 


-0-  -0-  -*-     -&•     —^    -&•   -0>- 
~ — -      i^       ^     -0>-    P     i  ^ 


i-ments  With  the  di  -  vers  el  -  e  -  ments,  At  which  Ed-  i  -  son  would  shy  and  stand  a-ghast. 
at  Russians  In  his  -  tor  -  i  -  cal  dis-cussions,Not  a  flaw  in  all  her  log  -  ic  I  de  -  tect. 
and  tree,  On  the  land  and  in  the  sea,  Slighting  not  meanwhile  the  all  -  im  -  por-tant  stone. 


4  Like  a  statue  she  can  pose, 

And  interpret  learned  prose, 
In  a  way  that  makes  my  pulses  wildly  beat. 

She  has  studied  poetry  lyric, 

Epic  also  and  satiric, 
Till  her  diction  and  her  style  are  quite  complete. 


5  More  than  all,  the  little  sinner, 
She  can  cook  as  good  a  dinner 

As  a  hungry  man  would  ever  wish  to  spy ; 
And  I  challenge  the  world  over 
If  two  folks  they  can  discover 

Quite  so  happy  as  my  college  girl  and  I. 


By  permission. 
(14) 


ALL  FOR  THE  SAKE   OF  CALIFORNIA. 


Words  by  M.  H.  Schwartz  and  R.  W.  Tully. 

INTRODUCTION. 


Music  by  Richard  Walton  Tully. 

Till  ready. 


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1.  Come,  all     ye     Ca  -  li  -  for  -  nia  men, we'll    raise          a  song       All       for   the  sake  of    Ca  -  li  - 

2.  For   man  -  y    years  we    wait-ed    for     a     President  to     ap  -  pear,       All       for  the  sake  of     Ca  -  li  - 

3.  For  years  we   have  been  working    in    our  buildings  old  and  gray,       All       for  the  sake  of     Ca  -  li  - 


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for      -      nia,          A        jol  -  ly      cho  -  rus,     fel  -  lows,  and  we'll 
for      -      nia,         To      lead    us       on  -  ward  hand    in     hand    to 
for      -      nia,        But     now     at      last     we    know  that    they    will 

sing      it      loud   and    long, 
tri  -  umphs  that  were    near, 
not      be     there    to      stay, 

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for  the  sake  of  Ca  -  li  -  for  -  nia. 
for  the  sake  of  Ca  -  li  -  for  -  nia. 
for  the  sake  of  Ca  -  li  -  for  -  nia. 


Be  -  neath  the  oaks  that  crown  the    hills    be  - 
At     last  one  came.  A       no  -  ble  friend  and 
A       no  -  ble     wo  -  man    saw   our  need  and 


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Copyright,  1902,  by  HINDS  &  NOBLE. 
(15) 


ALL   FOR  THE   SAKE  OF  CALIFORNIA. 


side  the  Gold -en    Gate,  We'll  pledge  the  Gold -en   Vars-'ty     of    our     fa -mous  Gold  -  en  State.  While, 

com-rade    is      he    now,  We'll  stick  to    him  thro'  com-ing  years,and   loy  -  al  -  ty        we  vow.    Then 

stretched  a    help -ing  hand    To    make  our      U  -  ni  -  ver -si  -  ty     the     fin  -  est     in        the  land.    Then 


up  a-bove,  the  Gold-en  Bear  is  watching  o'er  our  fate,  All  for  the  sake  of 
here's  three  cheers  for  President  Wheeler  with  an  Osk  -  i  -  wow  !  All  for  the  sake  of 
here's  three  cheers  for  Mrs.  Hearst  and  for  her  pui'pose  grand.  All  for  the  sake  of 


Ca  -  li  -  for  -  nia. 
Ca  -  li  -  for  -  nia. 
Ca  -  li  -  for  -  nia. 


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CHORUS. 


For 
For 
For 


the 
the 
the 


sake 
sake 
sake 


of 
of 
of 


Ca  -  li  -  for  -  nia  man  -  y  things 
Ca  -  li  -  for  -  nia  man  -  y  things 
Ca  -  li  -  for  -  nia  man  -  y  things 


we 
we 
we 


do; 
do, 
do, 


And 
But 
And 


to 

the 

to 


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night  we're  eel    -  e-  brat -ing  for      the    Gold        and        Blue;       It   may  ap  -  pear  we're  sing  -  ing 

Re  -gents found     a    man  who  was    both  tried        and         true.  We're  sat -is  -  fled    with  Benja-min 

night  we're  eel    -  e  -  brat  -  ing  for      the    Gold        and        Blue.     The  great-er      U    -    ni  -  ver  -   si  - 


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(16) 


ALL   FOR  THE   SAKE   OF   CALIFORNIA. 


here  Of  things  that  are  both  strange  and  queer, But  it's  all  for  the  sake  of  Ca  -  li  -  for  -  nia. 
Ide  And  with  him  we'll  stand  side  by  side,  But  it's  all  for  the  sake  of  Ca  -  li  -  for  -  nia. 
ty  Up -on  the  cam-pus  soon  will  be,  But  it's  all  for  the  sake  of  Ca  -  li  -  for  -  nia. 


_^-J-^-*± 


TENORS. 


THE  BONDS  OF  LOVE. 

Music  by  Walter  Howe  Jones. 


A     love-lorn     lad    wooed  a      coy  maid  once,        All    of      a    summer's    day     he       plead;  Oft  he 
BASSES. 


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spoke     of     the  bonds    of       love,      the  dunce! And  she     shy     -     ly  shook   her     head.     When 

4_ . |_  _  i     _j_ 


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from       his         heart  hope    had      al    -    most     fled,         He      spoke      of        the    bonds         he 


k     P  J^     U»     P 

in  town.  Still  the    shy      lit  -  tie  maid-en    shook  her  head, But   she  shook  it         up     am 


*  /Suit  t/ie  action  to  the  words. 


Copyright,  1901,  by  WALTER  HOWE  JONES. 
(17) 


With  exaggerated,  mock  solemnity. 
TENORS. 


BROKE!  BROKE!  BROKE! 

Music  by  Walter  Howe  Jones. 


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u>    u» 

Broke!  broke ibroke!        All  thro' my  col-lege     days,    And    I  would  my  tongue  could  tell  ..  Of    the 
BASSES.     _^      _,.      =*. — ..  s      N      s 


a  tempo. 


.  ,         .  k.  II 

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bills  my   fa-ther    pays.     Oh,  well  for  the  high-school  lad      When  he  works  both  night  and    day;     Oh, 

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well  for  the  fresh-man    too,    .  .   Till    he  learns  to    be  smooth  and  gay.     And  the  sport.-  y    days  pass 


by.  .  With  the    old  debts  enlarged  by      new.      But    oh,  to  be  square  with  the  world  a- gain,  And  be  - 


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from  the  duns  of    the     Jew.    . 


Broke!  broke!   broke!     Oh,    be      kind    to     our  mourn- ful 

K       N       N       I          JS 


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plea,    But  the   pleas-  ing  touch  of    the     cash  that    is    gone    Will  nev  -  er     re  -  turn   to       me.  .  . 


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Copyright,  1902,  by  HINDS  &  NOBLE. 
(18) 


THE   GOLDEN   BEAR. 


UNIVERSITY    OF    CALIFORNIA. 
Words  by  C.  M.  Gayley.  Arranged  by  James  Kendrick. 

Allegro.     TENORS. 


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1.    Oh,        have           you       seen       the       heav  -    ens       blue,       hear 
2.  And           oh,          that    Bear's        a         gold   -    en        sight,       gold 
3.    He           has             a          ve    -     ry          pa    -  tient        air,          pa 
4.    Oh,        have           you       seen       our        ban  -    ner        blue,       ban 
BASSES.               | 
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-    ens    blue,      When     just 
-    en      sight,         A        -        - 
-  tient      air,          He     .     . 
-    ner       blue  ?      The  .     . 

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Eight    o    -   ver  -  head,     a 
And   once  you've  seen    him 
He's  cen  -  ter  -  rush       in 
A      Cal   -  i   -  for  -   nian 

^—  N^^^^i-£=^M=*=f=-^=f^ 

sev    -    en    stars    are  danc  -  ingthrough,  danc-ingthro',  Right  o   -ver-head,          a                 jo  -  vial 
circ    -  ling  round  the    pole     all    night,   pole    all  night,  And  once  you've  seen      him         you're    all 
grows        a      Pad  -    e  -  rew  -  ski     hair,  Paderewski  hair,  He's  cen  -  ter  rush          in       th'  heav'ns,! 
Gold  -    en    Bear      is       on       it,      too,      on       it,  too,     A     Cal  -  i  -    for    -    nian,       through  and 
Eight     o    -   ver-head,        a 
And    once  you've  seen      him 
.                                                                                                                                             He's  cen  -  ter  rush        in 
M        fe                                                                                                                   A_    Cal    -    i.-  for    -  nian 

,.,/••    f   f  _,s    Is    h    i     h    ^  .  i*  ^   *       i  r*  h  P*  0    0 

V—  ti—  t—t  ±s!_=?r=3-3    B^2E 

f*              •                             \           \ 

jo     -      vial       crew? 
you're          all      right, 
tlr  heav'us,      I         swear, 
through        and  through, 

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Bear.           Right      o    -    ver  - 
Bear.           And     once  you've 
Bear.           He's      cen  -  ter  - 
Bear.              A      Cal    -    i   - 

J            zzzc* 

crew  ~>     .     .     .      They're      join  -  ing      hands        to        make       the 
right  —  .     .     .         You've    seen      our       Cal    -      i    -      for    -     nia 
swear,    .     .     .           Our          si  -    lent,     stur    -    dy       Gold    -     en 
through,      .     .           Our         to  -  tern       he,          the       Gold    -     en 
Jo     -       vial      crew? 
you're          all      right, 
th'  heav'ns,       I        swear, 
through         and  through, 

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Eight       o^-  ver  -  head,       a  jo     -  vial    crew? 

And    once    you've  seen  him     you're  all      right, 

He's     cen  -  ter  -  rush  In  th'  neav'ns,      I     swear, 

A        Cal    -    i    -    for  -  nian    through  and  through, 


head,  a  jo  -  vial 

seen  him  you're      all 

rush  in        th'  heav'ns,  I 

for    -  nian         through  and 

Eight      o    -  ver  -  head,        a  jo    -     vial    crew? 

And  once    you've  seen  him    you're        all     right, 

He's  cen  -  tei-  -  rush        in  th'  heavn's,     I     swear, 

A  Cal   -    i    -     for    -  nian  through     and  through, 


crew? 
right, 
swear, 
through, 


.  They're  join -ing  hands  to  make      th  Bear. 

.  You've  seen   our   Cal    -  i    -    for  -  nia  Bear. 

Our      si  -  lent,  stur  -  dy      Gold  -  en  Bear. 

Our      to  -  tern    he,  the    Gold  -  en  Bear. 


Pi 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(19) 


Words  by  Clarence  Arthur. 
Lively. 
SOLO. 


JOLLY   GOLFING   WEATHER. 

Music  by  Lloyd  Adams. 


mf 

1.  Jol        -       ly    golf   -   ing    weath-er, And  a  smooth   fair  green; 

2.  Ah,  what  tempt-  ing     mad  -  ness .     .     .      In  Jeanne's  glanc  -  ing  eye! 

3.  Oth  -  ers   will  soon       o'er  -  take    them,     ....      Oth  -  ers   will  soon  "  pass  through ;"'  But 


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Two  Ollt         to  -  Seth  - « Jack  paired    with      Jeanne. 

Earth  knows  naught  but     glad -ness;      ....        John    -   nie's  heart     beats      high, 
here's  to    their  health,  God  bless    'em!.     .     .     And     here's  to     Cu    -    pid       too 


=£ 


CHORUS. 
,.  SOP.  AND 


Tramp,  tramp  to-geth-er,      With  no  cad-dy  but  Love,  de  -  mure  I  Stroll.stroll  to-geth-er  With 

TENOR  AND  BASS. 

!•  A    s 


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Tramp,tramp,     tramp,  tramp,        tramp,          tramp,    tramp,  tramp,  Stroll,  stroll,     stroll,      stroll, 


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Copyright,  1900,  by  HINDS  &  NOBLE. 
(20) 


JOLLY  GOLFING   WEATHER. 


•  pjhj.  E  i     hJ^JHrf-^  Jl'TjhJ   JiAJ^ 
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Cu-pid  discreet -ly    "  fore." 



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Stroll,  stroll  to-geth-er,     .   WithCu-pid  dis-creet-ly   "fore." 

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THE  SPELLER'S   FATE. 


If        an        S        and      an        I        and      an        0       and       a         U      And     an        X        at     the 


end    spell        Su,  .     .     .        And     an        E       and      a          Y       and     an        E        spell        i;      Pray 


-* ^- 


what        is        a       spell  -  er        to          do  ?  ...      Then      if        al    -     so        an        S         and    an 


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I         and      a         G        And    an        H         E  D        spell        cide ;    .     .       There    is      noth  -  ing 


left       for      a      spell  -  er      to          do,       But     to        go    com  -  mit      Sioux  -  eye    -    sighed. 
Used  by  permission  of  CHARLES  "W.  GAYMAN,  owner  of  the  copyright. 
(21) 


LAST  NIGHT. 


Words  of  3d  verse  by  Arthur  Nash. 

n   L      SOLO.     Andante. 

Halfdan  Kjerulf. 

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1.  Last  night    the  night  -  in  -  gale  woke         me,    Last    night  when 
2.      I     think     of     you      in      the     day    -    time,      I     dream      of 
3.  Near  you      the     mo-mentsare    gold    -     en,    With  hope     you 
CHORUS  HUMMING.                                  ^  s 

1  —  ^  ^  L_|  — 

all      was    still, 
you       by    night  ; 
fill       my   heart; 

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sang        in         the 

wake      and     would 

ab    -   sent       all 


gold   -  en    moon  -  light,  From      out   .    .     the      wood  -  land    hill.  I 

you      were    here,     love,     And      tears     .     are    blinding  my      sight.  I 

life      seems  dark,     love,      All       joys,  .   .     all  pleas-ures   de  -  part.  The 

/T\ 


dolce. 


o  -  pened  my    w;n    -  dow       so      gen-  tly,       I      looked     on   the   dream -ing       dew,  .  .     And 
hear       a     low  breath    in          the     lime   tree,   The         wind  is      float  -  ing       through,    And 

zeph  -  yrs  that  waft      you       to     dream-land,  Each      ray    from  the  heav'n  -  ly         blue,  .  .     The 


oh!  the  bird,  my  darl  -  ing,  Was 
oh!  the  night,  my  darl  -  ing,  Was 
winds,  the  stars,  my,  darl  -  ing,  are 


sing  -  ing,  sing  -  ing  of 
sigh  -  ing,  sigh  -  ing  for 
tell  -  ing,  Tell  -  ing  my 


you,  of  you. 
you,  for  you. 
love  for  you ! 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(22) 


HAIL,  STANFORD,   HAIL! 

LELAND   STANFORD,   JR.,  UNIVERSITY. 
Words  by  A.  W.  Smith.  Arranged  by  R.  W.  Atkinson. 

SOPRANO  AND  ALTO. 


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«j          -5-       -ah      •*•      •*•       -9-       •»*••*•             -9" 
1.  Where    the       roll    -  ing      foot  -  hills      rise               Up  t'wards  moun  -   tains 
2.     Ten  -    der       vis    -  tas         ev    -    er       new          Through  the      arch    -    es 
3.  When      the      moon  -  light  bath'd     ar  -   cade            Stands     in       eve    -    ning 
TENOR  AND  BASS. 

_-44—  J  .  *  0-  ,  ^  ^  0-  —  r—  ^  F-  ~f^  bm— 

high       -        er, 
meet     the    eyes, 
calms,     . 

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(23) 


A  FOOT  BALL  SONG. 

LELAND   STANFORD,   JR.,   UNIVERSITY. 
QUARTET.  SOPRANO  AND  ALTO.  Air,  "  Marching  Through  Georgia." 


1.  Our      boys      are  on         the    foot  -  ball  field,  They've gath  -  ered  for        the      fray;     The 

2.  Our      play    -  ers  ev    -     'ry      one      are  made     Of        mind     and  mus   -   cle    tough;   The 

3.  Hear      oui  half  -  backs  mut  -  ter,       As       they     stand    there  firm       and    true,  "Up, 
TENOR  AND  BASS. 


ez. 

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*  Stan  -  ford  yell  is  in  the  air,  We've  come  to  win  the  day.  We'll  teach  the  game  of 
com  -  bi  -  na-tion  al  -  ways  works,  For  they  are  up  to  snuff;  They'll  show  the  Berke-ley 
up  with  grand  old  car  -  di  -  nal,  And  down  with  gold  and  blue."  Lau  -  rel  crowns  a - 


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foot  -ball     To     our  friends  a  -  cross    the    bay,     While    we       are  shout  -ing      for        Stan  -  ford, 
f  el  -  lows  That  they're  clia-monds  in      the  rough,  While    we      are  shout-  ing      for        Stan  -  ford, 
•v/ait  them  both,  Old     Jule    and   Rey-nolds,too,     While    we      are  shout  -ing      for        Stan  -  ford. 

p         m         m         m          m                                         <rz            —          ^  .       ^        -.          -.             ft 

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CHORUS 

5. 

1^  1^  1  1  1  ,  ^.  1  :  -:  K.  

IX         IX       U          1^ 

Then  rush!  oh,  rash!  We'll  rush  the   ball     a -long;  A    kick,    a  shove, We'll  send  it  through  the  throng.   No 


PH 


line  can  stop  our  f  el -lows  In  their  rush- es  fierce  and  strong,  While  we    are  shout-ing    for    Stan-ford. 
•      ^      •_*_g_^_f^__^_^±=f__g 


Just  watch  our  Cochran  take  the  ball — 

This  time  we'll  see  some  fun; 
The  Berkeley  boys  are  rattled, 

And  he'll  score  another  run; 
Like  lightning  through  the  line  he  goes — 

The  victory  is  won — 
While  we  are  shouting  for  Stanford. — CHO. 


5  Then  shout  the  grand  old  Stanford  yell, 
We've  sent  her  through   the  goal; 

The  Berkeley  line  looked  solid, 
But  our  full  back  found  the  hole ; 

See  the  rush,  the  scrimmage, 
Then  the  tackle  and  the  roll, 

While  we  are  shouting  for  Stanford. — CHO. 


Melody  used  by  permission  of  THE  8.  BBAINABD'S  SONS  COUP  AS  y, 
•  The  names  of  any  other  college  and  players  may  be  substituted. 

(24) 


THE  YELLOW  AND  BLUE. 


UNIVERSITY  OF  MICHIGAN. 


Words  by  Charles  Gayley. 

With  animation.  (Melody  in  2d  Tenor.) 
TKNOKS. 


Music  by  Balfe. 


1.  Sing             to           the        col     -    ors             thf 
2.  Blue             are          the         bil    -   lows            tht 
3.  Here's           to           the        col    -    lege          who 
BASSES. 

to-                                 ~~^             *           ^   ~ 

it          1 
It          1 
se 

—  ,  — 

loat            in            the      light;          Hur  - 
3ow             to            the         sun         When 
col      -      ors            we        wear;      .     . 

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J               J             J            L.    !        IX            s, 

rah         for         the     Yel    -    low      and 
yel    -     low    -  robed  morn  -  ing          is 
Here's        to         the     hearts    that      are 

T"                                    "rj7 

Blue!             Yel    -    low        the        stars      as         they 
due;               Blue        are        the        cur  -  tains      that 
true!            Here's       to         the        maid     of         the 

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ride  thro' the  night,And  reel  in  a  rol- lick -ing  crew; 
eve-ning  has  spun,  The  slum  -  bers  of  Pho3- bus  to  woo; 
gold  -  en  hair,  And  eyes  that  are  brimming  with  blue ! 


y 

Yel  -  low 
Blue  are 
Gar-lands 


the  fields     where 
the    blos-sotns    to 
of     blue  -  bells   and 


rip  -  ens 
mem  -  o     - 
maize  in     - 


the   grain,   And      yel  -  low 
ry    dear,     And      blue      is 
ter  -twine;   And   hearts  that 


the 
the 
are 


moon  on  the 
sap  -  phire,  and 
true  and  .  . 


har  -  vest  -  wain;  Hail! 
gleams  like  a  tear  ;  Hail  ! 
voi  -  ces  corn-bine;  Hail! 


^M 


:«: 


the  col -ors  that  float  in  the  light;  Hur-rah  for 
the  rib-bons  that  na  -  ture  has  spun;  Hur-rah  for 
the  col  -  lege  whose  col  -  ors  we  wear ;  Hur  -  rah  for 

J X-^—J fc-^J ^ 


the  Yel -low  and  Blue! 
the  Yel -low  and  Blue! 
the  Yel -low  and  Blue! 


By  permission. 
(25) 


RAH!   RAH! 

UNIVERSITY  OF  MICHIGAN. 

Words  by  C.  M.  G.  and  F.  N.  S.  Music  by  A.  A.  Stanley. 

With  vigor. 
IST  AND  2o  TENOR. 


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1.  Rah!  Rah!     U        of        M! 

1ST  AND  2D  BASS.  •> 


Rah !  Rah !     U        of        M !        Rah !     Rah !     U          of 

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Allegretto. 
Cheerfully. 


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tears     for      the        sea  -  son,     the        sea  -   son,  when      sor  -  row        ap    -     pears;  Of 

Of         tears     for       the 


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smiles  when   our         dreams  come    true,          Of      smiles  when   our         dreams        come   true. 


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CHORUS.     Grave. 

\ U 1 


^      Brightly. 


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So    a     tear    we     shed    for  those  who  are   dead,   A      tear    for  those  who  are    dead ;  And  a 

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By  permission. 
(26) 


RAH  I   RAH  I 

cres. 


— 


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laugh,  And      a      laugh, 

And      a    laugh,  And      a    laugh, 


And      a      laugh,  And     a    laugh,  laugh, 


2  Oh,  life  is  a  beaker  of  laughter  and  tears, 
That  has  stolen  the  autumn  leaf's  glow ; 
We  blow  off  the  foam  in  our  earliest  years, 
Then  quaff  the  dark  liquid  below. 


3  Oh,  life  is  a  maiden  all  laughter  and  tears, 

With  kisses  for  lips  that  are  young ; 
With  frowns  for  the  craven  that  falters  and  fears, 
With  sighs  for  the  songs  that  are  sung. 


GOOD-NIGHT,   LADIES! 


Sostenuto. 
f  TENORS. 

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1.  Good    -    night, 
2.  Fare    -     well, 
3.  Sweet      dreams 
f  BASSES. 

la  -  dies!     .     ,                good 
la  -  dies!     .     .                 fare 
la  -  dies!     .     .               sweet 

-    night,        la  -  dies!     •                  1 
-    well,         la  -  dies  !    . 
dreams,      la  -  dies!     .                 £ 

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Allegro. 


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la  -  dies !  We're  going  to  leave    you      now.     .  Mer  -   ri  -  ly        we   roll        a   -   long, 

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Repeat,  pp 


roll     a  -  long,     roll     a-  long,       Mer  -   ri  -  ly      we  roll     a  -long,     O'er   the  dark  blue  sea. 


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(27) 


INTRODUCTION.     Lively,  Imitating  Banjos. 


MY  OLD   BANJO. 

Arranged  by  Lloyd  Adams. 


\ — *— 


*-cs=^-     =CS— —  * 


1.  Full   well       do      I          re-mem-ber  .  .   .         The  time    when  long       a  -  go,  .     .     .     .       The 

2.  Its    head    was  some  -  what  bro  -  ken,    .  .  Its   neck    had  need      to     grow;   ...          It 

3.  One  night,   I'll  ne'er     for -get      it,    ...  I    took     part    in         a      show;    ...          I 


*—*— ' i-iH i-iH *—* 


»— •}-*-*- 


-*-*— 


wild      de-sire      first  seized  me     . 
sound  -  ed  cross    and  grump-y,     .     . 
sat       be -fore      the  foot  -  lights,    . 


--J-, 


To  buy  my  old  ban  -  jo.  . 
And  told  sad  tales  of  woe. 
And  played  so  soft  and  low, 


'Twas  of  -  fered 

The  prof  ess  -  or 

We     set       the 


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for  two    dol  -  lars,  . 

said          quite  cool-  ly,      . 
peo      -      pie    smil  -  ing,    . 


A     sum  so    mean          and     low 

"Get    out!         that  thing's         no      go;" 
Then  set          their  tears  a    -  flow; 


I 

But 
Their 


* 


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f 


f 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(28) 


MY  OLD   BANJO. 


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bor  -  rowed         straight      the      mon  -  ey,                             And    bought      my       old           ban  -  jo 
still       I                 prac    -    Used    fond  -  ly                                Up  -  on            my       old           ban  -  jo 
smiles  and             tears         be    -    guil  -  ing,                            With    just          my       old           ban  -  jo 

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CHORUS.* 
TENORS.     (Melody  in  Sd  Tenor.) 


Yes,    yes,    that     old      ban  -  jo,  .     . 
BASSES. 


I 
For     tho'     'twas    long       a    -    go, 


Its 


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strains      in        mem  -  'ry         dear  -  er        grow,      I  hear 

.  /TS 


the         old          ban  -  jo. 


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(29) 


MY  TRUSTY  TROT. 


Words  and  music  by  Clarence  Arthur. 


Moderate. 
SOLO,  mf 


1.  I      ride     a       lit  -  tie     trot, 

2.  When  crams  come  fast  and  thick, 

3.  When    I'm   out    ver  -  y      late 

4.  I     take  up      ev  -  'ry     game, 

5.  Me- temp -sy  -  cho-  sis    suits 


Just  where, I'm  loath  to      tell; 
In     Lat  -  in, Greek, and   Trig., 
At  dance,  or     play,  or    bout, 

Lawn-ten  -  nis,  golf, base-  ball ; 


I      ride     it    quite    a 

Don't  let    'em    make  you 

Or     loll  -  ing   on     the 

I've      e  -  ven  won  some 


The     vis  -  ion  -  a  -  ry    crank;         And  man  -  y     wise   ga  - 


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—  well  —            Joe 

Patch-en 

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in 

it!    .  .     Maud 

sick,               No, 

don't  give   up      the      jig;               On 

Trig.,  don't 

be    un 

-     ea  - 

sy,  .  .      Give 

gate            Where  my    best  girl  han<js  out  ;             Next 

day  there 

is      no 

flur- 

ry,  .  .       I'm 

fame               In 

our    fast  eight-oared  shell.            You 

won-der    how    I 

do 

it!  .  .       I'll 

loots              On 

spir  -  it     rap  -  pings  bank  ;           And 

as      for  trans-mi  • 

gra  -  tion     .       I'll 

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S.?  No,  not  a 
all  your  time  to 
nev  -  er  phased  a 


bit!  I    ride  you  miles  a     min-ute, 

it;  The  Clas - sics  will  be    ea  -  sy, 

bit !         You  nev  -  er    let    me  wor  -  ry, 


My     lit-tle    "Han-dy        Lit.!" 

Thanks  to  your  "Han-dy        Lit. !" 

My  dear  old  "Han-dy        Lit.!" 


put    you  on  -  to      it —  Don't  grind!  you'll  never   rue      it!          Trust  to  your  "Han-dy       Lit.!" 
nev  -  er  tie      to      it!      There's  but    one  fly  trans  -  la  -  tion,      That's  you, dear"  Han-dy       Lit.!" 


i 


m, 


CHORUS. 

SOPRANO  AND  ALTO. 


MY  TRUSTY  TROT. 


1,2,3,4.   My      lit  -  tie     "Han-dy         Lit.," 

6.  'Tis      you, dear   "Han-dy         Lit.," 

TENOR  AND  BASS. 


My      speed-y       "Han-dy 
My        lit  -tie     "Han-dy 


Lit.," 
Lit.," 


For 
My 


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m 


9       *- 


Greek     and 
horse,    ray 


Lat-in,      French 
po  -  ny,       trot, 


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-* — r    y  v:  ,* 

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and  Deutsch,      My     trust-  y        "Han-dy  Lit.!" 

and      crib!        My     trust-  y        "Han  -  dy  Lit.!" 


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OLD   COLLEGE   CHUM. 


Words  by  Lloyd  Adams. 
TENORS.  s 


Arranged  for  Male  Voices. 


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1.    Old       col  -  lege  chum,  dear 
2.  Thro'  youth,  thro'prime,  and 
BASSES. 

Sgfl-E*—  HG3»  —  *  T=q 

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col  -  lege  chum,  The 
when   the   days     Of 

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har  -  vest  tim 

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ne,  the 
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days  may    go  ;    I 
us      shall  come.T 

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still        my  heart       to        mem  -  'ry   clings,       To    those     col    -    lege  days       of  long        a  -  go. 

all        we'll  bear      the        mem-'ries   dear,       Of    those    gold    -    en   days,      old  col  -    lege  chum. 
cres.                                    u^*       >  - 


Melody  used  by  permission  of  WM.  A.  POND  &  Co.,  owners  of  copyright. 
Copyright,  1900,  by  HINDS  &  NOBLE. 

(31) 


MY  DEAR   OLD   LOOKING-GLASS. 


Words  by  Arthur  Nash. 
f  Lively.  -._, 


Music  by  Horace  Lozier. 


^ 


E£      ^ 


t 


PS 


1.  A 

2.  For 

3.  You 

4.  How 


•    las,      old  friend,    the     time     has    come     When  you  and  I       must  part.         I'm 

have      you  not,       all     these    four    years,    Been     my  best  con  -    fi    -  dant?  You've 

know    what  makes    my    pomp  -  a  -  dour        Ee  -  tain  it's  glos  -  sy  wave,  Why 

pa  -  tient  -  ly     you've  watched  me  prink  When  I've  been  go  -  ing  out;        Yet 


off          in    -     to 

smiled    with       me, 

my      Greek     knot 


not 


the    world's    hum      drum,        It        near    -    ly       breaks      my 
and       all         my       tears    You've  shared    with    -  out       com   • 
the      boys         a    -   dore,       And       on         my        eye  -  brows 


glance        to       make      me       think       You  guessed  who     'twas 


heart. 
plaint  ; 
rave  ; 
bout  ! 


ores 


Your 
My 
Yet 

Dear 


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cheer  -   y         pres    -  ence        I         shall      miss,       And     will       you       miss      me,       too?               You 
lit  -    tie        van      -      i    -    ties     you've  borne,       But      nev    -    er          to         dis  -  close              How 
no        re    -    flee    -    tions    have       you       cast,        But    were        dis  -  creet  -    ly       kind  —           And 
loy    -  al       friend,       so    staunch,    so        true,        Lest   these     scenes      as        they     pass                For  - 

—  Q  1  1  1  K-T-  ,  1  —  •  1*—  ,  :  ,  ,  r  , 

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hard  -    ly        need         to 
ver    -    y        plain          I 
now       to         say        good 
got   -  ten         be  —        a 

~\-  P  ^  *-^-=  *- 

tell        me        this,         Be   -  cause       I 
look      when     shorn         Of       frills      and 
•  bye,         at         last,         Be  -  dims      my 
toast        to         you,         My       dear      old 

know      'tis        true. 
fur    -     be    -  lows  ! 
eyes,      dear     friend, 
look    -    ing      glass. 

[P  —  ^    *  —3^  —  •— 

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Copyright,  1902,  by  HIKDS  &  NOBLE. 
(32) 


ALMA  MATER.— UNIVERSITY   OF  WISCONSIN 


Words  by  W.  T.  Arndt. 

TENORS. 


1. 


-  throned      be  -  tween      two      spark    -    ling  lakes    Our       Al    -    ma       Ma  -  ter 


2.  These    halls      where  once      our 


fa 


3.    The      friend  -   ships  formed  with   -   in 
BASSES.       i  I*         I  I 


thers  trod,    Still       ech    -    o          to       the      tread 
these  walls     So        bright    and      fresh    to    -    day, 


And    knowl  -  edge    to        the       thirst   -  y      world,    From       wis  -  dom's  fount  sup   - 


And    knowl  -  edge    to        the 
Of         men      who  heard    their 
Though  years     may  come    and 


thirst   -  y      world,    From 
coun  -  try's    call,      And 
years     may    go,        Will 


wis  -  dom's  fount  sup  -  plies. 
for  their  coun  -  try  bled; 
nev  -  er  fade  a  -  way. 


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She      knows        no      col    -    or,       race,         or       sect,     But    stand    -    eth      in         the 
And        if  a  -  gain       the        na    -     tion    calls,      On      land          or      on         the 

E'en    though       the  storm  -clouds    roll    -     ing      on       Shall     cov    -      er       up        the 


sea, 
skies, 


25EEE 

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w         >» 

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un    '        r 

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>  J   f  rJ  •      *   !    rm 

CJEEZ: 

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sn 

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m   L   1  T  •      ~.m     r  • 

r^^ 

r  « 

i    *                     ** 

O          ^W                                                                1  •  '-  •  s         \             _»                        1  *           9        \  j 

Of       those      who  claim     in        Free  -  dom's  name    That        ev    -    'ry     man's      a 
Wher  -  ev    -    er      hot  -  test        is          the    strife,    Wis    -    con  -  sin's    sons    shall 
The      dark  -  ness  drear  will        be         dis  -  pelled   When  -  e'er     these    vis   -  ions 

^                               ,                                                 iii 

n^ 

man. 
be. 
rise. 

| 

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~*  u 

4  And  when  in  after  years  we  roam 
Far  from  these  vine-clad  hills, 
We'll  bless  the  one  that  thoughts  of  them 
From  mem'ry's  past  recalls. 
Then  let  our  hearts  responsive  be, 
And  ready  be  our  hand; 
Our  watch-cry  for  Wisconsin, 
For  our  God  and  native  land. 
By  permission. 
(33) 


JUANITA. 


Antlantt. 
mf  SOPRANO  AND  ALTO. 

=15~3=ftEi 


1.  Soft  o'er   the     foun-tain,     Ling'ring  falls    the    south-era  moon ;  Far    o'er    the    moun-tain, 

2.  When   in    thy  dream- ing,  Moons  like  these  shall   shine    a-  gain,    And     day -light  beam    ing 


mf  TENOR  AND  BASS 

— —  - ~ 


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^ 


Breaks  the   day   too    soon  !       In     thy   dark   eye's  splen-dor,  Where   the  warm  light  loves  to  dwell, 
Prove  thy  dreams  are  vain,      Wilt  thou  not,      re  -lent  -ing,      For    thine    ab  -  sent    lov  -  er   sigh, 


JS. 


^ 


Wea  -  ry     looks,     yet      ten  -  der,  Speak  their  fond  fare  -  well!      Ni   -    ta!      Jua      -      ni   -  ta! 
In      thy     heart     con  -sent-  ing      To        a    pray'rgone     by?        Ni    -   ta!      Jua      -      ni  -  ta! 


-f=f- 


£ 


-*  : 


JO  tenderly,  rit. 


Ask  -  thy  soul      if      we  should  part!     Ni-ta!     Jua 
Let    me      lin  -  ger     by    thy    side !      Ni-ta !     Jua 


ni     -    ta!       Lean  thou  on        my  heart, 
ni     -    ta!        Be       my    own     fair  bride! 


*± 


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By  permission. 


j=r 


TOAST  TO   WISCONSIN, 

Maestoso.  Arranged  from  Gounod. 

LKNORS.  y^- 

y-— J^= 


E 


1 


Var     -     si  -   ty!  Var     -     si    -  ty!  U    -  rah   -  rah!  Wis     -     con       -      sin! 

BASSES.  ^-^ 

f\          fe      I  I          fe      I  i       I**""! 

<JL..    -^  ^          V..     -*>   -J-          -J-  JV 

' 


[— J^ ^: 


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y  PIANO.  ac?  lib 


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Praise          to          thee  we         sing, 


Praise          to  thee,  our 


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ma        Ma     -    ter.          U      -      rah     -    rah !        Wis     -     con 


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By  permission. 
(35) 


A  WESTERN   COLLEGE   BOATING  SONG. 


TENORS. 


With  a  shout, 


Music  by  W.  B.  Olds. 

and  a  laugh, 


/3,  n  HI    ^ 

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With    a  shout      and    a    laugh    and     a        song, 
BASSES.                                                                         f 
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and     a    laugh, 

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and    a  laugh, 


and    a  song, 


mf 


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song, 


we'll  a      -    way  ..... 


1.  Mer  -  ri  -   ly      the  breez   -  es 

2.  Now  our  cheeks  are  rud  -    dy 

3.  Float-ing  down  the    glistening 

4.  Where  is    now  the    nun  -  ter 


and     a    song, 


we'll   a   -  way.    .    . 


i! 


I 


First  Bass  part  is  on  upper  staff  until  6-8  tempo. 


m/La,     la,        la,       la, 


la, 


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boom 


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blow,  .  .      Gai  -  ly   o'er  the  waves  we    row, 
grown,  .    'Neath  the  kiss  -  es      of       the     sun, 
tide,    .  .  Where  the  Rock  is    flow  -  ing   wide, 
bold,  .  .       He  that  roam'd  the  f  or  -  est     old, 

Come  boys,  a  -  way,     With  joy    to  -  day,  We 
But    still  with  song     We  row     a  -  long  With 
Its  wind  -  ing  shore  Throws  back  once  more  Our 
And  steer'd  his  bark  Thro'  shad-ows  dark,  With 

J£  1  ft  ft  1  U*  1  1 

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la,                        la,          la, 

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boom, boom,  boom, 


boom,        boom,  boom,        boom,        boom,          boom,        boom, 
By  permission. 
(36) 


A  WESTERN  COLLEGE  BOATING  SONG. 


*H  

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En 

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on     - 
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OUS                 S( 

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vill. 
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re  -  ly    we  must  back-  ward     turn,     . 
r  the  Sin  -  is  -  sip  -   pi        wave,   . 
le  are  all    the  red  men       brave,  . 

Tempts  us  fur-  ther   on     to 
Once    a  -gain  to     du  -  ty 
Cher-ish'd  haunt  of  In  -  dian 
But  up  -  ou  the  Rock's  bright 

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stray  ; 
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n   u  . 

A  -  way    from  school    And      rig  -   id       rule,      We    joy       -      ous    ride. 
Then  whirl    we     round,  We're  homeward  bound,      Yet   joy       -      ous    still. 
Our  thoughts  once  more      To     days      of      yore      Goes  wan      -    d'ring  long. 
The    boat      still  glides,   And    joy        a  -    bides      In    youth    -      ful    heart. 

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(37) 


MY  MOUSTACHE. 


Words  of  2d  and  3d  verses  by  Arthur  Nash. 

Allegretto. 
TENORS. 


^ 


1.  My 

2.  At 

3.  The 
BASSES. 


mous  -  tache  is  grow  -  ing, 
morn  and  night  I've  nursed  it; 
maid-ens  will  be  hy  -  ing, 

--  - 


its      gen  -  ial  warmth   be  -  stow  -  ing,       Its 
And  night  and  morn    I've  cursed      it!          I 
And  with  each    oth    -    er      vy    -    ing,       A    - 


0—. 


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beau  -  ty  charms  the    eye       of      all  Broad-wa] 
swear      it    seemed  as     slow     as     slow    can    be 
dor    -  a    -   ble,  each  peach  -  y,     dain  -  ty     mis 

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light      and        so    air    -  y       And    ram  -  ble      o'er      my       up    -  per      lip        so      gay. 

love-ly     hir  -    sute  vis  -  ion     Your  curl  -  ing      tips        a        silk  -  en      ver    -    i    -    ty ! 

bliss !     ah,       the     rap  -  ture !    My     first     mag  -  net    -  ic        cap    -   il    -  la    -    ry    kiss ! 


Come!  come!  moustache, come  ICome  e'er  the  dye  on  thee  fades;        Come     forth  like    a  fair-y,       So 

J. 


cres- 


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light        and        so       air    -    y,          And       ram  -  ble      o'er      my       up    -  per     lip        so       gay. 

cres.  ^.  k.         w         w          i 


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Copyright,  1900,  by  HINDS  &  NOBLE. 
(38) 


LAKE  FOREST  UNIVERSITY  SONG. 


LAKE  FOREST  UNIVERSITY. 


Words  by  A.  W.  Doran. 

TENORS.  (Melody  in  2d  Tenor.) 


1.  Lake      For    -     est    dear,  our     Al  -  ma      Ma    -    ter, 

2.  Be   -    neath        thy    for  -  est  shades  re   -   clin   -    ing, 
BASSES. 

=J=F 


y    x1 

Thy      praise       we    sing  with  heart  and 
We       gath    -     er   knowledge  at     thy 


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voice;       Thy       red.      and  black  float  proud-ly     o'er      us,        And      in 

thy    glo  -  ry      we      re  - 

feet,        The       hap   -   py    days  pass    all     too   quick  -  ly         With    friend  -ships  bright  and  pleas-ures 

m       m         ^ 

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joice.         As      stand      thy  brave  old  trees    a  -  bout    thee,     Strong    as          thy  lake's  fierce  waves  in 
meet.       And    when,       in      af  -  ter   years, lif e' s  striv  -  ing        Shall    turn        our  joys    to    care   and 


f=E^=fr=E=p= 


storm,      So      stand     thy  chil-dren  to      de-fend     thee,    While    love        in    ev -'ry  heart  beats  warm, 
pain,      The    loves    and  friends  of    Al  -  ma    Ma  -   ter,        Our     rich    -   est  treas-ure  shall  re  -  main. 


n»± 


3  Lake  Forest,  when  farewell  we  bid  thee, 

And  from  thy  College  halls  depart, 
As  when,  by  land  or  sea  divided 

The  love  of  country  fills  the  heart; 
When  courage  fails,  our  hopes  are  dying, 

Our  thoughts  shall  ever  turn  to  thee, 
Our  watchword  be,  till  time  is  ended, 
"For  God,  Lake  Forest,  Victory  !  " 
By  permission. 

(39) 


OVER  THE  BANISTER, 


BARITONE  SOLO. 


1.  O    -  ver      the      ban  -  is    -  ter    leans          a       face, 

2.  No  -  bod  -  y,       on    -  ly    those  eyes  of    brown, 

3.  Holds  her      fin  -  gers     and  draws        her    down, 

CHORUS. 
TKNORS.  , 


Ten  -  der  -  ly   sweet  and        be   - 
Ten  -  der    and        full  of 

Sud  -  den  -  ly         grow      -     ing 


H        I    i       — I \- 


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la,      la, 


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guil        -        -     ing,                       While           be  -  low    her  with 
mean        -        -    ing,                     Gaze     on      the       lov  -   li  -  est 
bold        -        -    er,          Till  her    love      -      ly       hair      lets    its 

-0—    —  *•  —  •—  |  f  —  »  1  1  —  ,  1  1  —  , 

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watches       the 
O  -  ver       the 
man       -       tie 

2C  —  v     -L       L 

pic        -        ture 
ban   -    is  -  ter 
o    -  ver     his 

if          **          t 

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OVER  THE   BANISTER. 


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hall             be  -  low,                       No    -    bod    -    y         sees             them   stand                   ing, 
down    -    cast      eyes,                       I        won  -  der        why             she        lin        -        -    gers, 
swift            ca  -  ress,         She  has  fled      like         a          bird        from  the   stair    -        -      way,          But 

EZ  ZZE                                4 

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Say  -  ing  good-night      a-gain   soft         and         low,         Half    -    way    up      to     the  land    -    ing. 
Af       -       ter       all      the  good-nights     are        said?      Some-bod  -  y      holds         her    fin    -    gers! 
o    -    ver  the      ban  -  is-  ter  comes          a      "  yes,"  That  brightens  the    world  for  him   al    -    way. 

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STARS   OF  THE  SUMMER   NIGHT. 

SERENADE. 
TENORS. 

A    u            r-D          U              m                           ^                                                                                     N                         '  i                         * 

Sue            r5        J*Q* 

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1.  Stars       of       the     sum  -  mer  "night, 
2.  Moon      of       the    sum  -  mer  night, 
BASSES. 

t  -s                                                ~  1             ^ 

1                          1 

Far         in       yon    a: 
Far      down    yon  wes 

>    -    ure  deeps,    Hide, 
t  -   ern  steeps,     Sink, 

i 
hide    your 
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gold  -  en  light,  She  sle 
sil  -  ver  light,  She  sle 

eps,  my  la  -  dy  si 
eps,  my  la   -   dy  si 

t—  —  0  —  0  0  — 

jeps;         She        sleeps,     she  sleeps,  my  la  -  d 
eeps;         She        sleeps,     she  sleeps,  my  la  -  c 

J    r_JQ4jJ-r^            J     r-J  T*    -1  
a-s-^-  -ste^-^^-^^r-r—  h»-  —  ,»—  «l  ' 

y      sleeps. 
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j=:-^      fl 

(41) 


ROMEO  AND  JULIET. 


SOLO. 


1.  Come  now,  and  lis  -    ten     to     my  tale    of  woe,  Of  Rom-e  -  o 

2.  I         am    the  he  -    ro      of    this  lit  -   tie   tale,  I'm  Rom-e  -  o, 

3.  I         am    the  he-  roine  of    this  tale     of  woe,  I'm  Ju    -  li  -  et, 

4.  This      of    my  tale      is     the  short  and    the'long  Of  Rom-e  -   o 


and  Ju  -  li  -  et, 

I'm  Rom  -  e  -   o, 

I'm  Ju  -  li  -  et, 

and  Ju  -  li  -  et, 


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Cribbed  out    of  Shakespeare  and  reek  -ing  with  woe,       Oh,      Rom-e   -    o      and    Ju  -  li  -    et; 
I         am  that  ver   -    y      sus  -  cep  -  ti  -  ble    male,      I'm      Rom-e    -    o,      I'm  Rom  -  e  -    o ; 


am    the    la    -    dy  who  "mashed"  Rom-e    -  o, 


I'm      Ju  -  li  -  et,     I'm    Ju  -  li  -    et; 


This      is      the  mor  -    al      of    my        lit  -tie     song       Of      Rom-e  -  o      and    Ju  -  li  -    et; 


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Nev  -  er  was  sto  -  ry      so  mourn-ful    as  that    one,    If    you  have  tears  now  pre-pare    to  get    at    one, 

Ne'er  did    a     lov  -  er  dare   do     as      I      did, When  his  best  girl     to      e  -  ter  -  ni  -  ty  slid  -  ed, 

Locked  in    the  pris  -  on,     no  pick  -  axe  to  force    it,    Nas  -  ty    old   hole,    scarce    room  to  stand  or  sit, 

Lov  -  ers,   I    warn  you,  al  -  ways  be    wa  -  ry, Don't  buy  your  drinks  of    an    a-  poth- e- ca  -  ry, 


X        !          X- 


(42) 


ROMEO  AND  JULIET. 


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Rom  -  eo's   the   thin     one    and    Ju  -  liet's  the    fat      one,  Oh,    Rom  -  e   -    o      and     Ju      li   -   et. 
I       took  cold  poi  -  son    and     I         su  -  i    -  cid  -    ed,    I'm    Rom-e   -    o,     I'm    Rom-e   -    o. 
I        up     and  stabbed  my  -  self  rii?ht  through  the    cor  -  set,  I'm       Ju  -  li  -    et,     I'm    Ju  -  li   -   et. 
Don't  stab  your-self      in     the    left     pul  -  mo  -  na  -    ry,    Like  Rom-e  -    o      and    Ju  -  li   -    et. 

-9-                                                                                            -r-                                                              r- 

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II 

ILLINOIS. 

UNIVERSITY  OF   ILLINOIS. 


TENORS. 


Words  and  music  by  Walter  Howe  Jones. 


1.    By 


riv    -    ers     gen  -    tly       flow  -  ing,       II    -    li  -  nois,        II    -    li  -  nois,       O'er     thy 


2.  When  you  heard    your  coun  -  try       call  -  ing,       II    -    li  -  nois, 

3.  Not    with  -  out        thy     won  -  drous    sto   -  ry,        II    -    li  -  nois, 


BASSES. 


II    -    li  -  nois,     Where    the 
II    -    li  -  nois,        Can       be 


r^~i i^—i 


-4 


m 


prai  -  ries  ver  -  dant  grow-ing,  II 
shot  and  shell  were  fall  -  ing,  II 
writ  the  na-tion's  glo  -  ry,  II 


*  v 

li  -  nois,        II  -    li  -  nois,     Comes  an     ech  -    o  on     the 

li  -  nois,        II  -    li  -  nois,     When  the    south  -  ern  host  with 

li  -  nois,        II  -    li  -  nois,       Cfn      the     rec  -  ord  of     thy 


breeze,Rust-ling  thro' the  leaf-y  trees,  And  its  inel  -  low  tones  are  these,  II  -  li  -  nois,  II  -  li  -  nois. 
drew,  Pit-tingGrey  a-gainstthe  Blue,  There  were  none  more  brave  than  you,  II  -  li  -nois,  II  -  li  -  nois. 
years  A  -brain  Lincoln's  name  ap-pears,  Grant  and  Lo-gan  and  our  tears,  II  -  li  -  nois,  II  -  li  -  nois. 


Copyright,  1901,  by  WALTER  HOWE  JONES. 
(43) 


A  PARODY  SONG. 


Words  by  L.  E.  Baldwin. 

Moderate. 
SOPRANO  AND  ALTO.       i 


Arranged  by  E.  J.  Biedermann. 


1.  An          at  -    oin  is  a  lit    -    tie  thing,  As  small  as  small  can 

2.  I            al  -  ways  heard  that  fleas     were  black,  But  I  don't  think  it's 

3.  A           lit  -  tie  fly,  one  sum  -  mer's  day,  Was  tired  and  hun    -  gry 
TENOR  AND  BASS. 


1                                                                                         1 

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O                                                                                                                                                                                                                                                     1  ~" 

1                                            .1                                             1 
be;                          'Tis    small  -  er      than      a         nee  -  die's  point;  'Tis     small  -  er      than       a 
so  ;                           For      Ma    -  ry      had       a           lit    -  tie     lamb  Whose  fleas    were  white     as 
too;                           He        sat    down     on     some        fly       pa  -  per,     And     said,  "I'm    stuck    on 

e3  •                           »_     «        "]*•        p        •  —         ~^~       "^~       ~^~       ~^~        m         -. 

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I          nev  -  er        saw     one         in       my      life,     But    when       I      went      to 
This         lit    -  tie       lamb    that       Ma  -    ry      had,       It         f  ol  -  lowed    her     each 
My      mother -in  -    law       is       dead     and  gone,      A    -    las!       to     ne'er      re   - 


£ 


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school,  They    told      me  'twould  take    two      of      them    To  make       a       mol    -   e    -  cule. 

day,  Till       Ma  -  ry       put       thebloom-ers       on,     And  then       it       ran        a  -  way. 

turn!  She's      up    there  with      the      an-  gels     now,    She  was      too  tough     to      burn. 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(44) 


WE  CHEER   FOR  THE  "U   OF  M.5 


UNIVERSITY   OF   MINNESOTA. 


Andante. 

Music  by 

C.  J.  Zintheo. 

TENORS. 

1                                            \l 

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IX          , 

—  '&  —  r~*^~~ 

±P!  j^  

x    (  Tune 

ev  -    'ry   heart      and 

ev  -    'ry    voice,     Let 

all    with      one      ac  - 

cord      re-  joice; 

(   Let     mu  -   sic    rule       the 

fleet  -  ing    hour,     And  thrill    our    hearts  with 

(   Old    Yale    may  boast       of      hoar  -  y      walls,    And  Prince-  ton    claim   most 

clas  -  sic  halls; 

'  (   For    Har-  vard's  no    -    ted 

men     of      pride,    Tra  - 

di  -  tions      old     and 

„    (  Th«n    ral  -    ly  round      her 

flag      to  -  night,    We 

all      her        no    -  ble 

sons      in  -  vite  ; 

i   Her  praise   and  glo    -     ry 

to       pro  -  claim,    And    sing      for      Min  -  ne 

BASSES. 

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all         its     pow'r.        To       Ski    -    u  -  mah    we're    sing  -  ing,        The     glad        re  -  f  rain        is 
no     -    tice    wide.         We     care     not    one          i     -    o    -    ta           For       we       love     Min     -  ne  - 
so    -    ta's    fame.     When      we       no    long    -  er         tar  -  ry,           An    -  oth    -    er     throng  will 

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ring  -  ing,  Her  sons  and  maids  to  -  geth  -  er  Give  praise  to  Al  -  ma  Ma  -  ter.  To 
so  -  ta,  The  larg  -  est  West  -  ern  col  -  lege,  The  pride  of  North  Star  knowl-edge.  Ma 
car  -  ry  Our  songs  of  no  -  blest  feel  -  ing,  Re  -frains  will  e'er  be  peel  -  ing.  With 


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her  we're  true   for-ev-er,  And  with   our  best    en-deav-or     We  cheer  for  "U     of 
roon   and  gold   her  ban-  ner,  Her  sons    will   ev  -  er  hon-or  And  cheer  for  "U     of 
ban-ished  care  and  sad  -ness,  They'll  sing  with  joy  and  gladness  Three  cheers  for  "TJ     of 

0*.          *       J.      J*     J                     J*      J*.        ^      J.      0*     J           1      fJ    .    3      m      m 

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By  permission. 
(45) 

THERE'S  MUSIC   IN  THE  AIR. 


SOLO. 


Arranged  by  E.  J.  Biedermann. 


^K-fftf-TT  r—  j--»  p  *  m  — 

—  £2  £  p.  «.  «.  0-  gf-  — 

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(c  )  *  ^—  J  —  I—                   —  —  E 

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J/                                                                                                          IT       IT       1^       IT                   I 
1.  There's  mu   -  sic       in       the          air,     .'       .     When  the     in  -  fant  morn    is 
2.  There's  mu  -  sic       in       the          air,     .        .     When  the  noontide's  sul  -  try 
3.  There's  mu  -  sic       in       the          air,     .         .     When  the  twi-light's  gen  -  tie 

nigh,          And 
beam           Re  - 
sigh              Is 

«J 

1      1 

XL    3    /  *      "*•             >?           •           ^*           •             ^ 

j    •*     fl        ^                   J                  ^           « 

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N»                        S»                ^                                      N«                                                                 N* 

s. 

&  .         ~—  1 

M          11 

faint      its       blush       is          seen 
fleets       a         gold    -    en         light 
lost        on        eve  -    ning's      breast,    . 

_  e     ^     f-     f-     p_  .  f    _C-LI  *  •  | 

On      the    bright  and    laugh  -  ing        sky. 
On      the      dis  -  tant    moun-tain      stream. 
As      the      pen  -  sive    beau  -  ties        die. 

1      j  ,        _^  , 

tppv  lEzE^EEEEx      «*    —  ^      «*  5  —  ^ 

•^  —  *-      -d-     -*  —  *- 

v>ly                                         ^                                            ^                                8* 

.^—1    •                                               1 

il      l|                                                   m                                                                   m 

fm^'ff  if        i                       i                               i            r 

—  i        r               1 

^/*1[fU^                                             S*                                                              N*                                                \» 

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3 

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*          i                           ~                            1         *" 

[              Jv    "I 

fr        «                                                      • 

L_^  A  J  L 

^  ^              1 

CHORUS. 

SOPRANO  AND  ALTO. 

Rah,      Rah,      Rah,    Rah!     Siss,     Boom!    Ah!        Rah,  Rah,     Rah,     Rah,       Siss,  Boom!  Ah! 

J—  — — ^ 


Man    -  y  a      harp's     ec  -  stat    -    ic  sound,  With       its  thrill  of 

When,      be   -  neath  some  grate   -  ful  shade,       Sor  -  row's      ach   -  ing 

Then,      O        then      the  loved     ones  gone,  Wake      the  pure  ce 
TENOR  AND  BASS.                                             ^ 


joy       pro  -  found, 
head       is        laid, 
les   -   tial      song, 


^ 


-+-         *=••  *-         •*-         •*-         •*- 

£^^EEgE^-IgE=F=P^P*^^r=F=EE 
F^^=rg=E=E  h        ^^^ FT 1 F ^^ 


Rah,       Rah,     Rah,     Rah,      Siss,      Boom!   Ah!     With      a         Ti    -    ger        Siss,     Boom!    Ah! 


r   ' 

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^  

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I(T\  I3L           1             • 

a 

r          P 

I 

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V                         0 

m              m 

m_       1 

vJ              f                                               0 

While     we         list        en 
Sweet  -  ly           to        the 
An    -    gel        voi    -  ces 

•t-                            1                 iX           ^                                             * 

-  chant  -    ed        there    To      the       mu    -    sic         iu 
spi    -    rit        there  Comes  the        mu    -    sic         in 
greet        us        there,    In      the       mu    -    sic         in 

the        air. 
the        air. 
the        air. 

^Nfir  — 

—  &  —  r- 

-j-f  P  F  P  

-jar  ^  ^- 

—  ff  —  —  -I-I 

^^  *  r 

—  F  —  E 

-4-J  L 

i            i^ 

^  — 

?Z  — 

Copyright,  1900,  by  HINDS  &  NOBLE. 
(46) 


Ernest  H.  Eversz. 
SOPRANO  AND  ALTO. 


CHEER   FOR  THE   PURPLE. 

NORTHWESTERN   UNIVERSITY. 


Air,  "  Sabre  Song. 

rrn 


_ 

.    (  Nor'west-  ern,  star     of  bright-est    ra-diance,Thy    glo  -  ry  shall     il  -  lume  our  way! 
I  Im-mor  -  talname,thoushalt  in-  spire     ns,    And     be     on  r  -watchword  in     life's 


„   (   On  grid-iron'd  field    or    on    the     di'-mond,At     tug  -of  -war    or       on      the  track, 
( 


on 
Nor'west  -  ern   ath-letes,  do  your  no  -  blest  !  No  praise  or    hon-or       shall  you 

A-lum  -    ni,  proud    of    Al  -  ma    Ma  -  ter,  We'll  cher  -  ish  still  Nor'  -  west-ern's  name,  } 
I   To  add    new    lus  -  ter    to  ,  her    glo  -    ry,  This,  this       a  -  lone  shall  be       our  ) 

TKNOR  AND  BASS. 


fray ! 
lack, 
aim. 


Cheer      for      the  pur-  pie  ban-  ner     roy 

See       yon  -  der  pur-  pie  ban  -ner     roy 

Bright  waves  the  pur-  pie  ban  -ner     roy 


al!  Cheer  for  the  N  of  pur  -  est  white! 
al!  See,  too,  the  N  of  pur  -  est  white  ! 
al!  Bright  gleams  the  N  of  pur  -  est  white! 


=t=d=d 


B^3=34==^==^=todS3^| 

E3E  =|_j— j — ^==s=j3d:g=zd 


Nor' -  west  -  ern  men,      be      ev    -    er    loy     -   al,    We    win       what  -  ev    -    er      be      the  flght! 
Nor'- west  -  ern  men,      so  staunch  and  loy     -  al,  Vic    -   fry     soon  shall  crown  your  might ! 

Nor' -  west  -  ern  hearts  are     ev    -   er     loy     -   al,    Her  ex    -     al    -      ta  -  tion   our      de  -  light! 


§=£=*=  ifcz 

=£=f=^^ 


-£ — &f- 
-fr — ffp- 


*= 


CHORUS. 


L_L 


*  «       - 

^g=r 


Cheer  f  or  the  pur  -  pie,  the  pur  -  pie,  the  pur  -  pie!  Cheer  for  the  pur  -pie,  the     N    of    pur  -  estwhite; 


1    ^  •*• 


^^"^  ^  « 

Cheer  for  the  pur-  pie,  the  pur  -  pie,  the  pur  -  pie. Nor'- west-  ern  men, — vie  -  to-  rious  in      the  flght ! 

_^3-*^- 


By  permission. 
(47) 


f^=! 


THE  COLLEGE  CLOCK. 

Words  by  H.  B.  Metcalf.  Music  by  Arthur  F.  M.  Custance. 

I^HHMHiM 

••    I 

3      ^ 


Maestoso. 


1.  The        mer  -  riest      po    -  ten  -  tate    am      I       That  ev    -    er    turned  a       hand;  I 

2.  What     care       I         for       the      needs  of  men  ?  My  sub  -  jects  are    the     hours;  I 

3.  Some  -  times    for      sport    I        throw  my  hands  A    -  bout,     as       in    dis  -  tress;  'Tis 

4.  But,        safe       en  -  throned  a    -   bove  them  all,      I  thrive  with    Fa-ther    Time;  He 


make  the    mo-ments  has  -  ten      by  With    ab  -  so   -   lute  com-mand.  .  .      I      em  -  u  -  late    no 

grant  them  res-pite  now    and    then, From  their  e    -    ter  -  nal    tours.  .  .  They  own  the   right    to 

fun       to    hear  my  hu  -  man  friends  So  -  lie  -  i    -   tude     ex  -  press.  .  .  And  then    I    work  the 

serves   my    bid -ding  and     my      call  With  grace-f  ul  -  ness   sub -lime.    .  .    The  years  will   has -ten 


=i:=j=f:q-!s, — -^ 

— ^ — ^ —    — i — F^ — i — 

*• m- — L*-^ — I 1 — ' — 


EJ$g3EiEEa|s=^ 


-V 


Ei 


mf 


ytp: 


3^ 


M: 


/ 


heav'n-ly     sun,  Nor  earth  -  ly    sat  -   el  -  lite; 
ex  -  er  -  cise  The    ver  -  i  -  est       of    ease, 
col  -  lege  bell,  And   call    the  peo  -  pie     out; 
quick -ly     by,    But   e'er    my  rule  shall  stand; 


My    wheels  their  sport-ive      ra  -  ces  run    As 

For           I    main-tain  that     prof  -  it  lies     In 

Some  -  times  they    re  -  a   -    lize    the  sell,  And 

The        mer-riest    po  -  ten  -  tate    am  I    That 


By  permission  of  OLIVEK  DITSON  COMPAKY. 
(48) 


THE   COLLEGE  CLOCK. 


mf slow. 


fan  -  cy    may     in  -  dite. 

go  -  ing    as     you  please, 
swear    a      bit,     no    doubt. 

ev  -    er  turned  a     hand. 


Tick      tack         tick  tack  tick  tack  tock 

Tick      tack         tick  tack  tick  tack  tock 

Tick      tack         tick  tack  tick  tack  tock 

Tick      tack         tick  tack  tick  tack  tock 

CHORUS.  *slow. 
p  TENORS. 


^^l^^^^^fc^r^wEM^g^*^^ 
gz=g^=±!r^=Eg=^=F=M:a=£==L— -U^==&==^k===u= 

i         i  y  ^  ^ 


~: 


Ritard.       Tick      tack        tick       tack          tick     tack        tick       tack 

1  -_,  _..,  _^BASSES.  _^  ^  ^          JS 


^r^grg 


8 


^-q-^-3 


i 


^pt^j 


>-3-4-^-n 


ACCOMP. 


ores,  faster. 


f)  slower. 


^ir^ 


What's  the  use     of    hur-ry-ing,          to       a    col-lege      clock?.  .          Tick      tack         tick      tack 

slower. 


_t f- L 


.     =1  =f- 


tick          tack        tick         tack        tick         tack          tick      tack         tick      tack        tick       tack 

I*  h 


1  1 


=j=aj==f^: 


1  1 


-=1-4--y 


-*• r- 


/faster. 


a  tempo. 


(hp^—*-^-^-*-^-*- 

"i*"  i'^"  i   r      r    i*       *         i*       ^ 

-<*  —  ^  —  i*  —  'h  — 

-1  ha  F  1  

-J—  3-£—  4+j 

1—  \  —  1-1  f.  —  1  ^—  I  1  —  1-1  1^.  —  ^  —    —  1  •-• 
tick       tack      •  tock,             What's  the  use       of    hur-ry   -    ing,        to       a    col-lege    clock  ? 
ff^er.                                      f                                                                             >    ^     > 

•     (}      ]^-+j  *•  rUa=  r-+  IrJ  T-Z  ^  f~»  F-  1  n 

W         H     V.          J~ 

~*"~TT~    i  ~T~T~  r  —  T~ii~r~~T 

-K  —  5r~~j  —  ™  —  ~i  «»[ 

•       1    v»       -1   1 

\{t\&  \)      B  ™    '  ^ 

r   i  ^   i 

-b*  b*  &  

-ha  ^  

tick       tack 

tock                  tick           tack            tick            tack       tick         tack          tock. 

ss«  u  ,     2         ^ 

i*          i 

A            r 

J                  1 

B'A^-^-'1  1  r  11 

-L-^^-r  i  -^      -1  1  k  i 

-^  =^ 

-^-^-H 

*  The  tempo  of  the  chorus  may  be  varied  to  represent  the  eccentricities  of  the  clock,  or  it  may  be  uniform  throughout. 

(49) 


THE   KNIGHTS   OF  THE  GOLDEN   O. 


Words  by  R.  E.  Brown. 


OBERLIN   COLLEGE. 


Music  by  John  P.  Scott. 


1.  'Tis  not     to  knights  in    ar-mor  clad,  That    we  would  lift    our    praise;.       'Tis     not     to   Mars    or 

2.  On  grid-iron  and     on     di  -   a-mond,For    glo  -  ry  they  con -tend;  .  .      And     ev  - 'ry   man    has 

3.  Old  O  -  ber-lin     has  won    a -gain,  Hear  now   the  "Hi  -  O  -  Hi's!".  "Well  done,  old  man  !"  and 

4.  Each         has     a   maid- en  whom  he  loves  Both  ten-der-ly     and    kind;  .  .       Be-  fore  the  fray     he 

— !• 

zat: 


sons     of    Mars,  That  now     our  song    we  raise;  . 

made     a    vow      His     col  -  ors      to       de   -  fand:  . 

"no  -  bly  done  !"  Each  fran- tic  root-  er  cries;  . 

steals     a  -  way      Her   face     to  call     to  mind;  . 


But  to  the  men  of  might  and  brawn, That 
And  when  the  con-flict's  at  its  height,This 
Now  "Hi  -  0  -  Hi"  for  Var  -  si  -  ty,  Come 
And  when  from  for  -  eign  fields  he  comes,  Vic  - 


:fa= f— |         ,-q 


all  their  deeds  may  know,  The  men    who  wear  the  crim-son  suit,  Set      off  with  the  Gold  -  en  0.  .  . 

on  -  ly  does    he     know:  The  Gold     and  Crim-son  need  his  aid,  This  knight  of  the  Gold  -  en  O.   .  . 

fel-lows,let     'er      go;  .  .  And  Ricket  -  y    Ax   for     ev  - 'ry  man  Who     wears     the  Gold -en  O.   .  . 

to-riouso'er  the     foe^  .  .  She  waits      to   wel-come  home  a  -  gain  The  knight  of  the  Gold -en  O.  .  . 


K— | (J=te=|=l_|*_L_| =r- N IJ          fr  -I  =JS 1 1 1 — 1         isf _j— — t- 


-I P—1* h 

^      <-*- 


^-  *— frr±^!^=l 


'fl — fTT  | zEz^n  =^=3 1 ^===qs=q==iiftp=ij==|=i^=^==i1v-H ^ 

=*zS— *— + — *-E* -~iLizii^EE^=^^=^jl^^_J==^.rb=j=z=j_J J=3 


Then  here      is     to      Old  Var  -  si  -  ty,     Our  pride  and  boast  to       show;      And  here's  to      ev  -  'ry 

Jt      I        ^     I        N )__i>_^r>  _J__N L-*- 


By  permission. 
(60) 


THE   KNIGHTS  OF  THE  GOLDEN   O. 


-  lant  knight  Who  wears  the    Gold  -  en'    O.  .  .  .   Than    an  -  y       reg  -  i  -  men-tal    suit    On 


X 


-j         i  «h — 3 — f   \T"    "FL~"f — f~~rf — f — F~  «  ~i 


me    you  could  be-  stow,  .  .    I'd  rath -er  wear   the  crim-son  coat  Set    off  with  the  Gold  -  en      O.  .  . 


SOPRANO  AND  ALTO. 


DEAR   KENYON. 

KENYON   COLLEGE. 


1.  Dear  Ken  -  yon,  moth  -  er  dear,  We  come    to     hail    thee  here,  Old  sons    of  thine;  We  come  with 

2.  Ah,  while  we     low-    ly    bow,  Here  close  be  -  side    thee  now,  Hark  the    old  Bell;  Old  forms  be  - 

3.  Long    as     our    life    shall  last,  Thoughts  of  that  joy  -  ous  past  Shall  dear- er  grow;  Far    pil-grims 

4.  Take  then  the   songs    we  sing, Take  the    true  hearts  we  bring, True   as      of  yore ;  God  bless  and 


TENOR  AND  BASS. 


rev  - 'rent  feet,Thy     sa  -  cred  walls    to  greet, The    dear,  dear  friend    to  meet    Of         auld  lang  syne, 

fore      us  rise,  Old  mem'ries     fill     our  eyes, Fond  fan    -  cy        sob  -  bing  tries  Old       tales  to      tell, 

though  we  be,   Our  hearts  shall  cling    to  thee,  Our    lives  look    back     to    see    That      long    a  -  go. 

keep  thee  here,  God  bless  thee  year    by  year,  God   bless  thee,  moth  -  er  dear,  Now —    ev  -  er  -  more. 


=t=t=Ft — 


By  permission. 
(51) 


DON'T  I  THOUGH  ! 


OBERLIN   COLLEGE. 

SOLO. 


Charles  A.  Brand. 


I 


TENORS. 


-x— 


When  Dai -sy's  arms        her    poo -die     im 


Bow-wow,        bow-wow,       bow-wow,         bow-wow,         bow-wow,        bow-wow,         bow-wow, 
BASSES.  II  II  || 


-X — 


r 


-X— 


X — X — ^ — * 


Um, 


urn, 


um, 


um, 


um, 


um, 


um, 


pris'n,          Oh,     don't          I     wish         that    my  neck  were  his'n !  How   of  -  ten  would          I 


bow-wow,        bow-wow,        bow-wow,         bow-wow,        bow-wow,         bow-wow,         bow-wow, 


um, 


um, 


um, 


um, 


um, 


um, 


um, 


stop         and    turn  To     get  a      pat         from  a      hand      like  her'n,        But  when        she 


bow-wow,        bow-wow,        bow-wow,       bow-wow,  bow-wow,        bow-wow,       bow-wow, 


um, 


um, 


um, 


um, 


um, 


1 


kiss  -  es  the     lit-tle's dog's  nose,        Oh,    don't         I      wish      that     I    were  those!     .     .     . 


-*— 


T.— * 


bow-wow,      bow-wow,        bow-wow,      bow-wow,      bow- wow,  bow- wow- wow,  bow-wow -wow-wow. 

II  IIS 


-X— X- 


um, 


um, 


um,  um,  um,  um, 

Copyright,  1900,  by  HINDS  &  NOBLE. 
(52) 


.^     um,         bow-wow- 


SONG  OF  THE  "O,  W.  U." 

OHIO   WESLEYAN    UNIVERSITY. 
Words  by  C.  S.  Anderson.  Music  by  E.  T.  O'Kane. 


p 

1.  It          is     the  "O,     W,  '  U,'f 

2.  In  ath  -  let  -  ics  we're   in          the    swim, . 

3.  Our       la-  dies    are  handsome  and  bright, 

4.  Our    spring  is      our    glo  -  ry   and  pride  ; 

U,    U, 
the  swim, 
and  bright, 
BASSES.  and  pride, 

,$=£=*=££ 

i^rt|=t=1=a(==t 


Of  which  we  sing  to  you  ; 
With  vie-to  -  ry,  vig-or,  and  vim; 
They  bring  to  our  sports 


To    quaff  from  its      crys 


de  «  light ;  . 
-   tal      tide     . 

to    you ; 
and  vim ; 
de  -  light ; 
tide; 


A  mag- 
We 
Lawn 
Will 


ni  -  fi  -cent  host     Of       stu- dents  we  boast,They're  man- ly,     and    bright       and    true.     .     .       We 
play        base  ball,     And     wal  -  lop  them  all        In     twirl-  ing    the     wil      -      low    limb.    .     .       And 
ten  -  nis  they  play,    And     al  -    so    cro  -  quet ;  Good  hits  they    ap  -  plaud  with  their  might,       .       And 
cool    us    all    off  From  the  Prep,  and  the    Soph.  To  the  Sen  -  ior     so      dig      -       ni  -  fled;     .     .       Re  - 

and  true. 

the  limb, 
their  might, 

be -side: 


*^^ Ct U P- kx^-l— i— - — L — ^ 1^ — 

x     x     x     x.    x     x     r  _  r . 


X 

num-ber       a    thou-sand  and    more;  .     .  We'vea-dopt-ed      a    "col      -      lege    roar,". 
when  we      can  score    a  "  home  run,"  .     .     We        cheer  for    the    vie  -  to  -  ry       won,     . 
when  they  have  rea  -  son    to       cheer,  .     .     Their      voi  -  ces    they  raise  with  -  out     fear  ; 
fresh  -  ing    both  bod  -  y     and     soul     .     .     By     a  drink  from  its      flow      -      ing 

and  more; 

"  home  ruu," 

to  cheer. 


Which  we 
Our 
For 

bowl,    .     .       Our 
"  hur-roar," 
won. won, 
no   fear ; 
its  bowl, 


t3EE3EE3=^E3 


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CHORUS.  College  yell. 
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per    -    pe -trate,Both  ear  -  ly    and    late,  And  here    is      the    mu  -  sic  -  al  score, 

feel-ingsto    tell,     We  bring  out  our    yell,. And   this    is     the    way    it       is  done: 

vie  -  to-ries  earned  A     yell  they  have  learn'd,  And  this    is      the  shout  you  will  hear: 

voices  made  clear  We' re  read  -  y     to    cheer,  And  thus  will  our    mel  -  o  -  dy  roll: 


0  -  wee,    wi, 


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wow,  Al-lee    ka-zee,     zi,        zow,       Ra-zee,     zi,         zu,  .  .     Vi-va,     vi  -  va,  "0,  W, 


+-^=^| -f* » — ^       ^  4-X U^S — 

— 


Used  by  permission  of  E.  T.  O' 
(53) 


,  owner  of  the  copyright. 


A  MODEL  COLLEGE  GIRL. 


Words  of  3d,  4th,  and  6th  verses  by  Dorothy  Hayden. 


Ifr 


8va., 
Moderato. 


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1.  Nev  -     er      broke    a               reg    -    u    -    la  -  tion;      Nev   -  er         told          a         lie; 
2.  Nev  -    er      want     to              run        or      whis  -  tie,        For    'tis          not         po  -    lite  ; 

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Nev    -  er     want       to 
Nev    -   er      make        a 

have        va  -     ca  -  tion  —  When     I          don't     know 
wretch  -  ed        flz  -  zle  —  When    I          don't        re  - 

why. 
cite. 

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Copyright,  1900,  by  HINDS  &  NOBLB, 
(64) 


A   MODEL  COLLEGE   GIRL. 


m 


Al    -     -ways    love        to        go  to        sec  -  tions, 

When         I       meet        a        hand  -  some      stu  -  dent 


Love        to        go 
Nev    -   er      stop 


to       bed  ; 
to       talk  ; 


i 


Nev  -    er        nib   -  ble    sweet    con  -   fee  -  tions 
Nev  -    er       take      a       step      im   -  pru  -  dent 


When    I 
When    I 


am 
do 


not      fed. 
not     -walk. 


:*=*: 


3  Never  use  a  slang  word,  never! 

Never  chaff  or  chin ; 
Never  keep  ray  skirts  together 

With  a  safety  pin. 
If  I  ever  tilt  my  chair,  sir, 

Yon  can  bet ! 1  mean 

Well,  "  I  guess  "  you  caught  me  there,  slr,- 

Brute!  you're  "just  as  mean!" 


5  To  my  brothers  once  was  tender, 

Will  not  be  again ; 
Never  name  the  other  gender, 

Save  to  say  A-men. 
You  may  gather  from  these  data 

Just  how  good  I  be ; 
I'm  as  proud  of  Alma  Mater 

As  she  is  of  me. 


4  Never  think  or  dream  of  lovers ; 

Never  mount  a  chair 
When  a  playful  cat  uncovers 

Mousie.'s  hidden  lair. 
Never  cough  when  boys  are  looking, 

Never  say  "ah,  there ! " 
In  our  rooms  we  do  no  cooking, 

Never  bang  our  hair ! 


6  Never  walk  abroad  in  trios ; 

Never  stare  and  gaze ; 
Jn  big  hats  you  never  see  us 

When  at  matinees. 
Never  whisper  during  sermons, 

Always  know  the  text ; 
Don't  say  Dutch,  when  we  mean  Germans! 

—  continued  in  our  next! 


(65) 


ALMA  MATER. -OHIO   WESLEYAN   UNIVERSITY. 


Words  by  R.  T.  Stevenson, 

Moderate. 
SOPRANO  AND  ALTO. 


1.  Dear          Al    -  ma      Ma  -   ter,  when  in      song  We      eel    -     e  -  brate  thy  care ;  Which 

2.  O  .  .  brave,  strong  Moth  -  er,       ev    -  er  -  more  Thy  prais   -    es       fill  the  tongue  Of 

3.  O  .  .  wise,  young  Moth  -  er,     lest  we      lose  The      tri    -    pie  might  our  due,  The 
TENOR  AND  BASS. 


all  the  fif  -  ty  years  and  six  Have  kept  in  mem  -  'ry  fair ;  Thy 
ev  -  'ry  one  whose  loy  -  al  love  Will  keep  thee  ev  -  er  young.  Thy 
ath  -  lete's  brawn,  the  brain's  fine  drill,  The  hot  heart's  pas  -  sion  true,  Im  - 


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grace      we      crave,     for       fear         we      fail        To    sound      the       prais     -   es 


due 


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Thy 


smiles,     thy     cheer,     thy     proud       con  -  tent       In      what      thy      young      ones    dare,      Makes 
plant         in         us         the      mem    -    'ry    sweet       Of       thy       me    -      lo  -    dious     voice  ;       Its 


moth  -    er    -    love,       un  -  known    else  -  where,     Thou     dear 


O. 


W. 


U. 


life 


ech    -    oing    tones 


glo  -  rious      thing      to         live,    Though     ills          we          meet        and       bear. 


^H2- 


CHORUS. 


lov   -    ing       cheer      Will      make       our 


lives 


re    -  joice. 


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love,     With 

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By  permission. 
(56) 

k       t__L_^_    ^       k  k  —  i 

ALMA   MATER.— OHIO   WESLEYAN    UNIVERSITY. 


/L  b  h                                                ^            ^            m 

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true,          Both  .   . 

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man       and      maid, 

for       all          we       owe       To 

dear        0.         W.     .     . 

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ODE  TO   DENISON. 


Words  by  H.  C.  Cooper. 

SOPRANO  AND  ALTO. 


Tune,  "America. 


1.  Dear  Den  -  i    -    son,  'tis  thee, Home  of     the     stu  -  dent  free.Whose  name  we  love.    We    love  thy 

2.  Old  Den  -  i    -    son,    to  thee   We'll  sing  and    loy  -  al    be,      For  -  ev  -  er  more.   Del  -  ver    in 

3.  We'll  think  of      thee,  for  aye,     All    thro' life's  rug- ged  way ;  Dear  hap  -  py  home,  Loud   let    the 

TENOR  AND  BASS.           «•.              -^.     M.     JL.  -+- 


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val  -  leys  dear,  Thy  hills  that  proud-ly  rear,  Loud  rings  our  glad-some  cheer,Dear  Den  -  i  -son. 
wis-dom's store, Teacher  of  an-cientlore,  Thy  name  we  do  a-dore,  Dear  Den  -i  -  son. 
cho-rusring,  Till  back  re  -  ech-o-ing,  The  hills  and  val  -  leys  sing,  Dear  Den  -i  -  son. 


ft*)' 

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>ermission. 
(57) 

FOR   LOVE  OF  WOOSTER  U. 

UNIVERSITY  OF  WOOSTER. 

Arranged  by  Lloyd  Adams. 


Words  by  Herbert  Russell  Harington. 

Allegro. 


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song,  a  song  for  the  col  -  lege  in  Wayne, For  Woos -ter,  Woos -ter  U.,  . 
song  of  love  for  our  Woos-ter  will  ring  As  'round  the  world  we  sing; 
come,  O  Woos-ter,  re  -  joic  -  ing  to-day  In  walls,  in  beau  -  ty,  pride; 


Where 
There's 
When 


1 


=| T* 


mirth  and  joy  and  good  fel  -  low  -  ship  reign,  And  jol  -  ly  friend-ship  too. 
love  for  thee  in  the  isles  of  the  sea,  There's  love  for  thee  in  me. 
these,  O  Woos  -  ter,  are  pass  -  ing  a  -  way,  Will  an  -  y  -  thing  a  -  bide  ? 

J . r^3 , -^_j ,— 

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Oh, 
Aye  ! 
The 


sing      for      Hoo  -  ver        Cot  -  tage,        A    song    for    prex,    and       a    song    for      prof,  A 

east      and     west      it's     glow  -  ing  In   lands    of     light     and      in  lands    of       night;        There's 

truth  thou     hast     pro    -  claimed,          Thy  plea     for    right,    for     the  just     and     pure,  O 


=^3==t==i 

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I. 


•* 0~ 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(58) 


FOR   LOVE   OF  WOOSTER   U. 


song  of  glee  for  dear  old  Woos  -  ter,  For  sen  -  ior,  fresh -man,  for  jun  -ior,  soph, 
love  in  Woos- ter' s  sons  and  daugh  -  ters  In-spired  by  mem  -  o  -  ry's  sweet  de  -  lignt. 
God  a  -  bove,  we  come  im  -  plor  -  ing,  In  Woos -ter  U.  will  through  time  en  -  dure. 


CHORDS. 

SOPRANO  AND  ALTO. 


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All          hail             to      thee.        old        Woos    -   ter  !              Proud    Woos     -     ter,  Woos    -    ter 
TENOR  AND  BASS. 

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The    Black     and  Gold      of     Woos  -  ter        Fling  high      for       Woos  -  ter      U. 


A  COMMENCEMENT   HYMN. 


SOPRANO  AND  ALTO. 


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TENOR  AND 

**                 ^ 

•*-•                                                                                         |                        -9-       -9-     -&•• 

high    o   -  ver    all,    On    Thee    we    hum  -  bly  call,  Guide  of      our    youth  ;  Wis  -  dom     of 
true    wis  -dom,  find  God     in      the    rush  -  ing  wind  And    in       the   flow'r;  Na-tions  Thou 
Thy   guid  -  ing  hand  Brings  us    with   joy       to  stand   In      this    glad  place  ;  Now  -we      the 
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seer     and  sage,  Source  of  each  help  -  ful  page,Light  of        each  clime    and   age, 
dost    con-  trol,Giv  -  ing     to    each      its  goal  ;  Thou  mov'st  in       ev    -   'ry  soul, 
bar  -  vest  bring  ;  To   thee    our  prais  -  es  sing  ;  Loud  let        the      wel   -  kin  ring, 
Pow'r  and  Grace,  Moulding  each  form    and  face,  Go      forth    to       bless    our  race, 

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God        of       all  Truth. 
God       of       all  Pow'r. 
God      of      all  Grace. 
Now    and    for    aye. 

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By  permission. 
(59) 

r 

THE  COLLEGE   PUMP 


Allegro  con  spirito. 
TKNORS.  i 


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1.  The          pump         pours      forth    pure       Ad  -    am's       ale,          Ad    -    ain's     ale  ! 

Its 

2.  Who           will,          •   the       blood  -  red       wine       may       sing,       wine       may     sing  ! 

Who 

3.  The           boys           troop     some  -  times,     free       from      care,        free       from    care, 

And 

BASSES. 

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co  -   pious    flow    will    nev  -  er  fail,        nev  -  er     fail !  In       lim  -  pid      pu  -   ri    -    ty        it 

will,      may    Bac  -  ch us  crown   as  king,    crown  as     king,  But  while    my      loy  -  al       heart  -  beats 

swish       the      han  -  die     thro'   the  air,       thro'    the     air ;  They  pass      a    -  long    the      drip  -  ping 

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pu    -    ri    -    ty         it  brings 

loy    -    al      heart  -  beats  jump, 

long      the       drip    -  ping  bowl, 
cres. 


Re  -  fresh  -  ing  draughts  from 
I'll  hail  the  flow  -  ing 
Ah,  how  it  joys  each 


£ 


hid  -    den 

col    -  lege 
thirst  -   y 

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springs. 

pump. 

soul. 


gg 


4  Let  others  bbast  of  music's  power,  music's  power, 

To  speed  the  fellow's  leisure  hour, 
Let  them  list  to  martial  trump, 

I'll  praise  the  social  college  pump; 
Let  them  list  to  martial  trump, 
I'll  praise  the  social  college  pump. 


5  However  strong  to  heal  the  sick,  heal  the  sick, 

Are  little  pills  and  capsules  thick, 
To  cure  a  youth's  conceited  bump, 

There's  nothing  like  the  college  pump  ; 
To  cure  a  youth's  conceited  bump, 
There's  nothing  like  the  college  pump. 


By  permission. 
(60) 


THE  PURPLE  AND  THE  GOLD. 

SCIO    COLLEGE. 


SOPRANO  AND  ALTO. 


Music  by  D.  T.  Shaw. 


1.  We    know    of      a  spot  in     O  -  hi  -  o,  Where  waves  the  bright  Pur  -  pie  and  Gold          O'er 

2.  So     here's    to    our  old  Al  -  ma  Ma-ter,  And  here's     to     the  Pur -pie  and  Gold;        Not 

3.  Long^may  thy.  .  .  Gold  be      a    bea-con  To    light    up     the  path-way  of  life;  May  thy 
TENOR  AND  BASS. 


.11  Ji 

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hearts  that  are  true    and    as      loy  - 
half      of      thy  truth   and  thy   good-n 
Pur  -  pie    e'er    be      the  true   Roy  - 

^  ^    f  f  p     p    ^    : 

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.—  ^_^_L4__p_ 

al,          As  the    he    -    ro      in 
3ss,        To    thy  chil  -  dren  has 
al      Which  shall  keep     us    too 

•  ^  >»  i 

sto    -  ry      of    old.         They 
ev    -    er    been  told.    Thou  art 
no    -  ble    for  strife.     As  they 

I 

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sing  in     the  hours    of    their  lei  -  sure, 
worthy      to    grace  song  and  sto  -  ry, 
inin-gle    and  float      in      the    sun-shine, 

I*       P» 


They    work  in    the  hours  they  should  work,      And 
Thou  art  wor  -  thy     a     place    in      each  heart.      We  will 
May  the  God  who  looks  down  from     a  -  bove,       Fill  the 


te 


« 


find  all  the  sweet  -er  their  pleas  -ure 
share  in  thy  strength  and  thy  glo  -  ry, 
hearts  of  thy  chil  -  dren  with  good  -  ness, 


CHORUS. 


For  the  du  -    ties  they   nev  -  er    will  shirk. 

In  thy   tri    -    als    we'll  each  bear     a     part. 

Guide  their  steps  with  His     in  -    fi  -  nite  love. 


Three 


cheers     for   the    Pur  -  pie  and  Gold, 


Three  cheers  for    the    Pur  -  pie  and   Gold,          For 


i; 


^ 


By  permission. 
(61) 


HEIDELBERG. 

HEIDELBERG   UNIVERSITY. 


Words  by  J.  E.  Hartman. 

Moderate. 
SOLO. 


Music  by  F.  A.  Power. 
Arranged  by  Gladwyn  Kingsley. 


1.  Sweet       Al     -     ma 

2.  We        love         thy 

3.  Still       hear         the 


Home  !       Wher  -  e'er          we  be, 

walls,  Thy          an    -     cient       name  ! 

song  We        raise          to  thee ; 


Wher  -  e'er          we 

We        seek         thy 

'Twill       not  be 


4.      Let       seep    -    ters         break,          And        king   -  doms 


fall  ! 


Let 


pow     -    ers 


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5,               And 
We'll 
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land  or 
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part  fron 
van  -  ish 

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sea,                Our 
fame  !             And 
l          thee  ;              But 
all  !               Yet 

—  "1  —  ~j    ~~\  —  "i  — 

swift  -   winged 
bright     -    ly 
though        thy 
wilt          thou 

mem          -         o     - 
gleams                 the 
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flame     That 

love,      that 

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leave,      To 

thee,       to 

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love        we 

ev        -       er       cleave. 

cure      With    - 

in         our 

hearts,    our 

hearts    while 

they             en    -   dure. 

Copyright,  1902,  by  HINDS  &  NOBLE. 
(62) 


CHORUS. 
Tempo  di  Valse. 
SOPRANO  AND  ALTO. 


HEIDELBERG. 


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vrf                   " 

(63) 


UPIDEE. 


Words  by  Clarence  Arthur. 
Sor,o. 


CHORUS. 


SOLO. 


dyfe  — 

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1.    A 

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new  Co  -  ed  has  a  - 

ight-ed      in    town, 

U    -  pi  -   dee, 

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U  -    pi 

X  ft  —  RJ 
-    da,     In     an 

2.  Her    hair      is        red     and    her    oc  -    u  -  lars  green,     U    -  pi  -   dee,        U  -    pi  -    da,  And  her 

3.  Her  voice     is      clear     as      a       soar     -     ing  lark's,     U    -  pi  -   dee,        U  -    pi 

-    da,  And  her 

N 

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CHORUS. 


Or 
SOLO. 


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up  -  to 
age    is 
wit    is 

-  dat    -     est   tai  -  lor-madegown,  U    -  pi  -  dee  -  i  -    da.          The        boys     are   wild,    and 
just  that  too  -  too      sweet  'steen,  U    -   pi  -  dee  -  i  -    da.           Her       waist      is    small,  her 
like       those  trol  -  ley-  car  sparks,  U    -  pi  -  dee  -  i  -    da.           When    'cross     a    mud-  dy 

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CHORUS. 


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prex    is,  too,  You  nev-er  heard   such    a           hul-la-ba  -  loo.      U  -   pi  -  dee  -  i  -    dee  -i    -    da, 
foot     is,  too,  She's  hoo  -  dooed  me,  and  she'll  hoo  -    doo    you! 
street  she  flits  The  boys        all    have     con    -    nip    -  tion     fits. 

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Copyright,  1900,  by  HINDS  &  NOBLE. 
(64) 


UPIDEE. 


4  She's  not  a  prude,  nor  a  little  too-too, 
Though  she  looks  as  if  she  knew  a  thing  or  two ; 
She  makes  us  all  hop,  skip,  and  jump, 

With  our  hearts  all  going  thump-ity-thump. 

5  The  turn  of  her  head  turns  all  ours,  too, 
There's  always  a  strife  to  sit  in  her  pew  ; 


U»      ix 
'Tis  enough  to  make  a  parson  drunk 

To  hear  her  sing'  old  co-ca-che-lunk. 

6  There's  never  a  charm  this  maid  has  not, 

She's  the  cross  of  our  "  T's,"  of  our  "  I's"  the  dot ; 
To  sing  her  praises  more  is  —  well 
The  tin-tin-ab-u-lation  of  a  belle. 


ALMA  MATER.  — OHIO   STATE  UNIVERSITY. 


Moderate  e  poco  maestoso. 
SOPRANO  AND  ALTO. 


Words  and  music  by  Rev.  Ralph  P.  Smith. 
-^  ^33^- 


1.  /  Sing     we        to 

2.  /  Sing     we        to 

3.  /  Ours    the      hope 

TENOR  AND  BASS. 


our  Al  -  ma  Ma  -  ter,  O.  S. 
the  lives  that  made  thee,  O.  S. 
to  tell  thy  sto  -  ry,  O.  S. 


U., 
U., 

U., 


0. 
0. 
O. 


S. 
S. 
S. 


U.  ;  None  are 
U.  ;  And  the 
U.  ;  Hope  to 


no  -  bly,  tru  -  ly  great  -  er,  O.  S.  U., 
lives  that  since  have  stayed  thee,  O.  S.  U., 
live  thy  lar  -  ger  glo  -  ry,  O.  S.  U., 


*    -e    -*-tL 
:==i==E= 


O. 
O. 
O. 

-^ 


S. 
S. 
S. 


U.  p  Friends  may  pass  and  fame  may 
U.  mf  Thou  their  hop  -  ing,  as  they 
U.  mf  Hope  to  keep  thy  stern  -  er 


:£= 


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^s^^^=d^=£ 


per  -  ish,  Hope  be    dal  -  liant,  life  un-true  ;  m/But  thy  mem-'ry    e'er  we'll  cher-ish,    O. 

ev  -  er  Strove  to  strength-en  thee  a  -  new  ;  /Thou  the  gem    of    our    en  -  deav  -  or,    0. 

know-ledge, p  And  thy  ten-  d'rer  pic  -  ture  too,  Shade  and  dale    en-shrin  -  ed    col  -  lege,  O. 


Used  by  permission  of  CHARLES  \V.  GASMAN,  owner  of  the  copyright. 


Lively. 


THE  SCARLET  AND  GRAY  FOREVER. 

OHIO   STATE   UNIVERSITY. 

Words  and  music  by  Charles  W.  Cayman. 


CHOKUS  IN  UNISON. 


O.          S.         U.,       Our      no    -    ble      Al    -    ma      Ma  -  ter; .  .  .  In       all         the      west,      she 

sing      for       joy,      And     ban    -    ish     ev    -     'ry      sor  -  row;    .  .          The     boys      and      girls      who 
dear      old      halls,      Up  -  on         our  grad   -    u    -     a    -   tion,   .  .          An  -  oth    -    er    throng    shall 


Cj  —  d 

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is  the  best,  And  none  will  e'er  be  great-er;  .  .  .  The  ties  that  bind  us  to  col-lege  days,  No 
leave  to  -  day,  Will  build  her  up  to-  mor-row;.  .  We're  all  in  love  with  our  col -lege  home, The 
sing  our  song,  Of  loy  -  al  ad  -  o  -  ra  -  tion; .  .  The  mem-  'ry  of  our  col-lege  life  Shall 


f 

r-9  ^  ta  js~  1  hn  N  1  —  •  —  f  —  '  —  i 

S  1                             IS        IS       IS                     ^                           " 

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pow-er    can    ev    -    er        sev  -  er;  .  .  .       For    we'll      be    true    to     the       O.         S.      U.,  and    the 
pride           of    our       en  -  deav  -  or;  .  .  .       And  we'll      be    true    to    the       0.         S.      U.,  and    the 
nev      -      er    fade,     no,     nev  -  er;  .  .  .      We'll    all       be     true    to    the       0.         S.      U.,  and    the 

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_.j_             ^_p_        —^.—^...^  , 

Used  by  permission  of  CHARLES  "W.  GAYMAK,  owner  of  the  copyright. 


THE  SCARLET  AND  GRAY  FOREVER. 


3=3? 


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DEAR   OLD   RESERVE. 


WESTERN   RESERVE   UNIVERSITY. 
Words  by  W.  H.  Alburn. 

Moderate.  __ 

TENORS.  ==Z 


t=t= 


f==? 


1.  Home        of  our  col  -  lege  days,  Hark          to        a  song  of    praise,  While  we  our 

2.  Bright  .  .  the  hours   we  spend,  Dear  is  each  col   -  lege  friend;  Sweet  is  the 
3    Though  .  .  we  soon    shall  roam  Far  from  our  col  -  lege  home,  Still  shall  our 

BASSES.  : 


^_* 


=g=NbzH»=F=E^ 

— ^ \JT^ fr-  t-*' 


=t 


3*— 


voi  -  ces  raise  For 
charm  they  lend  To 
fan  -  cy  come  Back 


old 
old 
to 


Re  -  serve. 
Re  -  serve. 
Re  -  serve. 


Thou  queen  of 
Broth  -  ers  in 
Shrined  in  our 


all        the      land, 
heart     are        we, 
mem  -   o     -    r 


Loy  -  al  to  thee  we  stand —  Thy  sons  a  faith  -  ful  band,  Dear  old  Re  -  serve. 
Joy  -  ous  and  light  and  free,  Joined  by  our  love  for  thee,  Dear  old  Re  -  serve. 
Fair  thou  shalt  ev  -  er  be,  Wor  -  thy  our  love  for  thee,  Dear  old  Re  -  serve. 

^        w  poco  rit.  --,      ->         -^dim. 

-« ^    .   +_^^p=3=3==£=£3=$=£==t^ [ 

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By  permission. 
(67) 


WHERE,  O  WHERE, 


Spirited. 


1 

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"4   .  ' 

1.  Where,  O  where  are  the    ver-  dant  Fresh-men?  Where,  O  where  are   the  ver  -  dant  Fresh  -men? 
2.  Where,  O  where  are  the  gay  young  Soph'mores?  Where,  O  where  are   the  gay  young  Soph-'inores? 
3.  Where,  O  where  are  the    jol    -    ly      Jun  -  iors?  Where,  O  where  are   the  jol  -    ly      Jun  -    iors? 
TENOR  AXD  BASS. 

g-j-*-H*-  ^—  *—  k-  -  i  —  i  —  *  —  »—  -J  t—  1  —  ,i  —  M-»  —  ±-£  —  5—  q 

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Where,     O  where      are      the    ver  -  dant  Fresh  -  men?  Safe       now        in        the  Soph-'more  Class. 
Where,     O  where      are      the  gay     young  Soph-'mores?  Safe       now        in        the   Jun    -  ior  Class. 
Where,     O  where      are      the    jol    -    ly       Jun    -    iors?  Safe       now       in        the   Sen  -    ior  Class. 

0  .       "P-     •&-         -P-        a        —            -.          —          •+-        S3            -            mm      •*•         m        —> 

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They've  gone  out        from       pre  -  scribed  Eng-lish,  They've  gone  out      from        pre  -  scribed  Eng  -  lish, 
They've  gone  out        from      their    old          Lat  -  in,  They've  gone  out      from      their     old        Lat  -  in, 
They've  gone  out  from  their  tough  Mathe  -  mat  -  ics,  They've  gone  out  from  their  tough  Math-e-mat  -  ics, 


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out       from       their     old 
out   from  their  tough   Math 

Eng 
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4  ||  :  Where,  O  where  are  the  grand  old  Seniors?  :  || 

Safe  now  in  the  wide,  wide  world. 
||  :  They've  gone  out  from  their  Alma  Mater,:  || 
Safe  now  in  the  wide,  wide  world. 

5  ||  :  Where,  O  where  are  the  staid  Alumnae?  .  || 

Lost,  lost  in  the  wide,  wide  world. 
|j  :  They've  gone  out  from  their  dreams  and  theories,:  || 
Atoms  lost  in  the  wide,  wide  world 


(68) 


THE   NAVY-BLUE  AND   WHITE. 

MARIETTA   COLLEGE. 
Words  by  D.  F.  Turner.  Arranged  by  James  Bird. 

TENORS. 


Rah!  Rail!  Rah!  Ma  -  ri  -  et  -  ta   dear. 

1.  Time  -  hon-ored  Ma  -  ri  -  et  -  ta,         Thy      walls    to      us  are  dear.  Oh ! 

BASSES. 

™/\_fc  „-*--*-      ^          J.    '  J  _>       |  ™f\ 

Sg-J^T 


Ma  -  ri  -  et  -  ta. 
how  can    we    for  -  get  thee,        Or      the      times        that      we've  spent    here?  Thy 


name  we'll  ev    -   er     cher-ish,  And  for      thy  ban  -  ner  fight,      Nor         ev  -  er    let      it    per  -  ish,     The 


y  CHORUS. 


Na  -  vy  -  blue  and    White. 


Thy    dear  name  we'll  ev  -  er     cher-ish,     And      for      thy  ban  -  ner 

/  ^.._     .m      -0-     •&-        1 —      -*-  -*-        -£-•        -      "£-•     U-, 


— *— 


fight,  Nor 

Ma  -  ri  -  et  -  ta. 

/r\ 


ev   -  er       let      it        per  -  ish,       The      Na    -    vy  -  blue  and    White. 


v     9 


2  Gladly  do  we  sing  thy  praises 

And  of  thy  heroes  tell  — 
How  many  brave  hearts  struggled 

Because  they  loved  thee  well. 
'Twill  be  our  firm  endeavor 

To  stand  up  for  the  right, 
Protect  and  keep  thee  ever, 

O  Navy-blue  and  White.     CHO. 


3  Best  of  all  we  love  the  banner  4  Then  we'll  give  to  Marietta 

That  waves  o'er  land  and  sea,  The  honor  that  she's  won, 

And  proclaims  to  all  its  freedom 
An  undying  liberty. 

And  then  our  colors  waving, 
We  hail  with  fond  delight. 

We're  one  and  all  for  saving 


And  let  us  hope  her  labors 

Are  only  just  begun. 
And  when  we're  called  to  duty 

To  battle  for  the  right, 
Wave  on  in  all  thy  beauty, 


The  Navy-blue  and  White.     CHO.         O  Navy-blue  and  White.     CHO. 
Melody  used  by  permission  of  the  WHITE-SMITH  Music  PUBLISHING  COMPANY,  owners  of  the  copyright. 

(69) 


ROSALIE. 


Words  of  4th  verse  by  Arthur  Thomas. 
SOLO. 


/L      f>     V         h. 

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1.  I'm    Pi- 
2.  I'm     Pi- 
3.     I 
4.  I'm    Pi  - 
„       CHORUS. 

••      « 

erre      de    Bon  -  ton      de    Pa  -  ris,       de      Pa  • 
erre      de    Bon  -  ton      de     Pa  -  ris,       de      Pa  • 
go        to      the   fete     de     Mar-quise,  de     Mar- 
erre      de    Bon  -  ton      de    Pa  -  ris,        de     Pa  - 
TENORS. 

9                                                     1 

*~s 

drink  the      di  -  vine  Eau    de 
m     called  by       les  dames  tres  jo  - 
go    and   make  love  at       my 
s  Pi-erre,  now,     ca  -  ca  ;  then     Pi  - 

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ease;        I     .     .       go       to         her  pere,  and       de-mand     for        my     own, 
51  !          On      the   Bon  -   le     -    vard  gay   when     I      take        a         short  spiel, 

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CHORUS. 


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ment  ce    va    mon  cher    a  -  mi."  .     .  '  .       But    I       care  .  .     not  what  oth-ers  may  say,     I      love    my 
tell  you  I'm  something  to      see.  .     .     . 
hand  of  my  sweet  Ro  -  sa  -  lie.  .     .     . 
girls  are   all    "on  -  to"    my   au-to-mobile ! 


la,     la,  la,    la.  la.la,    la.     But    I       care  .  .     not  what  oth-ers  may  say,    I      love    my 


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Ro  -  sa  -  lie;    .     .       Pret-ty     Rose,  charm-ing   Rose,     .       I'm   in   love  with  my  Ro  -  sa  -    lie. 

_l 


Ro  -  sa  -  lie;     .     .       Pret-ty       Rose,  charming  Rose,    .    .     I'm  in  love  with  my    Ro  -  sa  -  lie.  . 


:=g— ^4^-^=1 


r^— r  r  * 


Copyright,  1900,  by  HINDS  &  N 
(70) 


ALMA  MATER.— LAKE   ERIE. 


Words  by  Frances  P.  Treat. 

Maestoso. 
SOPRANOS  I  AND  II. 


Arranged  from  Abt. 


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\.  Fair    thou,     Lake     E     -     rie, 
2.  Soft   -  est         of    breez    -    es 
8.  Dear      old      Lake      E    -     rie 
ALTOS  I  AND  II. 
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Stand  -    est         all       bright, 
Kiss       thee        in       love, 
No    -    ble        and     true, 

Gold  -  en         the    sun  -  shine, 
Blu   -  est          of     heav    -  ens 
Blest    by         the    heav    -  ens 

—                 —  s  —  1  —   —  1  — 

W-^J  —  EEEiEEi  E 

^_J         ._>       __ft     _J=*, 

—  is  —  --*  —  -^i  ^  — 

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cres. 


-*• r. 0- -f-.-    -3s— A 3 

:py — y--^={l±=g=^=^ 


Bathes  thee  in  light ;  Clear  -  est  of  song  -  birds  sweet  Dai  -  ly 
Shin  -  eth  a  -  bove  :  Proud  -  ly  the  oak  -  trees  tall  Shel  -  ter 
Shin  -  ing  so  blue,  Joy  -  ful  thy  prais  -  es  ring,  Mem  -  'ries 

cres. 


the    morn  -  ing  greet 

thy     vine-touch'dwa1!, 

a  -  round  thee  cling, 


With      their      glad      voice,     With      their      glad  voice,  Our        Al 

Sym  -  bols       of         thee,       Sym    -  bols        of      thee,  Fair    -    er 

Crown'd  from       a    -    bove,     Crown'd  from       a    -  bove,  Our        Al 


ma  Ma  -  ter  dear, 
as  years  go  by, 
ma  Ma  -  ter  dear, 


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All      things    are      hap    -    py    he 
Broad  -  'ning    their  branch  -  es     hi 
Thee       do        our    hearts      re  -  ve 
cres.  molto.                                   ~= 

Jf  L  1  :  Si  S  IS  fi«  

re,     All        things      re    -    joice, 
jh,     Ev      -      er       more       free, 
re,    Thee        do         we         love, 

m 

_l_|  1. 

All          thi 
Ev      -     e 
Thee          d< 

^  —  ' 

ngs      re  - 
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)         we 

joice. 
free, 
love. 

tnv~~  d  —  TJ  —  2E         EEE 

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^          \             *£'         £          V 

By  permission. 
(71) 

%•    * 

-:     * 

^ 

THE  QUILTING   PARTY. 


Andante. 


£=* 


:*d 


ff±«= 


Arranged  by  Karl  P.  Harrington. 

=\= 


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1.  In  the  sky  the  bright  stars  glit-tered, 

2.  On  my  arm        a    soft  hand    rest-ed, 

3.  On  my  lips  a    whis-per    trembled, 

4.  On  my  life  new  hopes  were  dawning, 


On   the  bank      the  pale  moon     shone;  And 'twas 

Best  -  ed  light      as     o  -  cean  "  foam ;  And  'twas 

Trembled  till         it  dared    to        come;  And 'twas 

And  those  hopes  have  lived  and    grown;  And 'twas 


cres. 


from    Aunt  Di-nah's     quilt-ing        par  -  ty,      I      was  see     -     ing  Nel -lie  home. 


3rf 


I 


——        —  — 4-        —4- 


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CHORUS,    mf 


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I      was    see  -  ing      Nel  -  lie         home. 


I       was     see   -    ing  Nel  -  lie        home ;    And  'twas 


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I 


£ 


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ing     Nel  -  lie 

-t=fc^ 


home. 

•&-*•• 

— is— 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(72) 


SWEET  AND   LOW. 


Alfred  Tennyson. 
Larghetto. 
SOPRANO  AND  ALTO. 


J.  Barnby. 


3^3^ 


=, U^^^3 

4=a£=3tH 

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3EE3 


_^        ,     ^ 

1.  Sweet   and    low,     sweet    and     low,  Wind    of    the      west    -    ern        sea;     .     .       Low,      low, 

2.  Sleep    and    rest,     sleep     and     rest,     Fa  -  ther  will  come  to  thee       soon ;  .     .       Best,    rest  on 

TENOR  AND  BASS. 

jw, r-^^__rr      ^      »  .     r-^     T"    T    P  •     (• 


O    -  ver     the        roll 
Fa  -  ther    will       come  to 


O    -    ver      the      roll 

Fa  -  ther    will     come     to 


wa 

babe 


ters     go,         Gome  from    the 
the     nest,        Sil     -     -      ver 


ing    moon  and 

all      out     of      the 


wa 

come 
wa 
babe 


ters 
his 
ters 
the 


go, 
babe, 

go, 
nest, 


Come     .     . 

Sil    -       ver 

Come   from    the 

Sil        -         ver 


from      the   moon 
sails     out    of 
dy     -    ing        moon  . 


sails 


out 


and  blow, 

the  west, 

.     and  blow, 

of     the  west, 


Blow 
Un  - 


him 
der 


a  -  gain 
the     sil 


to 


lit    -  tie     one,  while      my      pret  -  ty     one      sleeps, 
lit    -  tie     one,  sleep,      my      pret  -  ty     one,     sleep. 


By  permission. 
(73) 


FORSAKEN. 


English  version  by  Mrs.  G.  Federlein. 

TENORS. 
PP  Slow. 


Koschat. 


1.  My    love    hath     now    left      me,  a  -  lone     do        I         sigh,  As      a     stone    by      the 

2.  Sweet  flow  -  ers      are    bloom-ing  all      o     -  ver       her     grave,         But    the    life       of       my 
BASSES.  ^^       ^i 


* 


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J  —  * 


t: 


:t: 


:^ 


— * * 


way  -  side          neg  -  lect  -   ed      doth       lie  ; 
dart  -   ing  my    love    could     not      save  ; 


T  ~T- 

I       go        to       the     grave-yard,         for 
All    hope     is       now     bur  -  led,'          'tis 


^=1==^ 


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there     she      doth      sleep,                  My    heart     it         is         bro  -  ken,      in 

sor  -    row        I 

dark      ev  -   'ry    -    where,                  A  -    lone     in        my        sor  -  row,     her 

rest         I       would 

l^ 

4il  ,  h-- 

t    -fc 

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qn* •- 


P^E^El^ 


weep; 
share; 


My    heart    it 
A  -   lone     in 


is         bro  -  ken,       in 
my         sor  -  row,      her 


sor  -   row      I        weep, 
rest       I      would  share. 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(74) 


WAKE  THE  ECHOES. 


MT.    UNION    COLLEGE. 


Maestoso. 
SOPRANO  AND  ALTO. 


Words  by  John  Vizzard. 


-~zrK  L?~T-f  •£- 

—  |H  

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2       J 

1.    Hark,  from  moun  -  tain,    hill,     and    val  -  ley  —  Rings    the      mu  -  sic 
2.  Rouse  your  souls  from       i    -    die  slum  -  ber  —  Come    and      join    our 
3.  Grand  -  ly     now     Mt.      Un  -  ion    Col  -  lege  —  Home     of       hon  -  or, 

TENOR  AND  BASS. 

^      j 

jy     ral   -  ly 
r      num  -  ber 
:     knowl-edge  — 

>         p 

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^ 

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1 p 


All      who  love   Mt.      Un  -  ion    Col-  lege,    Sing -ing    songs     of      praise.       See,    they  come     un - 

Loy   -  al      to     Mt.      Un  -  ion    Col-  lege,  Fear -ing      not        a        foe.  On      her  worth    re - 

Stands    be  -  fore    the    world  un  -  daunt  -  ed,     Con-  stant,  brave,  and      true.       Mark !  each  new     en  - 


ceas  -  ing,         Care     and  toil       re  -    leas  -  ing,         Shout -ing     in         a      might-  y     cho  -  rus- 
ly  -  ing,         Keep     her    col  -  ors       fly   -  ing,  At       the  front      in        all     life's  bat  -  ties, 

deav  -  or         Makes    her  stron  -  ger       ev  -    er,         "For -ward  "is        her     cheer -ing    mot  -  to, 


if=s: 


^^ 


more    and     more     in    -    creas-  ing.       Wake    the   ech  -  oes    far     and    near ;  Wake  them    with     a 
con  -  quer  -  ing      or          dy  -  ing. 
and      she       fal  -  ters        nev  -  er. 


-7"- 


1       _ 

heart  -  y        cheer,     For      the  whole  wide  world  must  hear    the      voice  of        M.       U.       C. 


Fg±=£=g=£ 

r=g^=^ 


By  permission. 
(75) 


Words  by  Arthur  Thomas. 
QUARTET. 

SOPRANO  AND  ALTO. 
mf 


Arranged. 


1.  Jol    -    ly      boat  -    ing    weath-er, 
TENOR  AND  BASS. 


Jot    -     ly        sweet   bar    -  vest       breeze, — 


CHORUS. 


^_  -  ^ 
1  X 


s A 


t=t 


E* 


Swing,  swing         to  -  geth- er, —         With  your  bod-  y      be -tween  your    knees, — 


f 


« 


IX       IX 


Is         N     N 


Swing, 


swing 


to  -   geth-er, —          With  your    bod  -  y        be  -  tween  your    knees.  . 


r 


2  Others  will  take  our  places, 

'Rahing  our  dear  old  yell ; 
Others  will  row  the  races, 

Ring  the  old  college  bell. 
Yet  ever  will  beam  in  our  faces 

Our  pride  in  the  old-time  crew ; 
'Rah  for  our  hard-won  races, 

One  more  for  the  dear  old  crew ! 


- — ^v 
5||=3=5fj 


3  Flitting  by  the  rushes, 

Tangled  in  snaky  weeds, 
Brushed  by  elder  bushes, 

Swerved  by  brake  and  reeds. 
Will  tears  fill  our  eyes  in  the  future 

When  we  think  of  the  dear  old  stream? 
Will  our  hearts  beat  as  light  in  the  future 

When  afloat  on  life's  broader  stream? 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(76) 


1  DOUBT  IT 


Words  by  Arthur  Nash. 

Allegretto 


Music  by  Lloyd  Adams. 


izl 


9= 

1.  When     a      maid- en      sug-gests    a      short  stroll 'neath     the   moon,    With  that 

2.  When  her      shy      lit  -  tie    hand  nes  -  ties     snug      in       your  own,      With  that 

3.  If      her     will  -  ing    red    lips    seem     to      chal  -  lenge       a      kiss,          Ir  -  re  - 

4.  By      and       by   when  you   hear    pa  -  pa's     step      on         the   stair,      With    a 


Sung  or  spoken. 


m 


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soft,    witch-ing  ha  -  lo 
mag  *-  net  -  ic    tin  -  gle 


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a  -  bout  it; 

a  -  bout  it; 

sist    -     i  -   ble  something       a  -  bout  it ; 

.  grim      sort    of  firm -ness        a  -  bout  it; 


Do   you  hem?          do    you  haw?  do    you 

If    she    an    -     swers  your  squeeze,  do   your 

Does  your  pu      -       ri  -  tan   soul  put      a  - 

Do   you    lei     -      sure  -  ly      get  up    and 


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start       off            a-  lone?     Well,      may   -    be        you        do,          but      I    doubt       it! 
fate       you          be  -moan?  Well,      may  -    be        you        do,         but      I    doubt       it! 
way       the        sweet  bliss?    Well,      may  -    be        you        do,          but      I    doubt       it! 
get        out           of  there?    Well,      may   -    be        you        do,          but      I    doubt       it! 

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5E  _« 



E3 

-m- 

Copyright,  1900,  by  HINDS  &  NOBLB. 

(77) 


QUARTET. 
TENORS. 

-4 


MY   LAST  CIGAR, 


IX 

1.  'Twas     off  the  blue       Ca  -  na    -  ry  Isles,       A      glo    -    rious  sum  -    mer    day,  .       I 

2.  I       leaned  up  -  on        the    quar    -  ter  rail,  And  looked  down  in         the      sea,  .  E'en 

3.  I    watched  the  ash    -    es      as  it  came  Fast  draw  -  ing  to         the      end;  .        I 

4.  I've    seen  the  land        of      all  I  love  Fade    in          the  dis    -  tance   dim,  .  I've 
BASSES. 


sat        up -on      the   quar  -  ter  deck,  And  whiffed  my  cares     a    -    way;    And        as      the  vol  -  umed 
there     the  pur  -    pie  wreath  of  smoke  Was  curl  -  ing  grace  -  f  ul  -  ly.         Oh,       what  had     I        at 
watched    it    as        a    friend  would  watch  Be-side       a      dy  -     ing      friend  ;But        still    the  flame  crept 
watched   a-bove   the  blight- ed  heart,  Where  once  proud  hope  had      been;  But  I've  nev  -  er  known    a 


smoke  a  -  rose,  Like  in  -  cense  in  the  air,  I  breath'd  a  sigh  to  think,  in  sooth,  It 
such  a  time,  To  do  with  wast  -  ing  care?  A-  las!  the  trem-bling  tear  pro-claimed  It 
slow  -  ly  on,  It  van  -  ished  in  -  to  air,  I  threw  it  from  me,  spare  the  tale,  It 
sor  -  row  That  could  with  that  com  -  pare,  When  off  the  bine  Ca  -  na  -  ry  Isles,  I 


^y 

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CHORUS. 

i  "^  —  1  —  i  1  —  '  2>  ~as 

S^*      M         •*    J—  *    n 

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— 

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(ft>~^  i*     r 

r       i 

9  '  9     \        PI          r        i 

. 

j 

r 

"vjy>             .    1                *        •          IX 

^y           v 

was  my 
was  my 
was  my 
smoked  my 

w 

last        ci    - 
last        ci    - 
last        ci    - 
last        ci    - 

gar.            It     was    my    las 
gar. 
gar. 
gar. 

t       ci    - 

IX 
gar,     .     It      was      ray    last      ci  - 

m7^*                                  »         • 

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f-  —  £—*-     -*-       ^  —  f-      f—  H 

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s  —                1         tx 

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ritard. 


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gar; 


I    breath'd     a     sigh        to      think,     in    sooth,     It      was       my    last      ci    -    gar.     . 


-t:- 


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By  permission. 
(78) 


Moderate. 
SOPRANO  AND  ALTO. 


GOLD  AND   BLUE. 

FRANKLIN   COLLEGE. 

C.  R.  Parker. 
Arranged  by  GJadwyn  Kingsley. 


JfHi'f  — 

V 

=FF-h 

r^= 

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—  «  — 

*(-- 

t=j_^=- 

—  h  —  i  —  i  —  i 

p3^ 

1.     Loy 
2.  Fresh  - 
3.  Some 
TENOR 

^-5—  f-  -*—  *—  p>—  d—  ^—  ^—  *—  «—  Jfc—^  —  ^-3-3—*^ 

-   al     sons  and  daughters    join    Power  and  strength  and  worth  de  -  clare       Hearts  and  voi  -  ces, 
men,Sophs,and  Jun  -iors    all         Join  with  Sen-  iors    side    by     side,         All      the  strifes  and 
have  sailed  a  -  cross  the     seas,     Some    in    Hoo  -  sier  -  dom     re  -  main  ;       Oth  -  ers  serve  their 
AND  BASS.                                                                                                       i"s   j 

§-?--?•»                           £•_•£•_&__£•  S-*-    •"*••    -  .    -    T*-    •*- 
±     \     \m     ?     (^       \*     \     -  ...  —  rizrf:   ffj               :  r£  :     fc^zz       i 

'                            1 

^^-^-J14-hH=^ 

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—  b  — 
1- 

CHORUS. 

H   J.     J  J     J  hj 

E                 •  1 
JM     =j-q 

Cj)     8  —  9  —  3—  V  —  3  —  0  —  3  —  |-  -5  —  «- 

one    and      all,  .  .      Sing  the  praise  of   Frank  -lin 
ri  -  ots       o'er   .     Sound  the    cho  -  rus    far      and 
coun-try      well,But     all    join     in     the    glad     re  - 

££$-  •  —  b*  —  1»  ,  MI  -£  —  t  —  £  —  !=—  -t  —  -t- 

a 

—  c^— 

fair, 
wide, 
frain: 

3-^ 

Gold 

hf 

—  J—  J      J^-J-,        ,L_ 

and  Blue    so    tried    and  true,    In 

Sfitdzri 

j 

—  1  — 

-fl-= 

=«P=P= 

l-v         /TS 

i+  _) 

Ni   j 

-:f=- 

—  f-J  1 

L^ 

/TN 

M 

4 

—f" 

rr—  J  —  1  —  n—  1  1  —  n 

jflu       H           I 

I(T\               J 

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—  j  — 

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• 

• 

-   -,    m    ~W_ 

hon  -  or   none  is      great  -   er 

i                                                       M    I 

We'll  shout  and  sing  and  prais-es  bring  To    our  old     Al  -  ma     Ma   -   ter. 

..    _^.                ^B.              jt.     .^.               ^  P^t     -•_                                    ^> 
•     i  a-!  —  IK  —  ft—  hi  rP-  —  F—              —  r-i  *-  «  ^—  ^i  A-  .-. 

nWi»-^  —  

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' 

—  4-  4J 

Copyright,  1902,  by  HINDS  &  NOBLE. 


TENORS. 
-# 


ECCE   QUAM   BONUM. 


^TF^Ep^EQ 

F=^^E=:E=H 


EC  -   ce  quam   bo  -  num,  quam-que  ju  -  cun  -  dum  ha  -   bi  -  ta  -  re    fra  -   tres  in       u      -        num. 
BASSES. 

f  _!         i  i  ores.  i  I  rit. 

J  e 


J=t 


(79) 


TENORS. 


BAVARIAN  YODEL. 

*— *-^4=g£E£ 


i 


£===?=] 

:te=:=B=d 


1.  All        hail      to      the      friend -ship  that      binds     us        in         one,        Our    hearts  warm  -  er 

2.  As      green     as      the  i     -     vywhen    chill  -  ing    snows     fall,      Those  hearts     in         the 
BASSES. 


m 


=£: 


r 


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fr 1* %- 


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grow    as      the      hap  -  py      years    run ;       Let        sor  -  row's  cloud  gath  -  er,  we'll  laugh  as       it 
win  -  ter      of      life    shall      re    -    call         The      fair    hours     of    youth,  and  with    heart  -  i  -   est 

N       -*       N         N         N         *  ^         iw         *        _  .       _ f  ^       ^       ^ 

•£. 


-•9 0- 


-tz: 


a 
x* 


ritard  molto. 
— '  1 


^^_t__h 


lowers, Light-heart  -  ed        and     gay       as         this        war  -  ble         of          ours.         Ah!  .     .     . 
praise, Shall   bless    thee,    dear    Har  -  vard,    their       hap  -  pi    -     est         days.         Ah !  .     .     . 


r" 


YODEL. 


=& 


Tempo. 


11 


£ 


— t*- 


Ta,  la, 


ta,  la, 


ta, 


la, 


ta, 


la, 


3 


" 


Zum, 


zum, 


zum, 


zura, 


-^—5 


rit. 


ta,        la, 


ta,         la, 


E 


ta,          la,  la. 

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la. 


* 


zum, 


zum, 


la. 


zum,  la. 


(80) 


THE  COW   WITH   A   BRINDLE  TAIL. 


Allegretto. 
TENORS. N 


Music  by  Walter  Howe  Jones. 


-h .-£ * m      _p-TJ^—f—-m 1^-,-J* ^_^_* 


fc=3p=fr: 


A       far  -  mer's    boy      with   a    shin  -  ing    pail  Went    gai  -  ly      sing  -  ing  down  the    vale,    To 


BASSES- 


where    a      cow  with   a  brin  -  die    tail    On  the  clo  -  ver    did       re    -    gale.        A    bum  -  ble    bee      did 

bz,      bz,    bz, 


9 — ? — w 


5=^ 


-* *- 


t-+-J!t  * 


^EBB 
=?±z*i3 


gai  -  ly    sail  O  -  ver  the  soft    and  shad-y        vale,  To  where  the  boy    with  a      shin-ing  pail  Was 

bz,     bz,     bz, 

/_fc 

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a  tempo. 


t- 

milk  -  ing  the  cow  with  a  brin  -  die  tail;  The  bee    lit      on    the  cow's  left  ear,The  cow's  feet  flew  up  thro' the 

rit. 


—  ^ 1 — L_A L^A I_A ^ 1^. — I — L L_d. 


at-mosphere  ;  And  thro'  the  leaves  of    a    cot-ton-wood  tree,  The  boy  soared  in  -  to      e-  ter  -  ni  -  ty. 


a  tempo. 


rit.       \ 


Copyright,  1901,  by  WALTER  HOWE  JONES. 
(81) 


THE   BULL-DOG. 


Moderato. 
SOLO.  IST  TENOR^ 

jf  L    b  9           ^ 

-T 

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—  -9  — 

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*^           -1             £>      -    \ 

1.  Oh! 

_Hl  —  p:  1^.  1^-  p*  H  1  1  ^  1 

the      bull  -  dog       on        the    bank  !                                                                      Oh  !      the 
Solo.  2D  BASS. 

fl>)*  b  —  t~^  —    —  «™«  — 

•—  

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*-     +          ~ 

^b-t>—  4  — 

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IX                      IX 

~T-*  1 

And      the     bull  -  frog      in       the      pool; 
CHORUS.     Piu  Allegro. 


==F^ 


.   =J 

the 


bull  -dog  on       the  bank  : 


ritard.  allacca  il  cho. 


to 


Oh  !  the  bull  -  clog    on 


^--^ 


^^^^^^^^g3*=*=^&^^ 
•S— ^» jx~' ^ £  ~^— F^=^-!^-^ w=f* m J= 


And   the    bull-frog    in     the  pool; 


g!EE|^^E§E|^|3|^?5t^I±5 

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-^— k- 

bank, And  the  bull-frog  in     the  pool.  The  bull-dog  call'd  the  bull-frog    A  green  old  wa  -  ter  fool. 


rfr  U  --*— ri» — 


p— *- 

Sing-ing    tra,    la,     la,       la,     la,     la,   ...    Sing-ing     tra,    la,      la,       la,     la,     la,  .  .     Singing 

gT">     I*     fr- 


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tra,     ^a,     !:•»,  Sing-ing   tra,     la,     la,        tra,  la,     la,     la,     tra,    la,   la,    la,   tra,  la,   la,   la,     la. 


la, 


la. 


2  Oh !  the  bull-dog  stooped  to  catch  him, 

And  the  snapper  caught  his  paw ; 
The  pollywog  died  a  laughing 
To  see  him  wag  his  jaw. — CHO. 

B  Says  the  monkey  to  the  owl, 

" Oh,  what'll  you  have  to  drink?" 


"  Since  you  are  so  very  kind, 

I'll  take  a  bottle  of  ink." — CHO. 

4  Pharaoh's  daughter  on  the  bank ; 

Little  Moses  in  the  pool ; 
She  fished  him  out  with  a  ten-foot  pole 
And  sent  him  off  to  school. — CHO. 


(82) 


HAIL  TO   OLD   I.  U 


INDIANA   UNIVERSITY. 


QUARTET. 
TENORS.    (Melody  in  2d  Tenor. ) 


— V—      —V 

1.  Come    and  join      in     song     to  -  geth-  er,  Shout  with  might  and  main;  Our     be  -  lov  -  ed 

2.  Se  -  nior,  Jun  -  ior,  Soph    and  Fresh-man  All      to  -  geth  -  er  we  ;  Sound  the    cho  -  rus 

3.  Hon  -  or     to       the  white    and    criin  -  son  Ban  -  ner  that      we  love ;  It     shall  lead      us 

4.  Here's   to    her    whose  name  we'll    ev  -  er  Cher-ish    in      our  song!  Hon-  or,   love,    and 


BASSES. 


^L 


-| EL_ j -^ 

3^*1 — H^=ai=: 


feEEgEfete 


. « * *— \-&>— L-y~ ^ •»- « 


—\— \- 

— «t m- 


1 1 

—* * 


-*- 


CHORUS. 


i=#p=i» — I 


Al  -  ma      Ma  -  ter,  Sound  her  praise  a  -  gain, 
loud  and     glo  -  rious,  State   Uni  -  ver  -  si   -    ty. 
in      the      con  -  flict,    And     our     tri-  umph  prove, 
true    de  -   vo  -  tion     All      to      her    be  -  long. 


Glo  -  ri  -   an  -   a,     Fran  -  gi  -  pan  -  na, 


*1JSLJEL*  -e^-^-e 


1   m  '      » 1 I-E-; — F- — 

-^^^^£J^ 


E'er     to    her     be     true;         She's  the  pride    of      In  -  di  -  an  -  a,     Hail    to      old      I.      U.I 


•  •  <tf" 


•=f=g=^j=C3^=i  _n^_r_^==^L_^_tg=f  _|_j=±^=^_^==5=Lg_ 


Melody  used  by  permission  of  OLIVER  DITSOX  COMPANY,  owners  of  the  copyright. 

(83) 


VIVE  PURDUE. 


PURDUE   UNIVERSITY. 


Words  by  Evaleen  Stein. 
QUARTET.   Moderate). 


Arranged  by  James  Kendrick. 
Music  by  J.  C.  Arthur. 


—  1  y  H 

—  4 

H*    -i     —  \  —  1— 

1 

(fK^  fe  tz      K  •        P       *j        -*i 

1.  Broad        the    fields       a    - 
2.  Black         her    bla    -  zons, 
3.     She          will     tell        to 
4.  She'll          re  -   veal      the 
5.  Queen        of      earth       is 
TENOR  AND  BASS. 
mf-o-  •         ~£-      -(*-         » 

|pd2-&33—  *  £  —  F~ 

[p  —  3-  —  2  —  J— 

bout      her        ly    -    ing, 
as        the        up  -  turned 
us        the       mar  -  vels 
shin  -   ing        se    -   crets 
she,       as       god  -   dess 

3":    -*    *  -4   h=3-      —  5 

Soft         and  deep      and      blue 
In      -      di   -  a    -    na         soil; 
Of           the   seed     new  -   sown; 
Of           the  light  -  ning's    gleam; 
Cer     -     es    was       of          old; 

-fe—  *—  r  —  t=-r—  3T  ^=3 

[I  JL          j?          p     _L_U            i* 

1 

Bend      the  In  -       di       -  a    -    na  heav  -  ens 

Gold   -   en,  as               the  grain  we'll  gath  -  er 

All         the  mis  -      fry  of       the  mead-ows 

By        her  aid             we'll  bind     the  might  -  y 

Loy     -    al  will            we  bear     her  roy  -   al 


o    -  ver    old      Pur  -  due.  . 

by  our    wis  -  er  toil.    . 

she  will  make  her  own.  . 

ge    -  ni  -   i         of  steam. 

ban   -  ners  black  and  gold.  . 


CHORUS. 
con  'spirito. 


Sing, 


Sing, 


sing 


song 


poco  ores 


^fq=^=d=T=F=f±=:^= 

s3=r=^=33ir^p= 


new,  the  song  re  -  new 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(84) 


IN   PRAISE  OF  OLD   DE   PAUW 

DE   PAUW   UNIVERSITY. 


With  short  and  sharp  emphasis. 
SOPRANO  AND  ALTO. 


Music  by  Carl  Langlotz. 
Arranged  by  E.  J.  Biedermann. 


1.  Tune    ev    -    'ry    harp  and  ev    -  'ry  voice,     Bid         ev    -  'ry    care  with  -  draw;  Let 

2.  Let    mu    -    sic    rule  the  fleet-  ing  hour, —  Her  spell  a  -  round  us     draw;  And 
8.    Till   then      with  joy  our  song  we'll  bring,    And  while  a   breath  we    draw;  We'll 

TENOR  AND  BASS. 


/r\          /r\ 


all          with  one         ac  -  cord        re-joice,          In    praise         of      old        De       Pauw. 

thrill        each  heart    with      all         her  pow'r,        In    praise         of      old        De       Pauw. 

all  u  -  nite        to      shout      and  sing  In    praise         of      old        De       Pauw. 


-t- 


CHORUS.     Faster. 

A  _  T 


T  f 


t 


P? 


In       praise         of       old 

A- 


De      Pauw,        my    boys, 


In     praise        of       old 
t          f  it 


-m* ri- 

£=EF: 
z±=±t: 


De 

t 


m 


Pauw,  Her      sons    will  give  while  they     shall  live,  Three  cheers  for    old       De     Pauw. 

^>^ 

rit.  ^, 

£ ?- 


f^^f^-^t^fafp^ 

1 |_^ t^ ^ft. I I . ^K- I—  ^f- 

-t  ^    - — L ^ 1 i^. L 1 Li 


F 


-— r=— zFbfft^ 

^"=^=^1=: 


Copyright,  1902,  by  HINDS  &  NOBLE 
(85) 


ASBURY  COLLEGE  HYMN. 


Words  and  music  by  Hubert  M.  Skinner. 
Andante. 
SOPRANO  AND  ALTO.  — ' 


Arranged  by  P.  M.  Bach. 


1.  As  -  bur    -  y,        Al    -  ma — Al  -  mis  -    si    -    ma  Ma  -  ter!     Proud  -  ly  up  -  raised     to     the 

2.  Men  -  tor       to  guide    us    o'er  life's  storm  -  y  o  -  cean,    Thine    are  the     chart    and    the 

3.  Wide    o'er     the  earth  thine    A  -  lum    -  ni       are  scat-tered, —  Ma  -    ny  the     souls    that  have 
TENOR  AND  BASS. 

.m. r—P-- 1* (• — r— I* 1* ^-m-r^ ^ r* ^ *• — r 

| -| 1 [ -far a-F-  — 3-h» * — 


StS 


t 


» — ^" 
t — ~- 


I 


i 


1 &-T- 


-&- 


*— * 


vis  -    ion       of     youth,    Bright  -  ly       thine       se    -    gis      o'er       each    son      and     daugh  -  ter 
com  -  pass      so      true,      Loy    -    al         our  hearts, — they    are       thine      in        de    -     vo    -    tion, — 
thronged  in       thy      hall!     Some      have      won      lau    -  rels, — some     life  dreams  are       shat  -  tered — 


9- F ~£—r-&—r-f- f- *• 

!±=£=SE=t=E=t==t==E 

EgE  =£=  =£L 


Gleams  with  the      sun  -  light      of        truth.    Heav  -  en  bless      As  -  bur  -  y!    Sound 
Keep    them  our     jour-  ney  -  ings  through.  Heav  -  en  bless      As  -  bur  -  y!       Let 
Broad      is     thy    shield     o    -    ver        'all.       Heav  -  en  bless      As  -  bur  -  y!       E'er 


her  name! 
no  stain 
to  guide 


-. — *J — *— c*— 


dim. 


Pros-  per  her,  keep  her,  and  crown  her  fame!  Heav'nkeep  us  true  to  our  cher  -  ish  -  ing 
Tar  -  nish  her  scutch  -  eon,  her  truth  pro  -  fane!  True  to  thy  teach -ings,  0  cher  -  ish  -  ing 
Life's  bar-  dy  sail  -  ors,  what -e'er  be -tide!  And  in  their  hearts,  O  our  cher  -  ish  -  ing 


moth  -  er, —  1.  True  to  the  love  we  claim, 
moth  -  er, —  2.  Ev  -  er  may  we  re  -  main! 
moth  -  er, — 


3.  Ev     -    er       thy    truth        a   -   bide. 


Used  by  permission  of  HUBERT  M.  SKINNER,  owner  of  the  copyright. 
(86) 


Allegretto.  SOLO. 


THE  CUCKOO  YODEL. 

Arranged  by  E.  J.  Biedermann. 


—  | 


£ 


f 


-*>- 

&E 


1.  O      sad  -  ly    the  cuck-oo     is      call-   ing    now;     I     hear  him    far    up    in    the     ru  -  in,  cuck- 

2.  The  blue-bird   is    sing-ing  with  mer  -    ry      trill,    Her   an-swer  -  ing    call  to     the  mournful  cuck- 

CHORUS.  TENORS. 


i 


M 


±± 


£ 


-r 


*=3=3=:*= 


La,    la,  la,     la,         la,   la,         la,    la, 

BASSES. 


la,      la,  la,    la,  la,     la, 


fB=fO 


^LJ^gz-J-Jn-*-^ tq 


La, 


la, 


T" 

la,  la, 


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oo !  And  so ft-ly  the  moonbeams,  are  fall  -ing    now    On  slumber-ing  blossoms      in     May.     .     .  La, la, 
oo ;  But  the  cuckoo's  call    is      so     sad     and  shrill,  It  comes  in  the  twilight's  lone  hour.    .     . 

J-4. 


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la,  la,  la,  la,  la, 

Copyright,  1900,  by  HINDS  &  NOBLE. 
(87) 


VA/ 

la,         la,      la. 


IF— 


Words  of  1  st,  2d,  3d,  and  5th,  verses  by  George  E.  Wood. 
Words  of  4th  verse  by  Arthur  Rogers. 

TENORS. 


Arranged. 


cat, 


.  And      I 


were 
were 


duck,  .     .  And 
dude,  .     .  And 


were 
were 


cat, 

duck, 

dude, 


And 
And 
And 


we 
we 


* m- 


all  were 
all  were 
all  were 


cats 

ducks 

dudes 


to  -  geth  -  er, 
to  -  geth  -  er, 
to  -  geth  -  er, 


We'd  stroll  on 
We'd  pad-die  in 
We'd  pay  a  half 


the      fence,     Where      the 
a       boat,  In          a 

a      dol  -  lar,     For         a 


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rub    -    ber      o    -    ver        coat,                In    rain    -    y 
sev    -  en       sto    -  ry      col  -  lar,         In    rain    -    y 

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or        oth  -  er             weath  -  er. 
or       oth  -  er             weath  -  er. 
or       oth  -  er             weath  -  er. 

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After  last  verse. 


:£- 


Chir  -  rup,  chir  -  rup, 


Too  -  die  -  oo  -  die  -  urn, 


FZT,  BOOM! 


1 


I    If  I  were  a  girl, 

And  I  were  a  girl, 
And  we  all  were  girls  together, 

We'd  be  very  nice, 

We'd  try  ev'ry  known  device 
To  bring  "  me  and  someone  "  together 


5    If  I  were  a  sparrow, 

And  I  were  a. sparrow, 
And  we  all  were  sparrows  together, 

We'd  spoon  in  the  park, 

A  long  time  after  dark, 
In  rainy  or  other  weather. 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(88) 


OLD    BUTLER. 


BUTLER    COLLEGE. 


Words  by  Jessie  Christian  Brown. 

SOPRANO  AND  ALTO. 


1.  The        col  -  lege  that        I  love      the 

2.  They       talk      in  Ger  -  man,  Lat    -    in, 

3.  So        here's    a  glass  we  pledge     to 
TENOR  AND  BASS. 


f*-g-f= 

U      v     l=P= 


The  name  is  known  in  East  and  West,  And  North  and  South,  of 
You  L  ne'er  would  guess  the  tongues  they  speak,  They  learn  them  all  at 
And  hap  -  py  may'st  thou  ev  -  er  be,  Our  dear  old  col  - 


P 


But 
But 
But 


ler. 
ler. 
ler. 


m 


Her  sons  are  wise,  her  daugh  -  ters  fair, 
They  stud  -  y  French  and  chem  -  is  -  try 
May  fame  and  glo  -  ry  crown  thy  ways 


Her       wis    -    doin     and 
And       all  a  -   bout 

And      pleas    -  ant       be 


^ 


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guid  -  ing  care  Will  make  the  na  -  tions  ev  -  'ry- where  Ex-  tol  the  name  of  But-  ler. 
tron  -  o  -  my,  In  fact  they  know  it  all,  you  see,  Be  -  cause  they  go  to  But  -  ler. 
com  -  ing  days,  May  all  thy  chil  -  dren  ev  -  er  praise  The  good  old  name  of  But  -  ler. 


By  permission. 
(89) 


MY  GRANDFATHER  HAD   SOME  VERY  FINE   DUCKS. 

L.  Compton. 


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CHORUS. 

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3.  My  Grand  -  fa  -  ther    had 

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some 
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ver  -     y 
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fine       hens,  Some    ver  -    y       fine       hens 
fine       dogs,    Some   ver  -    y       fine       dogs 

had 
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Wlth      a    {    *"Quack,» 
(      "Bow 
With      a  ]*"Cac-kle,' 
(      *"Quack," 

'"Cac  -   kle  "  here, 
"Quack"   here, 
wow"         here, 
'"Cac  -  kle"  here, 
"Quack"  here, 

And      a 
And       a 
And      a 
Aud      a  ' 
And      a 

'Cac  -kle,  ""Cac  -   kle"thei'e, 
"Quack,"     "Quack"     there, 
"Bow      -      wow"         there, 
'  Cac  -  kle,  ""Cac  -  kle  "there, 
"Quack,"     "Quack"     there, 

With 
With 
With 
With 
With 

1 

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here       a    "Cac  -    kle,"  there      a 
here      a        "Quack,"    there      a 
here      a        "Bow,"       there      a 
here      a    "Cac  -    kle,  "there      a 
here       a       "Quack,"      there      a 

'Cac    -  kle,' 
"Quack," 
"Bow,"' 
'Cac  -  kle," 
"Quack," 

here     and 
here     and 
here     and 
here     and 
here     and 

->^  __.*  *  

there      a     "Cac    -  kle.  "With 
there      a         "Quack." 
there      a        "Bow."      With 
there      a      "Cac  -  kle."  With 
there      a         "Quack." 

-*  —  -** 

a 

a 
a 

4  My  Grandfather  had  some  very  fine  sheep, 
Some  very  fine  sheep  had  he, 
With  a  "Ba-ba"  here,  and  a  "Ba-ba"  there, 
With  here  a  "Ba,"  there  a  "  Ba,"here  and  there  a  "Ba." 

*  With  a  "  Bow-wow"  here,  etc. 

*  With  a  "Cackle,  "  "Cackle"  here,  etc. 

*  With  a  "Quack,"  "Quack"  here,  etc. 

CHO.     Oh,  come,  come  along,  etc. 


5  My  Grandfather  had  some  very  fine  cows, 
Some  very  fine  cows  had  he, 

With  a  "Moo-moo"  here,  and  a  "Moo-moo"  there, 
With  here  a  "Moo,"  there  a  "  Moo,"  here  and  there 
*With  a  "Ba-ba"  here,  etc.  [a  "Moo." 

*With  a  "Bow-wow"  here,  etc. 
*With  a  "Cackle,"  "Cackle"  here,  etc. 
*With  a  "Quack,"  Quack  "  here,  etc. 
CHO.     Oh,  come,  come  along,  etc. 

*  These  lines  must  be  sung  to  the  music  of  the  four  measures  marked  thus  *  in  addition  to  the  imitation  of   animals  in  the 
preceding  verses. 

(90) 


SOPRANO  AND  ALTO. 


FOR  THE  PURPLE  AND  THE  GOLD. 

KNOX   COLLEGE. 

Arranged  by  E.  J.  Biedermann. 


1.  Al-though  Knox  is        on  the      prai  -  rie 

2.  For    this    ban-ner      of  our      col-  lege 

3.  When  the   fare  -well  days  o'er-  take    us, 
TENOR  AND  BASS. 


Far  from  Yale     of      vio    -    let    blue,          Or    the 

Win    we   prize     of       in    -    ter-  state,        And  the 

Fill  -ing  hearts  with    sad   -  ness  drear,        And  our 


r=Ff 


crini-son  rose  of  Har-vard,  Yet  her  col  -  ors  are  as  true, 
inag  -  ic  pow'r  of  knowledge  In  old  Knox  is  ev  -  er  great. 
dear  old  ties  are  bro-ken,  As  we  jour-ney  far  and  near, 


We    will  raise  her    ban  -  ners 
We    will  strive  for    hon  -  or 
Still  we'll  sum-mon  hope    and 


i 


proud-ly  O'er  the  halls  both  ne.w  and  old, 
great -er,  But  the  half  can  ne'er  be  told 
beau  -  ty  From  our  stores  of  mem  -  'ries  old, 


And  we'll  sing  the  praise  for  -  ev  -  er  Of  the 
Of  the  joy  we  have  in  work-ing  For  the 
And  go  forth  to  love  and  du  -  ty  'Neath  the 


-  -rl-r-—  =T^      f    $•+-%+— 


tefcNt 


pur  -  pie  and    the    gold;        We      will  raise  her  ban-ners  proud-ly      'O'er    the  halls  both  new    and 
pur  -  pie  and    the    gold;        We      will  strive  for  hon-or     great -er,       But     the  half    can  ne'er    be 
pur  -  pie  and    the    gold;        Still    we'll  sum-mon  hope  and  beau  -  ty      From  our  stores  of    mem  -  'ries 


j— 4 


1 1 4 

E|E^J=-H 


old,  And  we'll  sing  the  praise  for  -  ev  -  er 
told  Of  the  joy  we  have  in  work  -  ing 
old,  And  go  forth  to  love  and  du  -  ty 


Of        the    pur    -    pie    and     the        gold. 

For      the    pur    -    pie    and     the        gold. 

'Neath    the    pur    -    pie     and     the        gold. 


Melody  used  by  permission  of  the  WHITE-SMITH  Mtrsic  PUBLISHING  COMPANY,  owners  of  the  copyright. 

Copyright,  1902,  by  HINDS  &  NOBLE. 


DRINK  TO  ME  ONLY  WITH  THINE  EYES. 


Words  by  Ben  Jonson. 

mp 


Old  English  Air. 


H*T~    |s -f> I  h-FQ — h Tn — ^ — f*1       fr      I— 

-3==J=S^—* -^^Eg^i^^-^j-n^irj— 


1.  Drink   to        me      on     -     ly      with  thine   eyes,    and      I          will  pledge    with     mine, 

2.  I       sent    thee    late         a       ro    -    sy    wreath,  not      so       much  hon  -  'ring    thee,  . 


Or    leave     a      kiss    with  -  in         the      cup,    and      I'll        not     ask       for    wine ;  .     .     .       The 
As     giv  -  ing      it         a         hope  that     there    it        could   not  with  -  ered    be ;  .     .     .     .      But 


:£=i= 


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thirst  that  from    the  '    soul     doth   rise,    doth   ask        a         drink   di     -     vine, 
thou    there -on    did'st    on     -    ly  breathe,  and  send'st  it         back    to          me,        .     . 


-;; 


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=£ 


But  might  I      of        Jove's    nee  -  tar      sip,      I          would  not  change     for        thine. 
Since  when  it  grows     and      smells,  I      swear,  not       of          it   -    self,      but        thee. 


(92) 


EWING  COLLEGE  SONG. 

EWING   COLLEGE. 


Words  by  B.  M.  Godwin. 

QUARTET. 
TENORS. 


a    song  we  love    to    sing      A  -  bout      a  friend  so    true,  Who  proud  -  ly  march  -  es 

2.  The     stu  -  dent  who    to    Ew  -  ing  comes  Has  noth  -  ing    to      re  -  gret,  And      if  he    does    his 

3.  Our     Ew  -  ing  boys  and  girls    are  found   In  ma  -  ny  a  clime  and  land;  And      as  the  years    go 

4.  Old     Ew- ing's  prais-es     we    will  sing  From  moun  -  tain  top    and  crest;  From    sea  to      sea,   from 

BASSES. 


3=3=2 


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at 
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roll  - 
shore 


the  front 

ty  he 

ing  by 

to  shore, 


As 
Will 
The 
Her 


she 
have 
num  • 
name 


will    al  -  ways    do;     Who  long  has  stood   for    what     is  best    And 

no  cause    to      fret;    For  when  he"grads"at    Ew  -  ing,  he     Will 

ber  will      ex  -  pand;  And      at  the  front,  '  tis    ma-  ny  a  one     Old 

will  e'er     be     blest;  And      as  she  trav  -  els      on    with  time,  Her 


£ 


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CHORUS. 


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what  is    good    and  true.  Long    may    she  live  !  Dear  old  Ew  -  ing.     1,2,3.  Hur-rah,     hur  -  rah,   old 

have  what   all  should  get.  Long    may    she  live!  Dear  old  Ew  -  ing.  4.  Hur-rah,     hur -rah,   old 

Ew-ing's  made    to  stand. Long    may    she  live !  Dear  old  Ew  -  ing. 

work  will     be     confessed.  Long    may    she  live  !  Dear  old  Ew  -  ing. 

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ie;  Hur  -  rah,      hur  -rah,      old 
e;  Hur-rah,      hur  -rah,      old 

1»  *-*•  (•  r*  *~ 

Ew  -  inj 
Ew  -  ing 

-^^ix    ix     *     V 

','  tis    to  you   We  sing  our  prais-es 
j,   we  love    you;       Zip    ta  boom,  oh, 

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and    long,    As      we     will        al  -  ways    do.     Long      may     she  live !   Dear    old    Ew  -    ing. 
her  room,  Old    Ew  -  ing        is       true  blue.     Kah,      rah,     rah,  rah,       for     old    Ew  -    ing. 

*        I 


g=E± 
& — k— 


By  permission. 
(93) 


A  UNIVERSITY   HYMN. 

(FOR   VOICES   IN   UNISON   WITH   ACCOMPANIMENT.) 


Words  by  Thomas  Wistar. 
IL      UNISON. 

iff  ,       I     i— f 


Air,  "  Adeste  Fideles." 
Adapted  by  Edward  G.  McCollin. 


1.  Our      Fa    -    ther    in    Heav  -   en,  Cre  -   a       - 

2.  But      vain       our      in  -  struc  -  tion  And     blind 


tor    of       all, 
we  must     be, 


0     source 
Un-less 
And  make 


with  our 
our  hearts 


3.  From  pride     and    pre-sump  -  tion,  O!      Lord        keep  us       free, 

4.  Our     fair         Al  -  ma    Ma    -    ter,    O!      strength -en     her      days,    .        To   send          forth  for - 


3^    _,_     t   h^__,h^:it_g_J 


wis    -    dom,   On  Thee     would  we  call ; 

learn   -    ing     Be  knowl  -  edge  of  Thee ; 

hum    -     ble,    And   loy     -      al  to  Thee; 

ev      -       er     True  sons         to  her  praise ; 


Thou     on    -     ly    canst  teach      us,  And 
Then   pour    forth  Thy    spir    -     it,  And 
That      liv    -    ing     or      dy    -     ing,  In 
0      wid    -    en    her    bor    -    ders,  Ex  - 


show  us  our  need 

o       -  pen  our  eyes 

Thee  we  may  rest, 

tend  her  fair  fame, 


And  give  to     Thy   chil  -  dren,  And  give            to  Thy 

And  fill  with  the    knowl-edge,  And  fill  with  the 

And  prove  to     the    scorn  -  ful,  And  prove         to  the 

And  let  all    the     glo    -    ry,    And  let              all  the 


(94) 


A   UNIVERSITY   HYMN. 


chil  -     dren,  And  give 

knowl  -  edge,  And  fill 

scorn  -    ful,  And  prove 

glo     -     ry,  And  let 


to  Thy  chil     -  dren,  True    knowl  -  edge  in  -  deed, 
with  the  knowl    -  edge,  That      on     -      ly  makes  wise- 
to  the  scorn    -  ful,     Thy      stat    -    utes  are      best. 
all  the  glo  ry        Re  -  dound       to  Thy     name. 


o — i ^ •«— 

^s^w^. 


IN  PRAISE  OF  DEAR  OLD  GREER. 


GREER   COLLEGE. 


SOPRANO  AND  ALTO. 


^-LJ^-5— *- 


1.  Come,  all        ye  sons   and  daughters  true,    Of    dear  old    G^eer  to  -  day,  Let's  make  the    air    with 

2.  The  mem  -  'ries  of     the    hap  -  py  days  Spent  in    her    halls     so     dear,  A  -  round  our  hearts  a 

3.  Then  let        us    all    with   one      ac-cord,  Her    chil-dren    far  and   near,  Join  heart  and  hand,    a 

4.  Oh,    Al    -    ma  Ma- ter  !  dear    be-lov'd,This  trib-ute    now  we   bring;  And    as  we    lay      it 
TENOR  AND  BASS. 


CHORUS. 


mu    -    sic     ring  And   wak    -   en  ech  -  oes    gay.        The   praise  of  dear    old  Greer    we'll  sing,      The 

spell     they  draw, And    ban   -    ish  cares    so    drear, 

hap   -  py    band,    In    praise      of  dear    old  Greer. 

at         thy    feet,  We'll  glad    -  ly  shout  and   sing. 


35= 


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praise  of  dear  old  Greer,  With  heart    and  voice, we'll  now      re-joice,  In    praise  of  dear   old  Greer. 


By  permission. 
(95) 


THE  POPE. 


Allegro. 

TENORS. 

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1.  The           Pope            he        leads       a          jol    -    ly         life,           jol     -      ly       life;          He's 

b           BASSES,            i 

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He    drinks  the    best       of 


free      from    ev  -  'ry     care    and  strife,  care  and  strife, He  drinks  the  best  of  Rhen  -  ish 

He    drinks  the    best        of 


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best 


of  Khen   -   ish 


Rhen   -  ish     wine  — 

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wine —  ...            I     would    the    Pope's  gay        life      were      mine ; 
Khen  -  ish      wine  — 

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best  of  Rhen  -  ish       wine —  ...       I      would  the  Pope's   gay      life     were    mine. 

He    drinks  the      best       of      Khen  -  ish    wine— 


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best  of  Khen  -  ish        wine — .    .    . 

2  But  he  don't  lead  a  jolly  life; 
He  has  no  maid  or  blooming  wife, 
He  has  no  son  to  raise  his  hope — 
Oh !  I  would  not  be  the  Pope. 


4  But  still  he  is  a  wretched  man ; 
He  must  obey  the  Alkoran, 
He  dare  not  drink  one  drop  of  wine — 
I  would  not  change  his  lot  for  mine. 


3  The  Sultan  better  pleases  me;  5  So,  when  my  sweetheart  kisses  me, 

His  life  is  full  of  jollity,  I'll  think  that  I'd  the  Sultan  be ; 

His  wives  are  many  as  he  will —  And  when  my  Rhenish  wine  I  tope, 

I  fain  the  Sultan's  throne  would  fill.  Oh,  then  I'll  think  that  I'm  the  Pope. 

By  permission. 

(96) 


THE  GOLD  AND  OLIVE. 


LOMBARD   UNIVERSITY. 


Words  by  B.  F.  Stacey. 

SOPRANO  AND  ALTO. 


Music  by  H.  Wm.  Dubee. 


£* 


.IT  Q 

— -> —  E:5^ 


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:-=*: 


--1=2- 


_fr JS=T 


1.  From      the       coast        of      Mass  -    a    -    chu    -  setts      To 

2.  Let        her        wor  -    thy    sons  and      daugh  -  ters      For 

3.  Let         us          al    -    ways    sing  her      prais    -    es      With 
TENOR  AND  BASS. 

IS fc | fc N       IS I I ff_ 


the       Cal      -      i    -    for    -  nian 
old      Lorn    -    bard  proud  -  ly 
a      voice      that's  loud       and 


**=s=P=y=i$' 


strand,  From  the  land  of  Ma  -  ni  -  to  -  ba  To  the  fair  gulf's  burn  -  ing  sand ;  In  all 
stand,  Shield-ing  jeal  -  ous  -  ly  her  hon  -  or  In  one  brave,  un  -  bro  -  keii  band;  Let  them 
strong,  Fill  -  ing  all  the  air  a  -  round  us  With  the  mel  -  o  -  dy  of  song ;  Let  us 


sec  -  tions  of     our  coun  -  try,  From  the    cen  -  ter      to     the    sea,      May   the      hon  -  ored  name  of 
hold      a  -  loft    her   ban  -  ner  With     a    stout  and  stead -y     arm,      Eal  -  ly  -   ing     her    chil-dren 
give     to     her    the  horn  -  age  Which  is    due     from  you  and     me,      And  hold     sa  -  cred    in     our 


i_Ll 

mi 


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Lom-bard    Stand  for    tru  -  est     lib  -  er  -  ty  I         Let    us    greet  the  Gold  and    01  -  ive    With    a 
round    it      From  the    cit  -  y,    town,and  farm, 
mem  -  'ry     Lorn  -  bard  U  -  ni  -  ver  -  si  -  ty. 


;~t 

strong  and  cor  -  dial  cheer  ;  Let   our  hearts  be    ev  -  er    loy  -  al      To    our    Al  -  ma  Ma  -  ter  dear. 


k 
-x-H-fL' fr  _r  •>  ,  i*  •    r~  g" 


By  permission. 
(97) 


THE  SUNDAY-SCHOOL  SCHOLAR, 


TENORS. 
SOLO. 
mf 

CHORUS.                              SOLO. 
f                                         fnf 

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0      10  —  $0     ±*  F  —  F- 

—  F  —  F  —  F-  —  f-  —  F-  —  F  

1.     I      am     a      Sun  -  day-school  scho-lar,    lar,     lar,      lar,          I    dear  -  ly    love   my    pa    and    ma, 
2.  On    Sun-day     I     put  a  -  way  my  toys,  toys,  toys,  toys,         I      nev  -  er    play  with  naught-y    boys, 
BASSES.                                                                  j^_      ,^_      _^_. 

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CHORUS.                             SOLO. 
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ma,        ma,       ma;          I      dear  -  ly 
boys,    boys,     boys  ;      For    they      to 

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love     my     teach  -  er       true, 
wick-  ed      men     will    grow 

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true,     true,      true,        And 
,  .   grow,  grow,    grow,      And 

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CHORUS. 


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do    what  -e'er    she    tells    me      to, 
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why      am       I         so     hap  -  py,     hap  -  py,      hap    -    py,          in        my        Sun    -    day  -  school? 

w 


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3  I  send  my  money  to  Bourra,  gar,  gar,  gar,  gar, 
Away  off  there  in  Africa  so  far,  far,  far,  far; 

I  save  up  all  my  pennies  and  my  tin,  tin,  tin,  tin, 
The  heathen  kid  to  save  from  sin,  sin,  sin,  sin. 

4  When  we  recite  our  golden  texts  so  true,  true,  true,  true, 
"We  get  tickets  all  pink  and  black  and  blue,  blue,  blue,  blue; 
We  draw  a  gilt-edged  book  when  we  get  nine,  nine,  nine,  nina, 
I'm  always  first  to  turn  in  mine,  mine,  mine,  mine. 

6  When  gentle  spring  comes  on  apace,  pace,  pace,  pace, 
You  always  find  me  in  my  place,  place,  place,  place; 
To  Sunday-school  I  hustle  pretty  quick,  quick,  quick,  quick, 

To  get  my  ticket  for  the  pic-i-nic,  nic,  nic,  nic. 
By  permission. 

(98) 


TRIBUTE  TO  WESLEYAN. 

ILLINOIS  WESLEYAN   UNIVERSITY. 


Words  by  B.  H.  Smith. 
TENORS. 


Music  by  R.  C.  Smedley. 


1.  A  -    cross 

2.  With    shouts 

3.  We        at 
BASSES.    w 

— jib 


the      fer  -  tile        prai    -    ries         Of       dear       old      111     -     i    -    nois,  .  . 

of      joy      and       tri    -    umph       Ad  -  vance      the    might  -  y         throng, 

thy    shrine  who       lin     -      ger       Burn    with         a       deep  -  er        love ; .  . 


sm 


Strains  that  are  waft  -  ed      on    the  breeze  Tell    us     of  mirth  and 
Throughout  the    na  -  tion's  broad  ex  -panse,  Vic  -  to  -  ri  -  ous      in 
Our    col  -  lege  life      still  bright-er  grows,  As  toward  its  close    we 


joy;  A  thou-sand  voi  -  ces 
song;  Till  thousands  of  new 
move  ;  And  when  the  time  of 


*— *— *— hj=^=^— *-3*^E=it± 


— F — t^-F— — ^F 


swell     the  song,     U  -  ni   -   ted     as        in       one,       For      loy    -    al    sons    are      ren  -  der  -  ing 
voi       -       ces     Their  loy  -    al     spir  -  it       share,    And   scores    and  scores  of      new-born  sons 
part  -  ing  comes,  Still  loy  -    al      ev  -    'ry      man,     We'll    join     the  throng  that's  ren  -  der  -  ing 


Trib  -  ute  to  Wes  -  ley  -  an.  .  . 
Hon  -  or  their  ban  -  ner  fair.  . 
Trib  -  ute  to  Wes  -  ley  -  an.  .  . 


Wes    -    ley  -    an,        dear      Wes     -    ley   -  an, 


How  dear  thou  art     to       me  ;J         Wes -ley -an,    dear  Wes  -  ley  -  an,  For- ward  to  vie  -  to  -  ry.  . 


By  permission. 
(89) 


THOU  ART  MY  OWN   LOVE. 


Words  and  music  by  Joseph  D.  Redding. 

Moderate. 

TENORS.  mp  ALL. 


Arranged  by  E.  J.  Biedermann. 

ALL. 


-&=-- 


Thou     art       my  own  love,     be  -  lieve          me ;     Prom-ise        you  ne'er  will      de  -  ceive        me. 
BASSES,  i  SOLO. 

V 


DA»BKiO.     i 

£gj       -J-        /.J 


Cu    -  pid!     thou    art    but          a       rov    -      er,  Seek      -      ing        for    -    ev 


Some  fool    -  ish    rogue  of          a       lov    -     er!        You        will  find        him,  nev  -   er        fear! 
SOLO. 

i  N       |  I  -     TX 

± -— ff_us^ u-3       TZS g=pg. 

s»      «T     I 


^ 


n 


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Accelerando. 


land! 


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And        oh !      we'll  dine        on      the     fat        of        the    land !  Oh,  yes,  we'll  dine, When  we  have 

J    ^       .    N  N      ^  i  n       .^       ^ 


55 r^ ^  • — p. — LI^. M~ — u» — LI — ^^        —  -»t  . — ^ ^- 

T     ^     ^    i       >    5    "p  • 

laud!    


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«c ^ — ' 


mar  -  ried    been,     my  love!  When  we  have  mar  -  ried  been,     my  love!  And  oh!  we'll  dine      on        the 

K         ^        1^       __ft_     ^       ^       ^       |S           ^            ^           j^      N       N       1^       ^    ^ 
«     •)      «>^     H"^~«         ^ r~  ^       -.         .       >J    i  F     "y       W  *        W   i  W      w 8^ ^    r~i 


£E£ 


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Used  by  permission  of  W.  A.  POND  &  Co. 
(100) 


THOU   ART   MY  OWN   LOVE. 
rit. 


fat        of        the    land,    Oh,    yes!     we'll  dine,     When  we      have    mar-  ried 
I      .    h  fc       fe     .    It         It         h       I  rit. 


been  ! 


land, 


MY   BONNIE. 


1.  My  Bon  -  nie        lies    o  -  ver  the  o    -    cean, 

2.  Last  night  as           I     lay      on  my  pil    -    low, 

3.  Oh,  blow,    ye      winds, o  -  ver  the  o    -    cean, 

4.  The  winds  have  blown  o  -  ver  the  o    -    cean, 


My  Bon  -  nie       lies    o  -  ver  the 

Last  night  as         I    lay     on  my 

And  blow,  ye    winds,  o  -  ver  the 

The  winds  have  blown  o  -  ver  the 


A  •*> 


My  Bon  -  nie  lies  o  -  ver  the  o  -  ceau, 

Last  night  as  I  lay  on  my  pil  -  low, 

Oh,  blow,  ye  winds,  o  -  ver  the  o  -  cean, 

The  winds  have  blown  o  -  ver  the  o  -  cean, 


Oh. bring  back  my 

I  dreamt  that  my 

And  bring  back  my 

And  bro't  back    my 


Bon  -  nie      to  me. 

Bon  -  nie  was  dead.  . 

Bon  -  nie      to  me. 

Bon  -  nie      to  me. 


Bring    back,  bring    back,    bring  back    my     Bon  -  nie       to 


aj5± 


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t: 


;*-- 


EBEEpSjSES 


me,       to      me;   Bring      back,  bring  back,     Oh!  bring  back     my    Bon-   nie       to       me.     .     . 


*     *      f-      f-    -^7^ 

te=zp^=^=fc=FF=rp= 

-?s^-rtr- 


(101) 


ALMA  MATER.-GREENVILLE. 


occjs  by  W.  ;A>  Jpy. 

QtfARTET. 

TENORS.  (Melody  in  2d  Tenor.) 


znor.)  j         | 


F 


-!— *- 


• 1 \? 


1.  In       the  midst     of     roll  -  ing    prai  -  ries,  'Neath  fair  skies    of      blue,        Stands  our    no  -  ble 

2.  Let      the    cho  -  rus  swell    in       an  -  thems,  Far,    and  loud    and    long,        Green-ville  Col  -  lege 

3.  Tho'    from  here     our  paths  may    sev  -  er     And    we    dis  -  tant   roam,        Still      a -bides     the 
BASSES. 

JS- 


fefe^ 


— — — 


111'  I  i  CHORUS. 

.0. 1 1 — _   J J — _^ — 0 — ii, 

— -0 — « — -m\ — i*- :    g  — ^» — -• — gH-; — ^-  i  a  ;    •— — p^1 — i* — j- — i — a* — F-— 

•\m ^ 1*-1 F- 1 d y*3  I — S 1— F-— !• » »• K-i ta~ ^ 

— -0— - — J E3EE      —5         r ^ — r^^  — U —  — F- — »• » — 


Al  -  ma  Ma  -  ter,  Glo  -  ri  -  ous  to  view. 
and  her  glo  -  ry  Ev  -  er  be  our  song. 
mem-'ry  ev  -  er  Of  our  Col -lege  home. 


Lift     the    cho  -  rus,  speed     it     on  -ward, 


fc* 


r 

O  -  ver  vale  and    hill,          Hail    to    thee!  Our    Al  -ma    Ma  -  ter,  Hail!  all     hail,  Greenville! 


-*• 0- 


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By  permission. 
(102) 


FOR   LINCOLN   WE  WILL  EVER  STAND. 


Moderato. 
TENORS. 


LINCOLN   UNIVERSITY. 

Words  and  music  by  Alexander  S.  Thompson. 


1.  We'll  raise 

2.  May  her 

3.  Her         fu 
BASSES. 


the  voice 
old  halls 
ture  may 


joy 

ev 

e'er 


strain,    Our        song 
er      dear,      May       her 
be     bright,   May     naught 


it       shall        re 
fair    fame        spread 
a   -    rise         to 


iteE^ 


/KP-  fr  9i-:  m  —                   9  —           -  j  —       w)  *  —     P— 

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P  •                     •  1 

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X 

X         ' 

J                                                            1                                        1                          * 

sound             a  -  gain;        For         Lin      -      coin     we          will           ev       -        er 
far              and    near;       We'll        ev       -        er      cher    -     ish           loy      -       al 
quench          her     light;       God        grant,          that      for    -    tune's      smile,            a 
I                    IS         1                               1                    h 

stand            A 
-    ty               For 
store            Of 

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1  1 

L  •            wm 

p  •              p 

-W               HP 

1 

1               'lx       1               ' 

Our    wish                           for       her            shall 
May    all                             her     sons            with 
That   use      ...        ful  -  ness           may 

HU                                               m                                                                  N                                  IS-I                                         hlN 

y  .V         »  •          *         &  •            *         m                                                 r 

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*              *               M 

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sn                    c                   u   'ir                        i 

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firm           u    -    nit      -      ed       bro    -   ther            baud, 
our          dear      u       -       ni   -   ver    -     si       -        ty. 
wealth         in   -  to              her      lap        may            pour; 

Is       r  •           \\m         *                      >>-—A 

P      lx 

Our    wish      for      her 
May     all        her     sons 
That    use   -  ful  -  ness 

ft         >         N         1 

,*  •    k           m                m           m  •             >\S           m      m 

II 

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(£A  *           m  '            t              *                   |              |      '    *      *      9           0j  •              -5 

*  •              1 

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al                         ways      be: 
one                           ac  -  cord 
be                          her     boast, 

Obi                                                            •        <t  •        _IN     H 

J/,171                              l*«pPSF*           ~         I 

*           •         P     1 

^  •                         1  S1 

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—  '  •                   2           lei 

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1               I1-!- 

tJ                       ^          ^i          ^          IX          IX          IX                                                                                                                  i 
shall      al  -  ways      be:    That    she      may     win          an        en                   vied    place,         And 
with    one       ac  -  cord     Her    stan  -  dard    raise        'fore      all                   the     world,           In 
may      be        her    boast,  That    she      may    train        both     brain               and    hand,          And 

h     r»     P»     i*  k«L                                                 ^ 

2»5*     l>                          ~9m               9m               9m                 •—                  <                 mt                                    \                           9 

•                          ^ 

r        i  o 

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r  •                 P 

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r 

»    t" 

J—  ^                                                  \  *-f- 

-^         T                       T— 

I  ' N   ^  I 

J^^^tzri^:    =a 


take        high    hon    -    ors      in      the  race:  Her    watch  -  word  ev      -      er:      u      -       ni  -  ty. 
no      -    ble      cause        it       is      un-furled:  The  cause        of      man,        of       Christ     the    Lord, 
in  the      van    -    guard  take  her  stand:  Her    fol    -    lowers  may        they    be  a      host. 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(103) 


HARK!  I   HEAR    A  VOICE, 


Allegro. 
SOPRANO  AND  ALTO. 


^ 


-i- — =p£=i ^iFj 


8 


Hark !       I        hear       a          voice,  Way      up        in        the     raoun  -  tain     top,       tip  -  top,       De  - 

•F-          .         <•-!— F— ^t— .— -, - = _ * r_* 1* F-- 


TENOR  AND  BASS. 

TS— F- F- 


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scend    -  ing      down        be    -    low,  De  -  scend    -  ing       down        be    -    low,  .  . 

* * It- 


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Let       us        all     a  -  nite        in 

love, 

Trust  -ing 

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u  -  nite 

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u        love, 

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in 


The   pow'rs     a  -    bove. 


Mer  -  ri  -   ly    now      we 


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Trust  -  ing      in 


the  pow'rs    a   -  bove 


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roll,      we    roll,      we      roll,      we    roll,      we      roll,      we    roll,      Mer  -  ri    -   ly      now       we 

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(104 


HARK!   I    HEAR   A   VOICE. 


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roll,       \ve        roll,     .     .     . 


O'er  .  .         the       deep    .    .  blue  .  .  sea. 


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ANNIE   LAURIE. 


Tenderly. 


Lady  John  Scott. 


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1.  Max  -wel  -  ton's  braes    are    bon-   nie,  Where  ear  -    \y       fa's      the 
2.  Her     brow     is      like     the    snaw-  drift,  Her  throat  is        like     the 
3.  Like   dew     on  th'  gow  -  an     ly   -    ing    Is  th'  fa'  o'  her      fai  -    ry 

j""n                               +•-&•-+-•+•        !        i         v 

dew,     And  'twas  there  that 
swan  ;     Her           face      it 
feet,     And    like  winds   in 

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A-n    -  nie  Lau  -  rie     Gave    me     her  prom  -  ise   true  ;       Gave  me      her  prom  -  ise      true,        Which 

is        the  fair  -  est     That  e'er      the    sun  shone  on  ;        That  e'er     the    sun   shone    on,          And 
sum  -  mer  sigh  -ing,    Her  voice    is      low     and  sweet;    Her   voice    is      low    and   sweet,     And  she's 
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ne'er     for  -got     will    be,      And    for  bon  -nie    An-  nie    Lau-  rie,  I'd        lay      me  down  and  dee. 
dark  blue     is       her     e'e,      And    for  bon  -  nie    An  -  nie    Lau  -  rie,  I'd        lay      me  down  and  dee. 
a*       the  world    to     me,      And    for  bon  -  nie    An  -  nie    Lau  -  rie,  I'd        lay      me  down  and  dee. 

•*••*  •*•      «  ••    «      "^       *~-    »     *    •*•"  ~?~°  ~^~    ~^~                  ""^  ^                             ^ 

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(105) 


I  ARISE   FROM   DREAMS   OF  THEE. 


Tourtellot. 


BASS  SOLO. 


1.  I      a  -  rise  from  dreams  of  thee, 

2.  The  wandering  airs  they  faint 

3.  0          lift    me   from  the  grass, 


Isx  TENOR. 


In  the  first  sweet  sleep  of  night ;     When  the  winds  are  breathing 

On  the  dark,  the     si  -  lent  stream ;     And  the  Champak's  o  -  dours 

I          die !      I    faint !   I    fail !  Let  thy  love    in    kiss  -  es 


2o  BASS. 


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low,          And  the  stars    are     shin  -  ing  bright.              I      a  -  rise     from  dreams  of  thee, 
fail,             Like   sweet  thoughts  in   a    dream.               The      night-  in  -  gale's   corn-plaint, 
rain            On  my    lips     and      eye-lids     pale.                My     cheek     is      cold   and  white, 

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spir  -  it       in      my     feet,     Hath  led      me,    who  knows  how?   To     thy  cham  -  ber   win-dow,  sweet! 
dies      up  -   on     her    heart;      As       I  must   on       thine,    0!     be  -  lov  -   ed       as  thou      art! 

heart  beats  loud  and    fast!        Oh!  press    it       to   thine  own     again,  Where  it    will  break  at       last. 


By  permission. 
(106) 


SING  AUGUSTANA'S   PRAISES. 


SOPRANO  AND  ALTO. 


AUGUSTANA   COLLEGE. 


1.  Shall    old        ac-quaintance    be       f  or -got,  And  mem-'ry's  gar  -  land  fade?  Nay,  deck      a  -  new  the 

2.  She  stands,    a    loft  -y       bea  -  con  bright,  Firm  founded      on     the    hill;  How  far       we  sail,   her 

3.  A      might  -  y     for -tress    'mid     the  trees,She    tow  -  ers   bold    and  true,  Un  -  fold  -  ing  proud- ly 
TENOR  AND  BASS. 


CHORUS. 
mf 


hal  -  lowed  spot,  Where  hearts  their  horn  -  age  paid ! 
glo  -  rious  light  Shall  guide  the  sail  -  ors  still, 
to  the  breeze  Her  col  -  ors,  Gold  and  Blue. 


Let     car   -  ols   ring  from    hall       to     hall,  Nor 


•**•  ^  •%•  ~^g-  ~f 


let      their  ar  -  dor    fail!     Sing    Au  -  gus  -  ta  -  na'sprais  -  es    all!  Shout   Au  -  gus  -  ta-  na^s   Hail! 


By  permission. 


Words  by  R.  O.  Everhart. 

TENORS. 


MAMIE'S  CHARMS. 

Music  by  Walter  Howe  Jones. 


n     u.     if-nuKO.     Ill  w  v 


1.  When  Mamie's  glove  her  hand  so  tight-ly  squeez-es,    I  would  that      I  might     be      a  pair  of  thes-es; 

2.  When  Mamie's  paints  make  red  her  cheeks  like  roses,  Would  I    could  cause  so     sweet  a  blush  as  thos-es; 
BASSES. 

4- 


When  Mamie's  pow-  der  -  puff  her  cheek-  let    kiss  -  es,    Oh,  how    I      wish  my  lot  might  be  like  this-es. 
Of      all  the  lot, these  glove,  those  paint, this  kiss -es,      I  think  I'd  much  pre  -  fer  to    be  the  this-es. 

-, 1— ft 


X        IX 

Copyright,  1901,  by  WALTER  HOWE  JONES. 
(107) 


Allegro,  mf 


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1.  Dash-ing  thro'  the  snow,    In     a   one-horse  o  -  pen  sleigh;          O'er   the  fields  we     go, 

2.  A  day    or  two    a  -  go        I      thought  I'd  take     a     ride;  And  soon  Miss  Fan-  nie  Bright     Was 

3.  Now  the  ground  is  white;  Go      it  while  you're  yonng;      Take  the  girls    to-night,      And 


Laugh-ing   all     the      way ;  Bells  on     bob  -  tail  ring,  Ma-  king  spir  -  its  bright ;  What 

seat-  ed     by     my     side.    The     horse  was  lean  and  lank;      Mis  -  for- tune  seem'd  his    lot;        He 
sing    this  sleighing     song.  Just      get      a       bob-tail'd  bay,      Two  -  for  -  ty     for      his  speed ;    Then 


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CHORUS.* 


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fun     it       is      to     ride   and  sing  A  sleigh-ing  song  to  -  night  ! 
got     in  -  to       a     drift-edbadk,And  we,  we    got     up  -  sot. 
hitch  him   to      an      o-pen  sleigh,  And  crack  !  you'll  take  the  lead. 


Jin  -  gle,  bells  !  jin  -  gle,  bells  ! 


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(108) 


JINGLE,  <BELLS. 


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Jin-gle    all    the  way !          Oh!  what  fun    it      is     to   ride   In    a  one-horse  o  -  pen    sleigh! 


«"  —  • 


Jingle, bells !  jingle, bells !  Jingle  all  the  way !        Oh !  what  fun  it  is  to  ride  In  a  one-horse  open  sleigh ! 

•••• 


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Andante. 
BASS  SOLO. 


PETER   GRAY. 


1.  Once        on       a      time,    there    was      a      man,      His    name     was    Pe  -  ter        Gray; 
_^.        Jt. .  ritard. 


He 


lived    way     down        in         that      'ere     town          call'd      Penn  -    syl  -    va    -     ni 

CHORUS. 
TENORS. 

1h 


ENORS.     w     I        ^      h.  h.    I        w      ».  ™ 

—I— — P-4 — P* — R — I 1 — . — i H i i . i PLJ ^ a__i i . i i __i „ 


Blow,  ye  winds  of  the  morning,  Blow,  ye  winds, heigh-o ; 
BASSES. 


Blow,  ye  winds  of  the  morn-ing, Blow, blow, blow. 


P*S  i 

_L — M — h  fc    [ 1— — . — K.I    i    i — ly — h_fa — i — ]___J — i    ,  ^   ri 

fc^:=ra|g=^j^=^^fes^^jg:;sfe^j| 

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2  Now  Peter  Gray  he  fell  in  love,  all  with  a  nice  young  girl ; 

The  first  three  letters  of  her  name  were  L-U-C,  Anna  Quirl. — CHO. 

3  But  just  as  they  were  going  to  wed,  her  papa  he  said  "  No.!  " 
And  consequently  she  was  sent  way  off  to  Ohio. — CHO. 

4  And  Peter  Gray  he  went  to  trade  for  furs  and  other  skins, 

Till  he  was  caught  and  scalp-y-ed,  by  the  bloody  Indians. — CHO. 

5  When  Lucy  Anna  heard  the  news,  she  straightway  took  to  bed, 
And  never" did  get  up  again  until  she  di-i-ed.— CHO. 

(109) 


MARY'S  LITTLE  WISE   MAN. 


TENORS. 


<?res. 


E.  T.  Carter. 


Ba,     ba,      ba,    ba,      ba,  ba,      ba,  ba,      ba,   ba.ba^ba^ba.ba^      ba, £<£L£=£ 


1     lit-  tfelamb,And  he      was  wondrous  wise,  ^^^SoT 

in      our        town,  His  fleece  was  white  as    snow;  When  he  jump  d 


lT^Tl^a,bra,      b'a,  ba,      fi,   ba,      &   ba,      li,  ba,  U  ba,      ba,  ba,      b"a, 


ba,       ba,    ba,      ba,     ba,      ba,   ba,      ba,  ba,     .^.      ba,     ba,     .     .     . 


ba,       ba,     ba,      y>a,     ba,      ba,    ba,     ba,    ba, 


ba,    ba, 


ba,        ba,    ba,      ba, 


scratch'd     out  both    his    eyes.   Oh,      Ma  -  ry       had 
lamb      was   sure      to      go.  When     he  jump'd    in  -  to 


a       lit-  tie  lamb.witha       Ba!     Ba!     Ba! 
a    bram  -  ble  bush,  with  a 


ba,      ba,    ba. 

3  He  followed  her  to  school  one  day, 

With  all  his  might  and  main ; 
||  :It  made  the  children  laugh  and  play, : 
To  scratch  them  in  again. 

4  And  when  he  saw  his  eyes  were  out, 

Which  was  against  the  rule, 
li  :He  jumped  into  another  bush,  :|| 
To  see  the  lamb  at  school. 


6  And  so  the  teacher  turned  him  oat 

His  wife  could  eat  no  lean, 
|  :And  waited  patiently  about,  :|| 

And  licked  the  platter  clean. 

6  What  makes  the  lamb  love  Mary  so? 

For  he  himself  had  said  it, 
n  -.'Cause  Mary  loves  the  lamb,  you  know,  :|| 

And  it's  greatly  to  his  credit. 


(110) 


COLLEGIUM. 

HOPE  COLLEGE. 
Words  by  Henricus  E.  Dosker. 

TENORS. 


Music  by  Johannes  B.  Nykerk. 

i=*=£ 

=*=£ 


1.  Col-  le  -  gi-um,  Col  -  le  -  gi  -  um,    te        mine  ex  -  tol  -  li  -  mus,      Vi    -  vis    con- June -tis 

2.  Col  -  le  -  gi-uin,  Col  -  le  -  gi  -  um,    fes  -    tos  nunc    a  -  gi  -  mus,  "Jam  to  -  ta      A  -  ca  - 

3.  Col  -  le  -  gi  -  um,  Col  -  le  -  gi  -  um,    ar     -    ri  -  de       fi  -  li    -    is,        Pro    -  ba    nos  -  tro  -  rum 

4.  Col  -  le  -  gi  -  um,  Ar  -  gen  -  te  -  um,    te       nunc  ex  -  tol  -  li  -  mus,     Cras  au  -  ro     co  -  ro  - 
BASSES,  j      _J*     | 

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vo  -  ci  -  bus,  Om  -  ni  -  um    nos  -  trum  plau  -  si  -  bus,  A  -  mo  -  re  et  ho  -  no  -  ri  -  bus  Sa 

de  -  mi  -  a,     No  -  bis  -  cum  a     -    met     gau  -  di  -  a,"  A  -  mo  -  re  et  ho  -  no  -  ri  -  bus  Sa 

o  -  pe  -  ra,    Spe    sem  -  per   nos      il    -    lu  -  mi  -  na,  A  -  mo  -  re  et  ho  -  no  -  ri   -  bus  Sa 

na  -  bi  -  mus    Et      la  -   bi  -  is         tre  -  men  -  ti  -  bus,  A  -  mo  -  re  et  ho  -  no  -  ri  -  bus  Sa 


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lu  -  tern       di  -  ci  -  mus,      A  -  mo    -  re    et      ho  -  no  -  ri  -  bus     Sa  -  lu  -    tern     di  -  ci  -  mus. 

J    J 


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TENORS. 


By  permission. 

THE  VACANT  STARE. 

Music  by  Walter  Howe  Jones. 


She      sat     on     the  steps  at      the         e  -  ven  -  tide,  En  -  joy  -  ing    the  balm  -  y        air ; ...  He 
BASSES. 


came  and  asked — "May  I       sit     by  your  side?  "  And  she  gave     him  —  a         va  -  cant        stare. 


Copyright,  1901,  by  WALTER  HOWE  JONES. 
(HI) 


HILLSDALE  AND  THE  BLUE. 


HILLSDALE  COLLEGE. 


Words  by  C.  E.  Greenlee. 

SOPRANO  AND  ALTO. 


Music  by  Grace  D.  Monroe. 
Arranged  by  James  Kendrick. 


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1.  We     hail     thee,    bar  -bin  -ger 
2.  The      trav  -  'ler       in    you   pass- 
3.  May     thy    clock  -strike  by    day 
TENOR  AND  BASS. 

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thee        we      raise      a       song      of        prais 
points    with    pride    o'er    coun  -  try  -    side 
tow'r    looks  down    o'er     vale     and      town, 

2_                                           =_:  ^_L_^j_        _^  1 

3       As        oth    -    ers        have       be  -  fore.             Let 
To       greet      thee       from        a    -    far;             For 
Staid     guar  -  dian         of         the       hill.          We'll 

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none      but  friends    thy    name    pro  - 
while     swift  wheels    of      mod  -  ern 
bind      thy      mot   -  to        to        our 

"J"I       "£"        «         «         -         — 

^^-^  *•  '  -0—  -0  ~*  •*  L 

claim,        And        none       but     foes      be 
life            Are         rush    -  ing       to        and 
hearts,        That  "  Strength  de  -  lights      in 

£2_.              *               m  .          _           ^ 

still;         Thy 
fro,          Thy 
trial;"      And 

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clas  -    sic     halls    our      horn  -  age 
bell       still    calls      to       qui    -  et 
face        the    strife    and     toil        of 

calls 
halls, 
life, 

^—  • 

The      queen         of 
To       think,       and 
With     hope         and 

Col    -     lege       Hill, 
be,          and      know, 
self      -de    -    nial. 

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to         F      s.   1 

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CHORUS. 

4-^^ 

S 

^       —  n^~ 

—  h- 

ring, 

1  

Let 

hearts        grow  strong      and 

I?KP  b          ^  .     •     -_  •  -•»  --  —  ] 

iy/_     —  —  _i  —  ^-j  -0  9  0  «  — 
Then    while       we     make    the     wel  - 
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kin 

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ring,      Let      hearts    grow  strong,     grow  strong    and 

b  b    i 

x 

i*          I*          t*          t? 

—  |  1  1  —  )•_•  1  1  W-  1 

ring,  Let    hearts      grow  strong     and 

Copyright,  1902,  by  HINDS  &  NOBLE. 

(112) 


HILLSDALE  AND  THE  BLUE. 


true; 


true; 


With  shout  and  song  the  sound    pro  -  long,    For  Hills-dale    and    the    blue. 


—  4— 


true,  strong  and  true  ; 


•—  rr  —  r 


r-R- 1 1 — 

& 


Words  by  John  Russell  Hayes. 
SOPRANO  AND  ALTO. 


COLLEGE  DAYS  OF  OLD. 

Harmonized  by  R.  W.  Atkinson. 


1.  Oh,      hap  -    py  col  -  lege    days  of  old,  And  have  ye    gone  for    -  ev    -    er,          So 

2.  O        days    that  nev  -  er      knew  a  care,        O  days  of  youth  and      glo    -   ry,  That 

3.  Now      o    -    ver  life's  wide  fields  we  roam  With     lit    -  tie    time  for   .dream  -  ing,        Yet 
TENOR  AND  BASS. 


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of       our 

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ries        un    -    told,     And      joys      that        with  -  er 
path      and       fair,  Through  sum  -  mer       lands    of 
Col    -  lege       home   With    -    in        our         hearts  are    g 

-*-      •*•      *-      +-      £-      -fr 

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nev    -    er? 
sto    -    ry, 


O 
A 
O 


fair     and     fade  -  less      were    the  flow'rs  That  bloomed  for      us        in      those        dear    hours, 
cross    the    years    your     ech  -  oes    flow,    Ye     gold    -  en      days      of      long  a  -    go.  .     , 

sweet    and      un    -  for  -  got  -  ten  years,  We      see      you  through  our    mist      -    y       tears.  . 


ItblJV.  w  |^^^  ^^      ^- 

i  T-      I*     r 


-*-• 


je  -  ruin,  je  -  rum,  je  -  rum, 
je  -  rum,  je  -  rum,  je  -  rum, 
je  -  rum,  je  -  rum,  je  -  rum, 


Qua    -    lis 
O    -    quse 
Qua    -    lis 


mu  -  ta 
mu  -  ta 
mu  -  ta 


tio 
tio 

tio 


re  -  rum. 
re  -  rum. 
re  -  rum. 


I 

Words  and  music  used  by  permission  of  GEO.  T.  VISKNISKHI,  owner  of  the  copyright. 

Copyright,  1902,  by  HINDS  &  NOBLE. 

(113) 


THE   COLLEGE  ON  THE   HILL. 


ST.  OLAF   COLLEGE. 


Words  by  C.  K.  Solberg. 


„         SOPRANO  AND  ALTO. 

ik 

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3==S3  —  JH 

1.     All    hail     the    col-lege    on      the  hill,  Our    Al-ma      Ma  -  ter    dear!    We    love    her  light,    se  - 
2.    Her  sons    and  daughters   far     and  near  Will  shield  her     pre  -  cious  name,  And   stay     the  foes    that 
3.  Though  time  may  come  when  rude  de-cay      A  -waits  her    state  -  ly    frame,  May   ne'er     a  -rise     that 
4.  How    glad  -  ly    we      re-  call     the  days     Of    col-lege    work  and    play,     The    cheer  -  ful  words  and 
TENOR  AND  BASS. 
a         «       •  .'•-•r*--*"--^-'*-      •-••*•       .-*-•       -*•..-*-•*-       - 

sal  o    P      *  •     r 

P      P 

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*- 

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w          tr       w    "  y    ~ 

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CHORUS. 


rene       and    still,  We    love       her  ways    of  cheer.  1,2,  3.  Let  ev  -  'ry  heart  and     ev    -     'ry    voice        U  • 
may        ap  -  pear    To  thwart    her     no  -  ble    aim.    4.  As     we  have  left  these  days        be  -  hind       And 


dis    -    mal    day  That  knows  not      of      her  fame. 
win  -   ning  ways  Of    class      and  schoolmates  dear. 


^=P=^= 


nite    to  sing  her  praise;  With     one       ac-cord  let      all       re-joice   To      think  of    col-lege  days, 
bid  those  friends  a  -  dieu,     We      now      en  -  joy     to      call      to  mind  Past    days  on  Man  -  i  -  tou. 


By  permission. 

WHEN   FIRST  I   KISSED   SWEET  MARGARET. 

TENORS. 


?      W 

1.  When  first       I    kiss'd  sweet  Mar  -^ga  -  ret,  When  first      I   kiss'd  sweet  Mar  -  ga- ret,  She  blushed  rose- 

2.  Last  night    I   kiss'd  sweet  Mar  -'ga  -  ret,     Last  night    I    kiss'd  sweet  Mar  -  ga- ret,  She  blushed rose- 
BASSES. 


red,         and  stern-ly       said,     "  You  must- n't !  stop!" 

red,          but    sim-ply     (Omit )      said,    "You  must    -    n't    stop." 


-J- 


Copyright,  1901,  WALTER  HOWE  JONES. 
(114) 


TENORS. 


HAIL,  BELOIT. 

BELOIT  COLLEGE. 

_J JS 1. 


Music  by  W.  B.  Olds. 


4= 


1.  A  -    bove  the  grave  of  war  -    rior  brave,  Close  by  the  riv  -     er    -    side,     Stand 

2.  To       fair  Be  -  loit  we  sing        to  -  night,  Strong  let  the  cho  -    rus        be ;       Tho1 

3.  We    pledge  to    thee  our  loy  -    al  -  ty,      True  are  thy  sons  and     strong; From 

BASSES. 


P 


m 


col    -    lege  halls  whose    hal  -  lowed    walls      We  rev  -  'rence  with  hon   -  est  pride.  Then 

•far         we   roam,  thou    art       our      home,    And    our  hearts      turn         back  to  thee.  Then 

life         be  -  gun      to        vie  -  fry      won,       Thy  glo    -    ry    shall  be  our  song.  Then 

J       .^•"--  N  '"~">- 


N       I  i  /     _J?'^_P  x — ^  i i 


SB 


con  spirito.         ^^ 

£===^d=3 


hail,        Be    -    loit, 


moth  -    er       dear,        All       we  thy       chil    -     dren     thy 


1 


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cres. 


name      re    -  vere ;        And      loy     -     al          to        thse         we         ev 

ores. 


Z N         * 

er  will      be,     .     . 


^EE£^| 


-t: 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(115) 


Words  by  R.  J.  Eddy. 

TENORS. 

— j r- 


BELOIT  SONG. 

BELOIT  COLLEGE. 

Arranged  from  German  melodies. 


T 


1.  O        Be    -    loit         our  Al    -      ma 

2.  When  our         col     -     lege        days         are 

BASSES.  i 


Ma      -     ter,         We      to  -  night      thy  prais  -  es 
end      -     ed,        And     we      leave      thy    sa  -   cred 


1^ 


EE 


sing,      We      to  -  night      thy  prais  -  es       sing,      For     our  hearts      are      thine       for         ev 
walls,   And     we     leave      thy     sa  -   cred  walls,      Thy    dear    name     will       still          in    -    spire 


er,    Thine  our  grate  -  ful        of   -    fer     -    ing. 
us       As     we     fol  -  low        du  -  ty's        calls. 


Tho'  we      wan  -  der    far     a  -  way    From  thy 
But   we        nev  -  er     will  for  -  get       To     ex 


/£  —  ta--  tz  tr-  1  -H  i  1  !- 

1  1  1  

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beau    -    ty        man    -  tied       hill,           Yet      wher   -    ev    -     er         we        may 
alt          thy        no    -     ble      name,       March  -  ing        for  -  ward       in         the 

i>           N           N           S 

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stray, 
right, 

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IS 
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_^_      —  ^  ^  £_  J—  j  £_  £__    L_^ 

By  permission. 
(116) 

—  3— 

J 

BELO1T   SONG. 


t 


V 


£ 


name        our    thoughts    -will     fill,        And    where  -  ev      -    er       we       may     be,         All        our 
high    -      er         raise        thy    fame,       Till        no     more        the     west  -    eru    Yale,       Will        we 


-± 


£ 


U  x 

voi    -     ces  shall      u  -  nite       In      a     song      of    praise    to        thee,  ....  Hail  to    thee,    our 
thy      dear    ti    -    tie    write,  But  we'll  hail    thee,    our      Be  -  loit,    ....  Hail  to    thee,   our 


H* P f 


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own      Be    -     loit. 


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Be  -  loit !     Be  -  loit !  Rah !   rah !    rah !     rah ! 

**  J".    J    i      i     i     J 


Sci  -  en    -    ti 

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rah!  rah!     rah!     rah!     rah!    rah!    rah!  rah!  rah! 


Bah!  rah! 


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1 


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rah!         r?h!        rah!     rah!   uah! 


(117) 


Allegro. 

TENORS.     (Melody  in  Sd  Tenor.) 


A  TOBOGGAN  SONG. 

Arranged  by  R.  W.  Atkinson. 

j— 


ii 


S 


1.  To  -  night,     how    crisp 

2.  To     shoot,       to      dart, 

3.  It .      fills 

4.  Then      be 

5.  Brave  lads 
BASSES. 


the  air ;  . 

to  glide, 

us  with  a  song, 

a  pas  -  sen  -  jair  . 

and  las  -  sies  fair, . 


How  scin    -    til  -    lates      the      star   -  dust ! 

Down  As    -    tro  -   nom  -    ic        hill    -    side ; 

Doth  this 

On  this 

There's  po 


Wh 


hat 
To 

to   -    bog  -  gan      slid    -    ing ;      Come, 
to    -  bog  -  gan      night     train ;       Be 
e     -   try         in        liv    -     ing ;     Come, 


-3= 


REFRAIN. 

1 


sport  so  rich  and  rare, 

feel  the  rythm  -  ic  ride  ; 

bear  the  song  a  -  long, 

blithe,  be  deb  o  -  nair, 

ban  -  ish  cloud  -  y  care, 


What  sport         to  rub         off  mind     -  rust  I  Hur 

Doth  lift           a  mer    -    ry  flood    -  tide.  Hur 

The  frost    -    y  stars       are  guid     -  ing.  Hur 

Be  sub     -    ject  now         to  joy's  reign  !  Hur 

In  slid    -    ing's  no          mis  -  giv    -  ing.  Hur 


j=pt 


Hur  -  rah  ! 


-3 3- 


hur  -  rah  ! 


S±S*=^=£EE*= 

t^^=5=Bt^=- 


CHORUS.    Hur  -  rah  ! 


rah !     .     .          hur  -  rah  !  .     .          To  -  night,  how  crisp     the       air  1  .  .        Hur  -  rah  !  .     .  hur  - 


rah  !  .     .          To  -  night    how  crisp  the    air  !  .  . 


Og'   -  to  -  bog  -    to         to'-bog-an-ing, 
P  J_  _A_  I 


hur-rah  ! 


h 


Og' 

=H 


-   to  -  bog  -   to        to'  -  bog  -  an  -  ing, 


f 


Og'    -  to  -  bog  -  to        to'  -  bog  -  an  -  ing,      To 

i*    r>    r> 


Copyright,  1902,  by  HrNcs  &  NOBLE. 
(118) 


A  TOBOGGAN   SONG. 

f> 


^-*  —  t—  *  —  i- 

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^  —  f  —  f  —  f-H 

night,     how    crisp       the         air  !  . 

You'll    hear       the      bogs,      the       bogs,      the     bo 

gs,       the 

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»             »              99              f. 

moZto  rtY. 

You'll  hear       the     bogs,       1 
„  a  tempo. 

/*N       ft                     \                    hi 

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b,          b,           b,           b, 
ores. 

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(119) 


CARLETON   SPELLING  SONG. 

CARLETON   COLLEGE. 
Words  by  George  Huntington. 


1.  Ral  -  ly,    Carle  -  tons,  old      and    young,      Loy  -  al  hearts  and  learn  -  ed      tongue,    And  be 

2.  There's  a      big       in  -  i    -     tial      C,  .   .      And      an      A-K-L-E-T,  ..  There's  a 

3.  C        for   cram-ming  Chem  -  ist  -  ree,  A         for  An    -    a  -  lyt   -   ic         G,  .   .        R,  Re  - 

4.  C         for    dear      Co-ed    -     u  -   ca-  tion,   A        for  Ar  -  dent    A    -   do    -   ra-tion,    R,  Re  - 

5.  Let      our      or   -  tho-graph  -  ic      song         With    the      a    -    ges    roll       a    -    long,         For  old 


sure    you  bring  your   al  -   pha  -  bet  a  -  long.  To  our    Al  -  ma    Ma  -  ter's    name,    Sweet   of 

lit    -    tie    round  .  .     O  .  .  .      and  an    N.  And  the  first      it  stands    for    cen- turn,  And    the 

tor   -    ic  -  als,      L,  Log   -  ic,  Lat   -  in    lore;  E  for   Eng  -  lish   Lit.    shall    be,  .  .       T        for 

fus    -    al,     L  Love's  La  -  bor  thrown  a-  way;  E,  Ex -tat   -    ic     Ex  -  pec-  ta  -  tion,T,       Tor 

Carle  -  ton's  years  have  on    -   ly  just  be -gun.  Let  our    Al  -  ma    Ma  -  ter's    name       Ev  -   er 


—  — « — -^^ — * -&-\-         * ^-* — g=— * — *=-- y— FF^=S— i 


sound    and  high       in      fame,      Raise  a      roar  -  ing,  soar  -  ing,     or    -    tho-graph  -  ic      song, 

last      three  for      mo  -  mentum,  As  we    shout    our    jol    -    ly      cho   -   rus   once      a  -   gain. 

Trig    -    o  -  noin   -  e  -  tree,  .  .       O  for    Oh  !     and     N        for    Nod  -  die  cramm'd  and  sore. 

ment  -  ing  Trib  -    u  -   la -tion,    0,  oh,    Os   -    cu  -  la  !       N,   Now  we've  Nain'd  the      day. 

high    -    er    rise       in       fame,       Till  each   pre  -  cious  lit  -    tie      let    -    ter  weighs     a       ton. 


CHORUS. 

SOPRANO  AND  ALTO. 


Car 


C    -    A    -    R    -     le     for 
TENOR  AXD  BASS. 


r     £— — f- — f— — f=tt-: 

»• »• '-     » — *  '      p— hp- 

1 H fe P E H 


A    -     R    -    le 


T    -     0          to    -    ny     for 


E  3E 


pun. 


S5»  —  r±--  —                           —  i*  — 

m- 
& 

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p       -        u       -        n; 

'Tis            i 

'Tis  a          pret    -     ty       word          to      spell,        'Tis  a 


rous  -  ing  word      to     yell,    And     the      lit    -  tie    end      up  -  on       it  weighs    a        t    -    o    -    n. 


EE£E^EEpEtEEpEH±3EEEE 


By  permission. 
(120) 


ALL  HAIL  TO  THEE,  FAIR  WESTERN. 

WESTERN    COLLEGE. 


Words  by  Mary  Elizabeth  Hart. 

Maestoso. 
SOPRANOS  I  AND  II. 


Music  by  Maude  Martin  Charlton. 
Arranged  by  James  Kendrick. 


gig-g— • 


S  S      \ 

1.  All    hail        to  thee,  fair  West -ern,  Thee  would  we   ev  -  er     sing; 

2.  In    con  -  flicts  may  we     ev   -  er  Stand  firm     for  truth  and  right, 

3.  We  cheer      the  name  of  West  -ern,  We  cheer    the  West-ern   blue, 
ALTOS  I  AND  II. 


For    years     of  lov  -  ing 

Houor  the  name  of 

And   to         our  Al  -  ma 


d^^=4=J 

r^c  -»-  -9-  -*- 


nur-ture  Our    hearts  their  horn  -age  bring. 

Wes-tern  And      keep  it      pure    and  bright. 

Ma  -  ter  May       we    be       al  -  ways  true. 


The  past  so  full  of  glo  -  ry 
Be  -  neath  our  ban  -  ner  cheer-ing 
To  thy  dear  teachings  faith-  ful 


Joins 

The 
Where  - 

cres. 


^ 


^        -3-    J*:  -J^L.    V4      *•    1 


1 


cres. 


with  the  pres-ent  day ; 
col  -  lege  we  hold  dear, 
e'er  our  life  may  be, 


The        fu    -    ture  waits  be  -fore       us  And    to     us       points  the  way. 
En     -    throned  in  hearts  de  -  vot    -    ed,  Cheer  we,   the    West-ern  cheer. 
Loyal      to  thee, dear  West  -  ern,  For  -  ev  -  er      loyal  to   thee. 


^  TJ —  — i — I ^-i •* — * — Frifca — ••! — •* — P 


1 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(121) 


THE   RED  AND   GOLD. 


Allegretto. 
SOPRANO  AND  ALTO. 


SIMPSON   COLLEGE. 

Arranged  by  James  Kendrick. 


1.  Come, we  will     sing  to  -  geth-er     . 

2.  Fade    -    less      still  the     lau  -  rels  . 

3.  Though  in  the  years  be  -  fore    us    . 
TENOR  AND  BASS. 


'X 
Once      more       the      ring  -  ing       songT"  ...         A 

Won  by  the     foot  -  ball      team;    .     .     . 
Life's     skies      grow    chill     and       gray,    .     .    .        The 


>— , fc*=s-J 

pEfEiiEEiS 

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strain       that 
Here's        to 
friends        of 


the 
the 
our 


com       -      ing 

knights  of     the 

youth  are 


class    -    es 
dia    -     mond,  . 
scat    -    tered,    . 


Un     -     ceas    -    ing     -     ly 

Bright   -   ly  their 

We         jour  -    ney          our 


shall  pro  -  long.  . 
vie  -  fries  gleam,  . 
lone  -  ly  way. 


The      prais-es      of 
No       fear          but 
Sweet    mem     -    o 


our  Al  -  ma  Ma  -  ter,  .  .  Dear 
the  mor  -  row's  strug  -  gle  .  .  Shall 
ry  oft  will  lin  -  ger  .  .  On 


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Simp  -  son,  thy 
ev  -  er  new 
those  .  dear 


sons 

tri 

days 


so  bold 

umphs          hold,    . 
of  old,     . 

s,    ores. 


While 
When 


cher  -  ish       thy 
stur        -        dy 
neath  .  the 


rec    -    ol    -    lee  -    tions   . 

sons         of       Simp  -  son  .  .    . 

whis'  -  pring      ma  -    pies  .  .   . 


And  swear  by  the  Red 
Press  on  with  the  Red 
We  flaunt  -  ed  the  Red 


and  Gold, 
and  Gold, 
and  Gold. 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(122) 


ICH   CAN   SPRECH-A. 


Words  by  G.  H.  H. 

Allegretto. 
SOPKANO  AND  ALTO. 


Al    -    ma        Ma    -    ter,        Al    -  ma        Ma    -  ter        Ich      can      sprech    -    a, 

TENOR  AND  BASS.  _  qt 

-f- — i — ^ 1 — 


Ich      can 


1.  Ich    can  sprech  my  klei  -  ne     Deutsch-a, 


2.  Ich  can  sprech  my  klei  -  ne  Fran-cois, 

3.  Ich  can  sprech  my  klei  -  ne  Greek-a, 
sprech -a,  4.  Ich  can  sprech  my  klei  -  ne  Lat- in, 

5.  Ich  can   sing     I  -  ta  -  li      -      a  -  no, 

6.  Ich  can    tell     my  ten-  der         pas-sion, 

7.  Ich  can  take    my  klei  -  ne  bounce-a, 

8.  Ich  can  give    my  col  -  lege  yell  -  a, 


Ya,  ya,  ya,  clat  is  my 
Oui,  oui,oui,dat  is  my 
Ho,  he,  to,  dat  is  my 
Hic,haec,hoc,dat  is  my 
Tra,  la,  la,  I  -  ta  -  li 
Oh,  oh,  oh,  my  ten -der 
Up,  up,  up,  my  klei- ne 
Rah,  rah,  rah,my  col-lege 


Deutsch-a. 

Fran-cois. 
Geeek  -  a. 

Lat  -  in. 

a  -   no. 

pas-sion. 
bounce-a. 

yell  -  a. 


At  the  close  of  each  stanza,  its  refrain  is  given,  followed  by  the  refrains  of  all  the  preceding  stanzas,  with  pantomime  appro- 
priate to  each.  The  yell  of  the  local  college  may  be  substituted  for  the  last  refrain,  or  added  to  it,  dividing  it  into  as  many  phrases 
as  the  music  requires. 

By  permission. 

LONG  MAY  OUR  COLLEGE  STAND. 

IOWA  WESLEYAN    UNIVERSITY. 

Words  by  N.  W.  Huston. 

SOPRANO  AND  ALTO. 


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hap-    py  lives,  Here  where  true  wis  -  dom  thrives,  Here  where  the  mind      re-vives  We      f  ond  -  ly     cling, 
col  -  lege  stand,  Long  may  her  work    be  grand,  And  many     from   ev  -  'ry  land    Her     prais  -  es     sing, 
face      be  bright, Let     ev  - 'ry   heart     de- light     In     roy-al  pur  -  pie       and  white  Of  I.      W.      U. 


By  permission. 
(123) 


LENOX  CRIMSON. 


LENOX   COLLEGE. 


Words  by  Nellie  B.  Turner. 

QUARTET. 
TEXORS. 


1.  Lads,there    is       a    crim  -  son  flag  Should  mean  a     lot       to     you,  For         it  is        the 

2.  Not      far  from  the    col  -  lege  Stands  a     Hall    you    all    know  well;  Oh,        the  se  -  crets 

3.  Be  loy   -  al      to      the  crim- son  then, And     al  -  ways  sing    its  praise,  Think  -  ing  of        the 

4.  Raise  the  crim-son  ban  -  ner,lads,  And   give       a    rous  -  ing    cheer,  For       our  col  -    lege 
BASSES. 


dear      old    flag      Of      Len  -    ox,  strong  and  true;      It  stands  for  hearts  that  fought  and      won      In 

that      old  porch   And     ves    -    ti  -  bule  could   tell,  .  .    And  the   hap  -  py      ties    and    hours  That 

hap-  py    times,    Of     youth  -  ful     col  -  lege    days;  .  .Bring  re-cruits  from    ev    -  'ry 

hath      at  -  tained  Un  -  to         her    for  -  tieth    year; .  .  Years  of    toil    and      la  - 


CHORUS. 


life's  great  bat  -  tie  -  field,     So      sing    the  prais  -  es  of  Len  -  ox. 

come  from  ling-'ring  there,    So        I       say  cheer  for  old  Len  -  ox. 

For  -  ty    thou  -  sand  strong,  Yes,  bring  them  all      to  old  Len  -  ox. 

All       in    love  were  spent,That's  why     we  cheer  for  old  Len  -  ox. 


Hur  -  rah  1    hur  -  rah !   we 


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love    her    one    and    all,      Hur -rah!     hur -rah!     her  num.  -  bersmay   be    small,       But  her  men    are 

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less      And     her      wo  -  men  true,       So       once        a  -  gain     cheer    for      Len  -    ox. 


-V ^ S *£—  -CW—  -TIN ^ » W *— 


Melody  used  by  permission  of  THE  S.  BRAINARD'S  SONS  COMPANY. 
(124) 


COME  YE  BACK  TO   OLD   GRINNELL. 


Words  by  W.  B.  Otis. 

QUARTETTE. 
TEKORS. 


IOWA   COLLEGE. 


Music  by  W.  B.  Olds. 


1.  When 

2.  When 

3.  When 
BASSES. 


the      au  -  tuinn  tip  -  toes    soft  -  ly      and    the    sum  -  mer  days 

a       win -fry     gray  comes  boom-ing  down   the  North-wind  and 

soft  whisp-'rings  from  the   South-land  coax   the   trees    to    take 


are    told,     And    the 
the  snow  Whisks  and 
their  green,  And    the 


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air  grows  crisp  and  crink  -  les     all     the  leaves  to     red      and   gold,  When  soft    col  -  ors    tint    the 
piles    in  mounds  of  white-ness,  as      the     ed  -  dies  come    and    go,     When  the    frost  -  y    vines  hang 
leaves  cast  phan-tom  shad- ows  where  the  moon-light  sifts      be -tween,  When  with   raptured  heart  go 


dis  -  tance  ere  the  eve  -  ning  glow  is  on,  And  the  wood-bine  blush-es  crim  -  son  to  the 
droop  -  ing  with  a  mass  of  f  ai  -  ry  hair,  And  the  jin  -  gle  of  the  sleigh  bells  shakes  out 
stroll  -  ing  man  -  ly  youth  and  pret  -  ty  maid,  And  a  -  far  is  heard  the  mu  -  sic  of  an 


woo -ng    o       the  sun:  Come   ye  back    to  old    Grinnell,  To    the    col  -  lege  loved  so  well,  Can't  you 
laugh -ter    on     the   air; 
eve -ning  ser  -  e-nade. 


feel  your  pul-ses  throbbing  when  you  come  to    old    Grin-nell?  Oh,  'tis    back    to  old  Grin-nell,  Where  rings 
IS_  N     i^      «.      ».      ^       ^     I      /r> 


out      theclas-sic  bell,  Come  ye    back,  ye   students    loy-al,Come  ye    back  to    old    Grin-nell. 

i^=£=^t^=£EE^^* 


f»     a  f  f  n 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(125) 


DO   I   LOVE  HER? 


Music  by  Horace  Lozier. 


Tempo  ad  lib. 


<j-  ra^ 


I       "tove     her?     Do'^the     moon-beams     .     .     .      love    the    sum-mer  seas  O'er  which  they 


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slowly. 


hov    -    er         like      sweet       fai    -    ries        o'er         the         lea? 


Do        I 


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slowly. 


cat  -  tie      love     the      clo  -  ver  -  fields  through    which     the      brook  -  let       flows?       Do 


Ped. 

Copyright,  1902,  by  HINDS  &  NOBLE. 

( 126  ) 


Fed. 


DO   I    LOVE   HER? 


terc.-=r:a  tempo. 


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(127) 


THE   SCARLET  AND   BLACK. 

IOWA  COLLEGE. 

From  Balfe. 
Words  by  Mrs.  R.  G.  Cole.  Arranged  by  R.  G.  Cole. 

m  Animato. 

TENORS.   ,  ^ 


g±ipE^=^ 


(Melody  in  2d  Tenor.) 

1.    Sing     to      the  Col-lege    with  ban  -  ner      so  bright,     0     sing       to       the  Scar -let     and     Black; 

3.  Long   live    the  Col-lege  whose  col  -  ors     we  wear,      O    long     live    the  Scar -let     and     Black! 

BASSES. 


s      y 

Sing      to      the  dark-ness    and   sing      to       the  light,       O        sing       to      the  Scar-  let     and     Black  ! 
Long   may  her  prais-  es       re-  sound  thro'   the  air  To  the    no  -  ble  old          Scar  -  let     and     Black  ! 


r-^t 


, 

Black   is    the  night  with  her  dark,  ten-der  wings,  And  scar-let    the  sun     as     it    glo  -  ri- ous  -  ly  sinks  ;  0  ! 
Hon-or    and  glo  -  ry    be    ev  -  er  with  thee,Thou  dear  Al  -  ma  Ma -ter,  sub-lime        I.  C.        0! 


Sing     to      the  Col  -lege    with  ban  -  ner       so  bright,    O     sing      to      the  Scar  -  let    and     Black ! 
Long    live     the  Col  -  lege  whose  col  -  ors      we  wear,  (ff)  Hurrah     for      the  Scar  -  let    and    Black  ! 


S3 


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2.  Black    are      the    eyes     of      the  maid  -  en       so    fair,       And  scar  -  let     her  blush  -  ing    cheeks  ; 


^  r  ^r 

Black    are      the  tress  -  es        of     soft      rav  -  en  hair,     And   scar  -  let     her  pout  -  ing      lips. 


zyts 

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a| »h=^=j== 


-^ 

NOTE.    When  sung  by  mixed  voices,  let  the  Soprano  sing  the  Melody  in  2d  Tenor  ;  the  Alto  the  1st  Tenor  part,  an  octave  lower: 
the  Tenor  the  1st  Bass  part,  etc. 

By  permission. 

(128) 


THE   SCARLET   AND   BLACK. 


rit. 


Dark-  ness  and  light-ness  are  grand  -  ly  com-bined   In    yon    sa  -  ble  cloud  with  deep  scar  -  let  lined.    O  I 


a  tempo. 


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Hail       to      the  col  -  ors  whose  beau  -  ty      we  love,       O     hail      to      the  Scar  -  let    and    Black  ! 

--T- 1 P ft— h— J «£-r-J ->         ft     I J-r« -£- ft— j^-- -£ 

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SOLDIER'S   FAREWELL. 


Andante. 

IST  AND  2n  TENOR. 


Music  by  Johanna 


1.  How     can      I      bear  to       leave   thee  ?  One     part  -    ing  kiss       I        give     thee ;  And 

2.  Ne'er  more  may     I  be  -  hold     thee,  Or        to  this  heart    en  -  fold      thee ;  With 

3.  I     think  of     thee  with    long  -  ing,  Think  thou,  when  tears   are    throng  -  ing,  That 
IST  AND  2o  BASS. 


ores. 


* 


then      what -e'er       be    -  falls        me, 

spear       and    pen  -    non  glanc  -   ing, 

with        my    last       faint  sigh   -    ing, 

-j h — i 1- 


plpi 


I  go       where  hon  -   or      calls      me.         Fare 

I  see         the     foe        ad  -  vane  -  ing.         Fare 

I'll       whis   -    per    soft,    while      dy  -  ing,         Fare 

P 
-b-^ 


ores. 


Tranquillo  e  molto  express. 


P 


res±_ ,_  //I 


w 


rit. 


F 


i^=^d 
.f==d 


well,        fare -well,      my     own      true  love;     Fare -well,      fare  -  well,      my    own      true  love. 

rit. 


ldtfczj 


ft 


Pf)          J~^  rit. 


(129) 


OUR   COLLEGE   HOME. 

UPPER   IOWA   UNIVERSITY. 


With  spirit. 
TENOKS. 


Words  and  music  by  W.  Ruggles. 


Ed^ 

•*  i*-  -*-       -*- 


1.  Come     let         us       join        in  a         song  That       will  car  -    ry 

2.  Bil   -  low    -    y         hill  -    tops       ear  -  round     -    ing,         En    -  cir  -    cle 

3.  Dash  -  ing       and      danc  -  ing         so       bright     -     ly,          The  Vol   -  ga 

^ * ^-,^ -I £ 


to 
a 

is 


all          our 

vale  of 

swift    -     ly 


''  *  £  7  **  U?~ 

greet  -  ing,    Swell-ing    the  beau  -  ti  -  ful      cho  -  rus     full     and  free, 

beau  -  ty,     Beau-ti  -  ful    flow-ers     of    Spring-time  there     do  grow; 

flow  -  ing,    Mur-mur  -  ing     on      in      its     wind  -  ings  toward  the  sea ; 


Tra     la     la      la      li  -  le  -  o 


Tell  -  ing  of  val  -  or  and  love,  And  a  wel  -  come  to  all  re  -  peat  -  ing, 
Mer  -  ri  -  ly  car  -  ol  -  ling  song  -  birds  there,  Charm  us  a  -  way  from  du  -  ty, 
Bear  -  ing  a  mes  -  sage  of  glad  -  ness,  Its  beau  -  ty  and  life  be  -  stow  -  ing, 


Mer  -  ry  and  hap  -  py  to  -  night  we  sure  -  ly  will 
Lin  -  ger  -  ing  still  in  our  hearts  wher  -  ev  -  er  we 
Beau  -  ti  -  ful  riv  -  er,  we  love  to  think  of 


be, 

go,        wher-e'r 
thee,        to     think 


will 

we 
of 


be. 
go. 
thee. 

I 


CHORUS. 


HORUS.   -=r    -=r  N      k. 

*==d=3-j^ 

— ^- — *{ ".    "  J d ' — ii— ! ^F~S — 1 I — ^ •* — -d — 

*>- 4-. — -mi-i d-: 9 » •0-r#J-t -0-^-*=^* -0 ^ H -0 X 


t=£=.      <=^T  I^-HS=^= 


With   a     heigh !  loo  1    ho !     and  with    U.       I. 

K       N 


U.,    We'll  swell  the    cho -rus    so    mer  -  ri  -  ly,  Wher - 


By  permission. 
(130) 


OUR   COLLEGE   HOME. 


ev  -  er      as      stu-dent  we  roam.         So     it*s  heigh!  loo!        ho!      and    it's     U.        I.          U.,    Wher  - 

,__^_^_— ^^  ±rf= 
f 


6* — 


ev  -    er       we      wan  -  der,    We      still     will       re  -  mem  -  ber      Our      Col    -    lege        home. 

_, r>    p>       _    _  .  r*    i*    r*  « » *-  -j 

*       * — ^3 * — — m- f- — \—  ~ « m — 


-j ^— 


-* — F 


S 


COME,  LET  US  SING, 


CAMPBELL   UNIVERSITY. 
Words  by  Ella  W.  Brown. 
Tempo  di  Marcia. 
SOPRANO  AND  ALTO. 


Music  arranged. 


— j j — m —     ^ 

^  r 


1.  Come,  let     us  sing  a  mer  -  ry  song,  Of     stu-dent  life    so  bright  and  gay ;Come, let    us   send  the 

2.  Come,  let     us  sing  a  hap  -  py  song,  Of    comrades  dear  and  chums  ga-lore, Com- pan- ions  lov-ing, 

3.  Come,  let     us  sing  a  joy  -  ful  song,Now  let    us  shout  a-  loud,     a-loud;We    are     a     mer-ry, 
TENOR  AND  BASS. 


note   a  -  long  Of   joy     the      live -long    day.  Each  morn be-gins  our  toil     a   -  new,Each  night briugs  rest  so 
friendships  strong,  And  mem1  ries    rich    in       store;  Of   rec  -  ol  -  lec-tion^  sweet  as     May, Of  glad   as-so-ci- 
hap  -  py  throng,  We  are     a         jol  -  ly      crowd.  We  seek  the  right, we  shun  the  wrong,  Where'er  we  be   on 


-d=, 


£-$* 


frl 


k      i          r 


grate  -  f ul  -  ly     To     those  who     all     their      du  -  ty      do      At    Campbell    U  -  ni  -  ver  -  si    -    ty. 

a  -  tions  free,  With  those  who   walk     in      learn-ing's  way     At    Campbell    U  -  ni  -  ver  -  si    -    ty. 

land      or    sea,  For       we      be  -  long,    we       all      be  -  long   To    Campbell    U  -  ni  -  ver  -  si    -    ty. 


•j* — i — 


=^k=tg=F--M4r-a 


By  permission. 
(131) 


THE    NEW   WOMAN. 


Words  by  R.  M.  Haines. 


Music  by  R.  G.  Cole. 


TENORS.                     w           |S                       w           w 

Ob           f                     i         '         IS       P       P 

k.      p*      *,      ^      k    , 

i                                      it       k  1 

l/^h  u  fa"      *   1^        1*        ^        i*     ^m        ^       * 

1s*                    1          1         r 

*      i        n«       *^      K 

VSSS-  v  o        ^       ^J                            Hi 

t*              '           J     V 

i         L*     °i         h         i        i 

SsZ        "      ,         i           adJE                L^       L* 

1                                    r      ~ 

Lrf        IX                   Lrf        L^ 

1.    The    new     wom-an      is     com  -  ing,  Well,    let     her  pro-ceed;     She'll     set  things  to     humming, 
2.  She'll    be      law-yer  and   doc-  tor,  Well,    let    her  proceed;  She'll  be      preacher    and  proc-tor, 
BASSES.                                                         IS         IS       is 

\f^r.'\j  —  fy  ^  —           1  —  ^  —        —  v  ^»  — 

^  ft  ^  '  M  

N»                                  H                N» 

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2          p          BUZZI  "          i  •          i 

(([)     P                                                          *         m 

^i                **               ^£                  IF^               IF* 

Well     let      her     pro-  ceed  ;  She'll  ride 
Well,    let      her    pro  -  ceed  ;  She'll    get 

_i^    ^    Is    N  ^  J^  _i^ 

hor  -  ses        a  -  strad  -  die,    Well,     let     her    pro-ceed; 
all       the     good     pla  -  ces,    Well,     let     her     pro  -  ceed  ; 

**                     N»                                      *1                  S» 

m           m          m          m          » 

(£)•,  i?                  '      i*          <^          J 

—  j—  f-  P  *  f-  — 

p^                      ^ 

1    L«        !>        ix 

\      poco  ntf.                                  /~^a  tempo.  ^ 

/T\ 

-  J/  t^  —  k^F^-f—  jj  %  —  ~  ~$  %  —  £  —  «j  —  j 

Ht*                           i          P             *1 

N»                                                M                      W              «        •! 

•  M\         1?                                                                                                                                  *! 

—                        H     H  '1 

v>L/               ^  \     ^p          ^^f          ^^          L^          5*           '  & 

*f 

When  once     in       the      sad  -  die,      You     bet,  she'll    pro  -  ceed  !    You 
And    lose      all      her     gra  -  ces;     Well,     let      her     pro-  ceed  —  Well, 
poco  rit.                                       a  tempo.  A 

bet,  she'll  pro  -  ceed  ! 
let     her    pro  -  ceed  ! 

A 

/V\.  ^      p     r  m,        ^        ~        w        v          i 

m           m,           m        -    _i             •? 

Hzzzz]        r      ft     •! 

1      *           *           *           « 

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^^   '»—  \-  3  —  *  *  k-  —  &   ^~U   p-                  =  *  v-±-»  —  k     r      P   s)  :i 

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lx   • 

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L/I7      s      kJ     WirJ     _^ 

is 

1         ^  :       •      |  *         i           i     | 

am  us             i      ^ 

•?T\  ^     I/         ^B               ^m                                                   Mi 

-L  IX  *£•  hi  ha  —  1 

XX                                                                                                                                             X 

3.  The    pro  -  ces  -  sion     is     start-  ing,  And     wo  -men    will    lead;  The     ways  now  are     part  -ing, 

/^\9       .                                                                            f 

•*            <c» 

l^X*      [/                \*                                             S»                                          *•*                     \» 

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/ 

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^  s/ow^y.  k        s 

it   I/                                                     i^  i   A       ^        /*'tf      5  "^      ^^ 

XjT  h  hi     *1          ^**                     *i          ^*                  1    3p         2      *i     9                                *^ 

•n\  ^  17                  *^>                                   *^            ^J 

;             M                           [- 

SZ                                                                             i        CZS 

K             ^            IX         IX 

•                                       f 

Well,     let        it       pro-  ceed,    "Oh,    hor  -    rors!       A     mouse  here!    Oh, 
S.        N        w                              S    /                ^  •toM'ty.          ^        M 

help       us,      we     plead  ; 

N»                                           .'                      S» 

SS  k       *       '  W                                               *         4 

1          P             P          P          P 

*                   b*          *^       1 

VfJ'.  v                ,          **        ^          i         \ 

i         *i                                         P 

P         P                     P 

EZfiZu     ix                                 i            ^           X1         h 

p     H    P       L       « 

jtmsi                      _ 

P          w          L^ 

^               ^      V      ix 

rn/"  s                                                 r^  f  a  tempo.,, 

D     h       i    _i 

V  ,  *     nlw        4         i4         4         iff         V          i 

B            1           ^                          A                               IS 

/T  b  K  y  r         •          P          P          P          Pi 

K          1     Hi^                                                 1^             9                       *1 

1(1^      ™       L*        i            i            i            i            C»       i     • 

^         1                                                                         p 

J                                                                                                                             IX            IT            1^ 

Come     drive   out      this     mon  -  ster,     And    then    we'll    pro  -  ceed,     And 
^      a  tempo.  A 

then   we'll  pro  -  ceed." 

Is     ^    k    -  *.  - 

f^\*     1               ^                   1                                                                JP                ^^ 

r          ^          i          —          j           ^ 

m                         nil 

i                    n         C          i 

m       V 

X        .  -  J                                                 X1 

--U  —  to  —  ?     ^ 

* 

By  permission. 
(132) 

J--KU  X  p  ^  U 

WHEN   SHE   IS  GONE. 


TENORS.     (Melody  in  1st  Bass.) 


Music  by  Anna  Metzger. 


1.  When  she  is  gone,  dies  out    the  light  On    f  ret  -  ted  nave  and     pan  -  elled  wall, 

2.  When  she  is  gone,  the  dark  old  pines  By  whom  her  foot  hath  found      a  place 
8.  When  she  is  gone  we  wait   for  her,  And    sigh  for  her,  the  pines    and  I, 

BASSES. 


With    sa  -  ble     skirts    the      voice  -  less  night  Sweeps  som-bre  -  eyed       a  -  down    the        hall ; 
Grow  tremulous     o'er     her      love   -  li  -  ness,     And  whis-per       of       my    '  la  -  dy's       grace, 
And  dream  old  dreams    of      laugh  -  ing     lips      And  won- der  -  glan  -  ces       by       and       by.. 


1= 


If  life  be  sweet  with  love  a  -  lone  Then  life  is  death  when  she  is  gone, when  she  is  gone. 
And  nod  to  me  a  -  cross  the  lawn,  For  they  too, know  when  she  is  gone, when  she  is  gone. 
Oh,  does  she  know  our  hearts  aredrawn  Be-neathher  feet  when  she  is  gone,  when  she  is  gone? 


Copyright,  1901,  by  HINDS  &  NOBLE. 


BAKER   UNIVERSITY  HYMN. 


Words  by  Ida  A.  Ahlbo.rn. 
SOPRANO  AND  ALTO. 


Music  by  J.  Hatton. 


SOPRANO    AND    ALTO.  |/~     I  I  I  I  I 

__?-'  .  •   vj 


1.  When-e'er  we  come  in     -  to  the        halls  To    learning's  pur  -  pose  set 

2.  In    vain  we  read  the  sa   -  ge's      word,  And    vain  to     us      the  po 

3.  What    is     all    sci  -  ence  but  a           stair  On  which  we  climb,  O  Lord, 

4.  O    come, who  art  our  need  su    -    preme:That  all    our    la  -  bor  be  not 

TENOR  AND  BASS.                 I  -~.  J'V    I  I        -- — -  J*" 

jfL f*         f^>  ^TM  /-3  «UJ/~3  m          ~-\          ^       * 

r »-fP- 


a  -  part, 
et's  song, 
to  thee ! 
vain; 


Be  Thou  from  whom  all  knowl  -  edge  falls, 

If      we    in      these  have  nev    -    er  heard 

And    all  our    art,  a  mir    -    ror  fair, 

Re- veal  Thy -self  the  on     -     ly  theme 


^fc£J 

Be      Thou  in     ev~~~^     'ry   mind  and  heart. 

Thy  voice, that  breathes  the   lines    a    -  long. 

Where  -  in  Thy  gra    -    cious  form  to  see. 

That     mer-its     hu     -     man   toil   and  pain. 

K 


By  permission. 
(133) 


FAIRMOUNT,  FOND   FAIRMOUNT. 


FAIRMOUNT  COLLEGE. 


Words  by  C.  C.  Isely. 

Andante. 

mf    SOPRANO  AND  ALTO. 


1.  Far      o'er    the    val  -    ley        sinks  the  day      far      in       the  west,     Flood  -  ing  with    yel  -   low 

2.  Proud    on      thy  moun  -  tain,       sun-light  gleam- ing    from    thy  tow'r,     Pure     wis-dom's  foun  -  tain, 

1 

mf  TENOR  AND  BASS. 


-V—* 


— P~rP — 

— p— 

_  =tp= 


-•— 1-         — *^- 

r 

all      the  prai  -  rie  vast ;      Ha  -  zy   shad  -  ows  gath  -  'ring,     cast    their  som  -  ber  forms  a  -  round, 

truth  and  hon  -  or's  bow'r.     While  the  bound- less  prai  -  ries      yield  their  fruits  from  year  to    year, 


^- 


^=f^p     ^r^r^^-  :=ri 

E^3E^E*ES2±Ei^*EEH-J 


Voi  -  ces      soft    -    ly        call  -  ing,  Breathe    a     sweet  old    sound.      Fair-mount,    fond       Fair-mount, 
May     the      thou  -  sands    ev  -    er        Hold  this  name  more  dear.      Fair-mount,   for     -      ev  -  er, 


slower. 


»w/  a  tempo. 


% 


Et==t=E=FK^E3|±  =fr-=p=g^£=g=£=  =pp=p^q 


f)  tenderly,  rit. 


Z^t — zEtE|EEiE:3 


Soft    thy  name  breaks  on    the    air,       Fairmount,  fair         Fair-mount,    Name  we     hold    so      dear. 
Here   we  raise      a       song  of    praise,  Fairmount,  blest        Fair-mount,      To      e    -  ter  -  nal     days. 

P  tenderly,  rit. 


:£ZC— t- 


=E=F^^£==F*=§=f£=£=^ 


^E?=£*SEEf=£= 


£= 


By  permission. 
(134) 


THREE  CHEERS  FOR  K.  S.  U, 

UNIVERSITY   OF   KANSAS. 


•  I 


==* 


I 

1.  The      year      rolls  round,  the      days       re  -  turn,  Our    hearts  with     an-cient     fer    -  vorburn    To 

2.  Her      sons       and  daugh-ters     gath    -    er    here,    A      grow  -  ing     fam  -  ily     year      by  year,  And 


-•EUfr     T- 
-i_ — -i — 


fat 


CHORUS. 


tf—  3"—  J—  J^-rW'-d- 

-^,—  *—  •- 

-—  J^- 

M  • 

3 

S  : 

SI         *  •        9_       *  •      m—3C      *      <=>                ~          -p  •     -p 

tr                                                                p     ^ 

*L?  »  «  H^,  —  i__p-£.  i_«e  — 

"        I            1 

gath    -    er      in      the  dear     old  place           And     greet   our   lov       ing  moth  -  er's      face.            To 

loy    -    al      to      the    gen  -  'rous  state           That    makes  our    Al   -  ma    Ma  -    ter      great  ; 

p.p.                                                   -P-        -P-*     •*•    • 

F-.       f-    - 

^^          ^>            ^^ 

(if\*  HI                    r         r     Hi*  *      i* 

r  i—  @ 

v.    1     • 

ESEE  —  b  —  k^  —  k"1^  —  r~ 

_L^  ij»  ^  

-b.     L 

~i    1  1 

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•  • 

1  1 

k^^"^1          "           U^U5 

r     ^ 

her      our  hearts  will      aye      be   true,    To      her      our  hearts  will     aye       be  true.      Three   rous -ing 


gzfegj—gzj 


jf: — 


I 


-  J  I  J—  =f= 


I  I 

cheers,    .  .       three  rous  -  ing    cheers,        three  cheers,three  cheers  .    .       for      K.         S.         U. 


3  If  envious  tongues  assail  her  fame 

We'll  load  the  winds  with  her  good  name, 
And  point  with  honest  Kansas  pride 
To  wisdom's  portals  opened  wide. 

By  permission. 
(135) 


KEEP  COOL. 


Words  by  E.  B.  Reed. 

,        SOLO. 


Music  by  W.  N.  Runyon. 


-*— *- 


>      _> 


•3t=±. 


3t=3t 


1.  When     the    June        ex  -  am    -    i    -    na  -tions       rat  -    tie     you       complete  -  ly,        And    you 

2.  When      as    Fresh  -  man    in        the     rush,  you      fear     you    will        not  win       it,  Or 
CHORUS.               TENORS. 


=Rv 


dare  not  e-venglance  at  the cuffyou've  written  neat- ly,    For  the   tu-tor's  eye's  up  -  on  you, You  can 
la-terin  the  Jnn-iorProm,you  find  you    are   not    in     it,  When  the  bills  comepil- ing    in          And  you 


£==£ 


Pi? 


la,          la,          la,         la, 


^ 


la,  la,      la, 


:t=F 


la,  la,  la,  la, 


^ 


ritard. 


:rj: 


see       him    smil  -  ing  sweet  -   ly, 
know     you  have      no        tin,  .     . 


It      is    then     the     time,    my      boy,         to     keep     cool. 
It      is    then     the    .time,    my      boy,         to     keep     cool. 


JHI          EjE       U 

~*                    '* 

J 

a     "1 

-  -J         | 

la,                   la,                 la,                     la 

la,                  la,                   la 
ritard. 

rt        ^--        : 

* 
L,          la, 

la, 

w          * 

=  ^  :  ^  

By  permission. 
(136) 

^ 

l-j==Li  —  1 

CHORUS. 


KEEP  COOL. 


7T%          ^ 

~  IN 

i     r          rl        -F         ^        -^                      ~^  1 

-f5^  H 

EP-C  — 

a  tempo. 
It 

F 
is 
-4!== 

—  i  \f  —     —  ^  — 

then             the        time,      -    my            boy,               to            keep 

-f       -*      2       J       J  J1  -r- 

-4=  •  |:| 

cool. 

-»i  H 

—  "*  — 

=3  — 

—  -H  _^_    —53—      —  ja  *  a/  —  B  

E£=-  H 

3  When  your   father  writes    you  he  expects   you'll     4  When  walking  to  the  chapel  across  the  college  green, 


take  a  Kappa  key, 
And  your  mother  says   of    course  you'll  get  the 

valedictory, 

Instead  of  which  you  get  a  letter  from  the  faculty, 
It  Is  then  the  time,  my  boy,  to  keep  cool.  — CHO. 


The'  last  bell   rings,  your  hair's  unbrushed,  your 

collar  can't  be  seen, 
And  then  comes  smiling  towards  you  last  night's 

most  smiling  queen, 
It  is  then  the  time,  my  boy,  to  keep  cool.  —  CHO. 


MY  OTTAWA. 

OTTAWA   UNIVERSITY. 
Words  by  Franklin  Johnson. 

SOPRANO  AND  ALTO. 


1.  Sweet  Al  -  ma  Ma  -  ter,         As  thou  hast  cher  -  ished  me,  So         will        I 

2.  Sweet  Al  -  ina  Ma  -  ter,         A    -  round  and      o'er      thee  lie  Fair      scenes     of 

3.  Sweet  Al  -  ma  Ma  -  ter,  Long  may  thy  halls       a    -  bide        A    -    mid      these 

4.  Sweet  Al  -  ma  Ma  -  ter,  The  God  thou  dost        a    -  dore        In   -   crease    thee 


^ 


cher  -  ish  thee,  My 

field     and  sky,  My 

mead  -  ows  wide,  My 

more     and  more,  My 


Ot  -   ta  -  wa : 

Ot  -    ta  -  wa : 

Ot  -    ta  -  wa : 

Ot  -   ta  -  wa : 


Thanks  chief  -    ly        for        thy      care 
But        thou      art       fair    -    er         far 
Long        as        the      Swan  -  stream  flows, 
May        thou  -  sands     to        thee      flow, 


-^ * m—  C_^5^ ^  9jf.. 


To  make    all    learn  -  ing      fair      With  light      of      Psalm  and  prayer,  My  Ot  -  ta  -  wa. 

To  me,     thy  child,  than    are        The  smiles    of       earth    or      star,  My  Ot  -  ta  -  wa. 

Long      as       the    sun  -  flower  blows,  Long  as        a        night  -  star    glows,  My  Ot  -  ta  -  wa. 

And  thou  -  sands  from    thee    go          To  heal  earth's  sin      and    woe,  My  Ot  -  ta  -  wa. 


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By  permission. 
(  137  ) 


LONG   LIVE  STUART  HALL. 


COLLEGE  OF   EMPORIA. 


Words  by  Chester  H.  C.  Dudley. 

Allegro  molto. 
TENORS.   SOLO. 


CHORUS. 


1.  Come  here,  youth  and    maid-ens,    and     join     in      our   song,  Long      live     Stu  -  art      Hall, 

2.  We'll    sing      of      her     glo  -  ries  which   will    nev  -  er    fade,  Long      live     Stu   -  art      Hall, 

3.  Then   wave  white  and    crim-son,    and      loy  -   al  -  ty     show,  Long      live    Stu  -  art      Hall, 


BASSES. 


I 


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SOLO. 


CHORUS. 


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The     wel  -  kin    will  ring  with   our  mirth  loud  and  long, 
We'll  sing    of     her    fa  -  cul  -  ty     hand-soine-ly     paid, 
We'll  love  and     re-vere  her   wher-ev  -  er     we      go, 

r         ix 

Long    live     Stu  -  art     Hall. 
Long    live     Stu  -  art     Hall. 
Long    live     Stu  -  art     Hall. 

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C.        of        E.      Rah,      Rah,      Rah!  .  .  . 


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By  permission. 
(138) 


HAIL  THEE,  OUR   BETHANY. 

BETHANY  COLLEGE. 


Allegro  maestoso. 
SOPRANO  AND  ALTO. 


Arranged. 


1.  Hail    thee,     our  Beth  -  an    -    y  !         For      peace      and   bar  -  mon  -  y          Pave     the  way  ! 

2.  The      seed      of      no  -  ble     truth      Sown        in         the  spring    of      youth       To       the  skies 

3.  In        bar  -  vest  thou-sand     fold        The         sto    -     ry    shall     be      told,       Hail       to  thee, 


TENOR  AND  BASS. 

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Strike    dis-may    to         foes    of      pro  -  gress     ev 
Shall       a  -  rise    and      bless  thee  boun  -  teous    Giv 
Beth  -  an  -  y  !    may    thou    be      loy   -    al          ev 


er  !    Pave     the  way  !  Strike  dis-may     to 
er !      To       the  skies    Shall      a  -  rise     and 
er  !     Hail      to  thee,     Beth  -  an  -  y  !     may 


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foes    of        pro  -  gress     ev  -  er  !        Hail,  O,  Hail,  0,  Hail  thee,  our   Beth -an   -  y.  -    y. 

bless    the     boun  -  teous   Giv  -  er  ! 
thou    be        loy  -  al         ev  -  er  ! 


sHt 

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By  permission. 


BA-BE~BI-BO~BU. 


^ 


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B-a,  ba,    B-e,  be,        B-i,  bi,     Ba-be-bi,       B-o,  bo,    Ba  -  be-bi-bo,  B  -  u,  bu,    Ba  -  be-bi  -  bo  -  bu. 


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(139) 


SWANEE   RIVER. 


Melody  by  S.  C.  Foster. 
SOLO. 


Harmonized  by  E.  J.  Biedermann. 


I       Jtl t 


£ 


1.  Way      down   up -on   the  Swa- nee    Riv  -  er,   Far,      far        a-  way,    There's  where    my  heart    is 

2.  One         lit  -  tie    hut     a-mong  the    bush-  es,  One      that       I      love,       Still        sad  -    ly       to    my 
CHORUS. 

TENORS. 


m. 


Humming. 


BASSES. 


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ev  -    er,  There's  where   the       old      folks 
rush  -  es,     No        mat  -  ter    where        I 

stay  ;            All          up      and    clown    the 
rove.          When      shall       I        see       the 

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whole  ere-  a-tion,  Sad-ly  I  roam,       Still  long-ing  for  the  old  plan-ta-tion,And  for  the  old  folksathome. 
bees  a-humming,Allroundthecomb?  When  shall    I  hear  the  ban-jo  thrumming, Down  in  my  good  old       home? 


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CHORUS. 


All         tfie    world      am       dark        and    drear   -   y,        Ev    -    'ry  -  where        I        roam, 


r=r 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(140) 


SWANEE   RIVER. 


1 


dark-  ies,   how    my    heart     grows   wea  -  ry,     Far      from     the      old       folks     at      home. 


rrr^1 

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Allegretto. 

SOPRANO  AND  ALTO. 


THE  SHOWER. 

Words  and  music  by  R.  Le  Roy  Scofield. 


^ 


1.  Pit  -  ter,      pat  -  ter,      pit  -  ter,     pat  -    ter,      So    .    .     comes      the  show'r, 

2.  Pit  -  ter,      pat  -  ter,      pit  -  ter,     pat  -    ter,      O'er.   .         hill       and  dale, 

3.  Pit  -  ter,      pat  -  ter,      pit  -  ter,     pat  -    ter,      Is       the     rain  -  drops  lay, 

Pit   -    ter,      pat   -  ter,        pit  -  ter,      pat  -  ter, 
TENOR  AND  BASS.  V        •          V        •          V  V 


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By  permission. 
(141) 

—  i  p__^|X  — 
IX 

RAH-RAH-RAM   FOR   MIDLAND. 


MIDLAND   COLLEGE. 


Words  by  Granville  H.  Meixell. 
SOPRANO  AND  ALTO. 


-A: — -\ m-s « m\ —  \— *—. 9 -0 —        -r2~i — »* — 


1.  For  Mid  -  land       let          us  cheer       and     sing, — 

2.  Her  sons       are     brave,      her  daugh  -  ters     true, — 

3.  Her  fame     shall  spread  from  shore       to     shore, — 

4.  Then  let        us      shout  and        let         us      sing, — 


TKNOR  AND  BASS. 


Efcazzi 


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Rah  -  rah  -  rah 
Rah  -  rah  -  rah 
Rah  -  rah  -  rah 
Rah  -  rah  -  rah 


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for 
for 
for 


Mid  -  land  ! 

Mid  -  laud  ! 

Mid  -  land  ! 

Mid  -  land  ! 


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let      our       proud      tri  -    uinphs  ring, —        Rah  -  rah  -  rah 


Her      friends      are    firm,        her       foes        are      few, — 
Her        worth       be      cher   -    ished     more       and     more, — 
In  tri    -    urnph   let          our       voi    -    ces       ring, — 


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Rah  -  rah  -  rah 
Rah  -  rah  -  rah 
Rah  -  rah  -  rah 


Mid  -  land 
Mid  -  land  1 


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out      a    peer ;      Her      halls    we    love,     her    name    re  -  vere, 
fix'd    and  sure ;     Her       glo  -  ry    shall     for       aye     en  -  dure  - 


Rah  -  rah  -  rah    for 
Rah  -  rah  -  rah     for 


Mid  -  land  1 
Mid  -  land  ! 


ev  -  er    wave  ;     Her      mis  -  sion    be        to       bless  and    save  —    Rah  -  rah  -  rah    for       Mid  -  land  ! 
hon  -or,    too;     Each     vie  -  fry    hail    with  shouts    a  -  new —    Rah -rah -rah    for       Mid  -  land! 


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By  permission. 

(142) 

THE  YELLOW  AND  THE  BROWN. 


NEBRASKA   WESLEYAN    UNIVERSITY. 
Words  by  Otis  Hinson.  Arranged  by  E.  J.  Biedermann. 


SOPRANO  AND  ALTO. 


1.  Corae,         let      us     raise    our  voi  -  ces 

2.  Her  .   .     walls    so    strong  and  tow'r-ing 

3.  We   .  .      soon  must  yield  our  pla  -  ces 
TENOR  AND  BASS. 


In    .  .      one      tri  -  umph  -  ant  strain          To  . 
Lift.  .       up       in   -   to         the     sky  A    . 

To   .  .     might-ier     ones      than    we,  And 


praise  our     Al  -  ma     Ma  -  ter,       Her  .  .    glo  -  ries    tell        a  -  gain; 

tern -pie     fair    to    learn-ing,       Blessed    by     the    God      on     high. 

launch  forth    in  life's    bat  -  tie         To    .  .     be   what  we      may     be; 


Her  em-blein's  the  sun  - 
When-e'er  our  eyes  be  - 
And  when  our  hands  grow 


-» * » 1«- 


-J-Al 


flow  -  er  That      o'er     the  land       a -bounds;    You  .  .    can't  for  -  get    her    col-  ors;  They 're  the 

hold  her  Our      spir  -  its  though  cast  down        Re    -     vive    to     sing    the  prais  -  es        Of       the 

wea-ry,  With     care     our  heads    bow  down,        We'll  think  of  the  days    at    Wesleyan   'Neath   the 


Yel  -  low  and    the  Brown.     Oh!     her    emblem's  the  sun-flow  -  er 


That    o'er     the  land        a  - 


bounds,       You  .  .      can't    for  -  get      her      col  -  ors;    They're  the     Yel   -   low    and     the      Brown. 


t 


Melody  used  by  permission  of  the  WHITE-SMITH  Mcsic  PUBLISHING  COMPANY,  owners  of  the  copyright. 

Copyright,  1902,  by  HINDS  &  NOBLE. 

(143) 


;<0,  PENDRY,  YOU  ARE  SUCH  A  FOOL." 

Music  by  Walter  Howe  Jones. 


IST  AND  2o  TENORS. 


e§i 


He    pressed  her  gen  -  tie      form       to   him,  And    whis  -  pered  soft  -  ly        in         her  ear 
IST  BASS.   (Melody.) 
.mf_ 


^ 

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2D  BASS. 


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If       when  he      was      far,      far     a  -  way  She'd      ev    -    er     drop      for        him      a      tear.    He 
ores        .        ...        cen        -        -        do. 


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with        her     ro  -  ry    lips    she      said, 
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0,        Pen    -    dry,  you      are       such          a      fool.' 


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with        her     ro  -  sy    lips    she      said,  "O,        Pen    -    dry,  you      are        such          a      fool.' 

nf  cres.  .-^t  / 

' 


*  If  preferred,  the  1st  Bass  may  sing  the  words  up  to  this  point,  the  other  parts  being  hummed  with  closed  lips. 

Copyright,  1902,  by  HINDS  &  NOBLE. 
(144) 


SCARLET  AND   CREAM. 

UNIVERSITY   OF   NEBRASKA. 


With  animation. 
TENOKS.  (Melody  in  M  Tenor.) 


Music  by  Balfe. 


1.  Sing 

2.  Scar 

3.  Here's 
BASSES. 


light,  Hur 
rare,  With 
wear ;  .  . 


rah         for 

col     -     ors 

Here's        to 


the      Scar  -   let 
so      bril  -  liant 
the    hearts    that 


and 
and 
are 


Cream  ! 
true. 
true. 


Scar  -  let  the 
Pale  is  the 
Hail,  Al  -  ina 


hue  of         the 

pearl     .     .          so 
Ma     -     ter,       Ne 


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ros-  -  es  so  bright,  And  pale  is  the  lil  -  y's  fair  gleam.  Scar -let  the  east  at  the 
bright  and  so  fair,  And  clear  as  the  drop  .  .  of  dew.  Bright  are  our  col  -  ors,  as 
bras  -  ka  so  fair !  Hail  to  our  col  -  ors  too.  Gar-lands  of  Scar  -  let  and 


^£5*5e3s 


break  -  ing 
fair      as 


of      dawn,   And       scar  -  let        the      west        when  the     sun       is  gone,      Hail  ! 

a      dream,  Hur    -    rah      for        Ne  -  bras    -    ka,     and    Scar  -  let    and  Cream,  Hail  ! 


Cream  in    -    ter  -  twine,  And    hearts    that       are     true         and     .     .    voi  -  ces  coin-bine,     Hail  ! 


V  '     F     'X       'X~ 

Hail      to       the  col  -  ors  that  float      iu       the  light,  Hur  -  rah    -for  the  Scar -let  and  Cream! 

Hail      to       the  col  -  ors  that  shine      in       the  light,  Hur  -  rah      for  the  Scar  -  let  and  Cream  ! 

Hail      to       the  col  -  lege  whose  col  -  ors      we  wear,  Hur  -  rah      for  the  Scar  -  let  and  Cream  ! 


By  permission. 
(145) 


THE  LORELEY. 


MIXED  VOICES. 


F.  Silcher. 


1.  I  .  .        know       not  what  it    pre  -  sa   -  ges,      That 
1.  Jfh        weiss  nicht  was  soil     es     be  -  deu  -  ten,       Dass 


I      am     so      sad  .  .    to    - 
ich  so      trau    -    rig      bin, 


*  -r-^^- 


A         le-gend    of     for 
Ein    Mar-chen  aus    al 


ges      Will 
ten,     Das 


not  from  my      thoughts  a  -  way.    . 
knmmt      mir  nicht  aus   dem     Sinn.  . 


The    peak     of      the      mount   -  ain      spar  -  kles      In   the    glow  of     the     eve  -    ning     sun. 
Der     Grip   -  fel    des       Ber      -      ges      fun    -    kelt,       Im  A      -      bend  -  son    -  nen  -  schein. 


2  The  most  beautiful  maid  is  reclining 

On  the  cliff,  so  wondrous  fair; 
Her  glorious  jewels  are  shining, 

She  is  combing  her  golden  hair; 
With  a  golden  comb  she  combs  it, 

And  sings  a  song  thereby, 
That  thrills  with  its  mystic  meaning 

And  powerful  melody. 

3  It  seizes  with  wildest  yearning 

The  boatman, entranc'd  in  his  skiff; 
He  sees  not  the  treacherous  breakers, 

He  gazes  alone  on  the  cliff. 
And  soon  will  the  waves  engulf  them, 

Both  boat  and  boatman  strong, 
For  thus  in  her  toils  hath  she  bound  them, 

The  Loreley  with  her  song. 


2  Die  schonste  Jungfrau  sitzet 

Dort  oben  wunderbar 
Ihr  gold'nes  Geschmeide  blitzet 

Sie  kammt  sich  ihr  goldenes  ffaar 
Sie  kammt  es  mit  gold'nem  Kamme 

Und  sinyt  ein  Lied  dabei 
Das  hat  eine  wundersame 

Geicalfge  Melodei. 

3  Den  Schiffer  in  kleinem  Schiffe 

Ergreift  es  mit  wildem   Weh; 
Er  schaut  nicht  die  Felsenriffe, 

Er  schaut  nur  hinauf  in  die  Hoh*. 
Ich  glaube  die   Wellen  verschlingen, 

Am  Ende  Schiffer  und  Kahn; 
Und  das  hat  mit  ihrem  Singen 

Die  Lorelei  gethan. 


(14(5) 


MISSOURI. 

UNIVERSITY    OF    THE   STATE  OF   MISSOURI. 
Words  by  George  Hauchope. 

QUARTET. 
/TENORS.  (Melody  in  2d  Tenor.)         \          \          , 

•— £—        ix  '| -  — • *— Li—  — t?— | — r~  — ^— 


r 

1.  Old      Mis  -  sou  -    ri,    fair      Mis  -  sou  -  ri,    Dear    old  'Var  -    si  -    ty,  Ours    are  hearts  that 

2.  Ev  -  'ry     stu  -  dent,  man    and  maid  -  en, Swells    the  glad      re  -  frain          Till      the  breez  -  es, 

* 1 JV 


fc=*=SS 


__^_ — ^      »  .       -pi— Lai 9— —9 i" "-*-* — * — * * — ^— -  ^^P — * —     ' — *~ 


-1 > 


CHORUS. 


i          i          i  i  i  CHORUS. 


fond  -  ly      love  thee,  Here's      a  health  to      thee.          Proud      art  thou    in      Clas  -  sic  beau-  ty 
mu  -  sic       la  -  den,    Waft      it    back    a  -  gain. 


— *i=-H— rf — =— |=i- 


-  -  i-w-1 

^=X=H 

g^-—  -K 


Of       thy    no  -  ble    past,         With     thy  watch-wordsjion-or,     du  -  ty,  Thy   high  fame  shall   last. 


E*£ 


£_ — ^r^-^-. n^ — ^—  <T7    jng — f — f — -JP1* — J — * — ^— J= 


By  permission. 
(147) 


DOWN   IN   MOBILE. 


SOPRANO  AND  ALTO. 


Arranged  by  Lloyd  Adams. 

-J* 


Dowii       in     .     . 
TENOR  AND  BASS. 


Mo  -  bile,     down        in 


Mo  -  bile,       How  .  .         I       love  .  .       that 


A         !  jT~^ji~l       J  ~| — 

^  :~^         ~j ~Ty — w    r~ 


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t=jy=£=j*_=s— j— rj 

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lit    -  tie       yal    -    ler      gal !  How  .  .  I       love       that       lit    -  tie       yal    -    ler     gal ! 

J_ 


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Down          in    .     .          Mo  -   bile,         down         in     .     .  Mo  -   bile.     .     .          Then     I'll      come 

-U=- 


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back, yes,  I'll  come   back, Back      to        my    old        cab  -  in 

Then  I'll    come  back,  yes,  I'll  come  back, 


E=f^=|^ 


tt       1  1 

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' 


home,     ...     .  Then     I'll         come        back,  ."    .     .'  .     .     .     .     .  yes,      I'll       come 

Then     I'll        come    back, 


E£E 


-1 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(148) 


DOWN   IN   MOBILE. 


HE 


back, 


yes,    I'll      come  back, 


Back       to       my    old        cab  -  in       home. 


-f- *~ 


Then   'tis 


fr — *- 


JL_JL 


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"*-' *- 


-  well,         yes,     'tis    fare  -  well,       To        my    home      in        Ten  -  nes  -  see,        Then    'tis 


-* — &-     *  •    *  r> — &- 


a* 


^ 


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I       J     h«=  — ?=t  3 


fare    -  well,        yes,      'tis    fare  -    well,         To       my    home       in        Ten    -   nes  -   see. 


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3 


SOLO. 


Shine,  shine,  who  wants    a   shine  ?  My  name     is  Ted  -  dy,    and  I'm    al  -  ways 

SOPRANO  AND  ALTO. 


-* — ^ — : 


IP 

La     la  la     la 

TENOR  AND  BASS. 


la      la 


la     la 


la       la 


la      la 


la    la 


J    J    «  J  J, »    J    J.,    J    JjL^L 


-«— at- 


La 


la 


la 


la  la 

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la  la       la 


£ 


read-y  ;    My  brushes     are  new,  My  blacking    is      fine,      Ah, there  !  Mis -ter,  don't  you  want      a    shine? 


r=* 


la  la 

fcEg=±±=cfc 


*  x  st- 


-r- 

la 


la     la          la  la 

J_    *JM 

EHE 


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la    la         la.       Ah,there  !  Mis  -  ter, 


want       a    shine? 


-x— *- 


^ 


•*-*- 


T 

la  la     la  la         la. 

(149) 


I 
la 


With  spirit. 
TENORS. 


THE  A.  AND   M.  COLLEGE  SONG. 

OKLAHOMA   AGRICULTURAL  AND   MECHANICAL   COLLEGE. 

Music  by  A.  C.  Scott. 

^ s K/=H-N R" R- 


1.    Oh,  ...          we  ...       are      the        stu  -  dents    of        the        A. 


2.  We 

3.  We 
BASSES. 


oc 
are 


-    ca  -  sion  -al- 
loy -  al       to 


ly 
our 


go  ...          to         a       pink, 
col  rlege,  where  -  so  -    e'er 


M. 

pink, 

we 


tea, 


Ki 
Ki 
Ki 


-*- 

cess    of    cash,  Yell 
mid-night  lamp,  Yell 


A.   (Yell  A.) 
A.   (Yell  A.) 


C.!)  And  .   . 
C.!)  Till  our 


A.   (Yell  A.)  M. 


an  -  y  -  thing  rash,  0. 
crack  and  cramp, 0. 
lat  -  est  day!  0. 


IX        I  IX 

*  College  yell:  Ki  Yi !  Ki  Ye !  Rip  Zip  !  Hooray  !  Yell  A.  M.  C.!  O.  K.  L.  A.! 

Copyright,  1902,  by  HINDS  &  NOBLE. 

(150) 


THE   A.   AND   M.   COLLEGE   SONG. 


^— K 


ray!  (Hoo-ray!)  Hop-ray !(Hoo-ray!) Yell  A.    M.     C.!    0.     K.   L.     A.!      0.     K.  (O.     K.)    L.     A.! 


SHE  ANSWERED   ME   NAY. 


TENORS. 


.  ,.  w        ,  ^ 

-t?3^^  —  v^         ~v- 


Music  by  Walter  Howe  Jones. 

N- 


=*^fr 

=*==£ 


I      paid      her    a       bet        in    mous  -  que  -  taires,  A       del  -    i  -  cate    shade    of        tan ;       Then 
BASSES. 


-+ — F- 


ij*=fr— fr 


^— > 


-*       *       v- 


f 

anx  -  ious-ly    asked  hei-     if    she    would    be    mine,  And  make  me       a      hap    -  py        man.      She 

14 N N IS ,_^ A ^ U^ M^^^M ^ 

k       V       V  ^         ^         X         k  I    ^^1 

rt<.  /CN    a  tempo. 

me  nay.      A-    las!     poor  me.     'But     tru  -  ly       I      can -not,    to      save       me        Re - 


slower. 


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mem  -  ber  ex  -  act  -  ly, — 'tis   odd,  ver  -  y     odd, — The  shade  of    the    mit  -  ten    she    gave       me. 


f 


-F +- 


U*      U» 


«      ix      Ix 

Copyright,  1902,  by  HINDS  &  NOBLE. 
(151) 


DRINKING  SONG. 


Words  of  3d  verse  by  Arthur  Thomas. 

TENORS.     (  Melody  in  3d  Tenor.  ) 


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IX 

IX 

1.  My  com  -  rades,when  I'm     no    more  drink   -  ing, 

But     sick 

with 

gout 

or 

pal   - 

sy 

2.  And  when  me 

to       my    grave  you're  bring-  ing, 

Then   fol     - 

low 

aft    - 

er, 

man 

by 

BASSES. 

on      my     sick-bed   sink    -   ing, 
fun-  'ral    bells  be     ring  -  ing, 


Be  -  lieve      me,  then  my     end     is 
But    tink  -  ling  glass  -  es      be   your 


nigh.       But    die          I      this      day       or        to  -  mor  -   row,        My     tes  -     ta-ment's  al-read-y 
plan.      And    on        my    tomb-stone      be        in  -  scrib  -  ed,       "  This  man      was  born, lived, drank, and 


-P  •    -  P P P P^ — P G-^- 

f^£^£Efei=£=EJl= 


made;    My      bur  -  ial   from  your  hands  I'll  bor  -  rt>w, 
died  ;      And    now    he    lies  here  who    im  -  bib  -    ed 


But    with  -  out  splen-dor     or      pa  -  rade. 
In      all    life's  joy     the  pur  -  pie  -  tide.' 


-e± 


I 


3  Should  any  ask  you  why  I  quitted, 

So  soon  have  handed  in  my  checks; 
Just  tell  them  simply  that  I  flitted, — 

Their  honest  souls  I  would  not  vex! 
Of  course  you  know  the  real  reason, — 

A  rule  or  two  I  had  defied ! 
If  my  demise  is  out  of  season, 

Just  tell  'em  —  well  —  I — up  and  died! 

Copyright,  1900,  by  HINDS  &  NOBLE. 
( 152 ) 


WE  WEAR  OUR  COLORS,  RED  AND  GOLD. 


UNIVERSITY  OF   DENVER. 


SOPRANO  AND  ALTO. 

A  ff                                  >            S 

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1.    We       wear    our     col  -    ors, 
2.   We       kind  -  ly     take       to 
3.   Our         se  -  rious  tasks    sunt 
4.  And,       on       the    sixth,    we 
5.  And,       in        the    rip    -    er 
TENOR  AND  BASS. 

b       **        ^ 
red     and  gold,   And 
ball     and    bat;     To 
con       a  -  more,  With 
watch  and    wait     Sa    - 
years     to    come,  When 

*  •      *       *         * 

stand     to  -  geth  -  er,      young    and    old, 
spike-tailed  coat     and      plug  -  tailed  hat: 
now    and  then      a          stu  -  pid    bore: 
man  -  thy      at      the         cot  -  tage  gate: 
man-hood's  grav  -  er        work      is     done, 

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For        we         be  -  long       to 
We       twirl      our  canes       in 
Five      days      and  nights     we 
Our        fail    -    ing  hopes     her 
Then      life,       still  crav  -   ing 

Den  -  ver     U.,  —  We're 

styles      so     new,  —  For 
boil       and  stew        To 
smiles     re  -  new,     And 
some  -  thing  new,       To 

•          •  ••      « 

jol    -    ly    boys    and         ev  -    er 
we       be  -  long      to        Den  -  ver 
make      a   "rep."  for       Den-  ver 
then     we    shout    for       Den  -  ver 
thee    we'll  turn,  Dear      Den  -  ver 

V 

true. 
U. 
U. 
U. 
U. 

CHORUS. 

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O         Den  -  ver     U.! 

dear 

Den  -  ver     U.  !        To 

•P--      -P-     -P- 

us        thy  beau  -  ty's        ev  -    er 
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We        dig      the    roots       of          all      thy  verbs;   Solve       ev  -  'ry    prob  -  lem       that      dis-turbs; 

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best      be-  comes      thy       men       of    mark. 

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By  permission. 
(153) 

.       c 

5  5  r 

mf  SOLO. 

•  — — ^ 


BLOW,  YE  WINDS,  HEIGH-HO! 

Arranged  by  James  Kendrick. 


1.  A     cap-i-tal     ship    for  an       o     -    cean  trip  Was  the   Wai-lop -ing          Win-  dow  Blind!      No 

2.  The     bo'-swain'smate   was  ver-y      se  -  date,    Yet        fond          of    a  -  muse  -  ment  too  ;          He 

3.  The      cap  -    tain    sat     on  the  Com-mo-dore's  hat,   And       dined         in    a     roy    -    al      way,        Off 


wind   that    blew      dis     -     mayed    her    crew,  Or         trou-bled  the  Cap   -    tain's  mind ;      The 

played  hop-scotch  with  the    star  -  board  watch,  While  the  cap     -    tain,  he    tick-led    the    crew!   And  the 
toast  -  ed      pigs      and        pic-kles    and    figs    And         gun-ner-y  bread      each    day.     And  the 


£=£ 


man      at    the  wheel    was          made      to     feel      Con  -  tempt  for  the  wild  -  est    blow  -  ow  -  ow,  Tho'  it 
gun-ner  we  had  was      ap      -      parent  -  ly     mad,  For  he     sat      on  the    af  -  ter     rai   -  ai   -  ail,     And 
cook      was    Dutch,    and  be  -  haved      as      such, For  the    di  -    et    he  gave  the  crew  -  ew  -  ew,  Was  a 


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oft  -ten    ap  -  peared,  when  the    gale          had  cleared,  That  he'd  been      in     his      bunk        be  -  low. 

fired         sa    -  lutes    with   the    cap      -    tain's  boots,    In    the    teeth     of     the     boom   -   ing     gale 

num-ber     of        tons      of  hot  cross  -  buns    Served       up        with          sug  -  ar    and    glue. 


^ 


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*-          ^=3=    3 


« 


^E- 


i  — ^ — 

=j  ^= 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(154) 


CHORUS. 
TENORS. 


BLOW,  YE   WINDS,  HEIGH-HO  I 


i^i  ' 


r 

(Mel.  in  2d  Tenor.) 

Then  blow,  ye  winds,  heigh-ho  ! 

BASSES. 


A  -  rov  -  ing  I      will     go  ! 

hJ-jL. 

— — ^ — * — 


Eng-land's  shore,  So    let     the     mu-sic    play  -  ay  -  ay  !   I'm    ofE    for  the  morn-ing  train! 


I'll 


cross  tne  rag  -  ing    main  ! 


I'm    off    to  my  love  with  a  box -ing  glove,Ten  thousand  miles  a  -  way  ! 


£E 


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-*   9*9** 
4  All  nautical  pride  we  laid  aside,  5 

And  we  ran  the  vessel  ashore 
On  the  Gulliby  Isles,  where  the  Poopoo  smiles, 

And  the  rubbly  Ubdugs  roar. 
And  we  sat  on  the  edge  of  a  sandy  ledge 

And  shot  at  the  whistling  bee-ee-ee  ; 
And  the  cinnamon  bats  wore  waterproof  hats 

As  they  dipped  in  the  shiny  sea. 

Then  blow,  etc.  M  55 1 


On  Rugbug  bark,  from  morn  till  dark, 

We  dined  till  we  all  had  grown 
Uncommonly  shrunk  ;  when  a  Chinese  junk 

Came  up  from  the  Torriby  Zone. 
She  was  chubby  and  square,  but  we  didn't  much  care, 

So  we  cheerily  put  to  sea-ee-ee  ; 
And  we  left  all  the  crew  of  the  junk  to  chew 

On  the  bark  of  the  Rugbug  tree. 
Then  blow,  etc. 


COLORADO    COLLEGE  SONG. 


COLORADO    COLLEGE. 


CHORUS. 
TENORS. 

h        *     1 

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L/  ,  "     Q     f  i*  •            "  N 

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1 

1.  Youths      and  maid  -  ens,     come      and    sing, 
2.       Mi    -    ners    we        of         wis  -  dom's  gold, 
3.       And      when  end    these        hal  -  cyon    days, 

BASSES. 

TF^           &        \ 

Col    -    o  -  ra    -    do 
Col     -    o  -  ra    -    do 
Days       of    toil        and 

r  v  *•  — 

1                               1 

Col    -     lege, 
Col    -      lege. 
pleas     -    ure, 

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1  1  55— 

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QUARTET. 

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1                               1                                1 

Let        the      joy    - 
Ours        a        vein 
We      shall    guard 

I 
ous 

Of            1 

their 

cho    -    i 
wealth 
mem    - 

—  *•—  

"us      ring, 
an  -    told, 
o     -    ries 

Col    -    o    - 
Col    -    o    - 
As        our     d 

1 

ra    -     do 
ra    -    do 

ear  -    est 

A 

Col      -    lege. 
Col      -    lege. 
treas    -     ure. 

p)-  b      pH      2       ^ 

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^^9—  (7  H^  far  — 

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CHORUS. 


Here      the    sun        is         ev    -    er       shin  -  ing,     Here    each  cloud .  has      gold  -  en       lin    -    ing, 

In       its    shaft      the     lamp      of      learn  -  ing,      Day     and  night      is         ev   -    er      burn  -  ing, 

When    we  drank    from    learn -ing's    foun  -  tain,  'Neath    the    shad  -  ow        of      these  moun  -  tains, 


By  permission 
(156) 


SILVER  AND  GOLD. 


UNIVERSITY  OF  COLORADO. 


With  animation. 
TENORS.   (Melody  in  2d  Tenor.) 


Music  by  Balfe. 


Z3PZ2       UL           '    ^• 

B 

B                            K    •              [  A*                  ~    «                      K 

p.-     lap      pL.     -.^.  .  . 

1.    Sing              to            the        col    -    ors 
2.     Sil        -       ver    -  white        bil    -    lows 
3.  Here's            to            the         col    -    lege 
BASSES. 

>              fe            |S              | 

that        fli 
that        b( 
whose        c 

—  k  \—            —*- 

>at              in           the        light,          Hur    - 
)w               to           the        sun,         When 
jl       -        ors          we        wear,  .     .     . 

1                     IS              fe            1  „    S 

J              ~j           32                      lJ       i 

22!*   [2   ft   *~      99                    ^H  *             iB             ^H               IB 

*1 

V                    9  •            9             9  '                9 

^-^p  h    A      _l                    0!               _l             _1               «! 

1         '          h              h              ^      0       "^ 

\r    2  5     2                                                                   A 

J            J          J              5     5  •       A   D 

.Vi    S    i*         ^P                 tf   *              2            2               4E 

fS.  '         "*• 

d,             d           d          *    F     F  • 

$^-2  —  p  PL-        P  p  P  »  

!^  .         A 

td         3        -3        E-L    t^=^—  j 

rah         for          the        Sil     -    ver        and 
yel    -    low    -    robed  morn  -  ing         is 
Here's       to           the    hearts    that       are 

Gold, 
due. 
brue;              ] 

| 

L-d  -0  0  m—  i  

Sil    -      ver        the          stars    that    . 
Sil    -     ver        the         cur  -    tain      that 
lere's        to         the         maid    with     . 

/WA«       L-                                                                       !                                                                      |                                  j 

J             _i           _i           _i           _i  i  *     ^\j     1 

[£A  L>  piUJB              *  •           «         p1           *            • 

22  *         ^* 

d             d           d           d           d-d 

-2ZTT  —  

ride  thro'  the  night,     A        rol   -  lick  -  ing    crew          and 
eve  -  ning  has  spun,   The    slum  -  bers    of    Phoe-bus    to 
gold  -en  .     .    hair,    .     .     Here's    to      the  maid  -en   we 


bold. 
woo. 
woo. 


Gold  -  en       the  fields    where 
Sil  -  ver  -  tipped  peaks  the   . 
Gar-lands     of      sil    -   ver-white 


rip  -  ens 

bright  earth 

lil   -  ies 


the    grain,     And 

a  -  dorn,    That 

en  -  twined,  And 


gold  -  en 

wel-come 

hearts  that 


« 


ti 


.j. 


the    moon 
with    joy 
are     true 
S 


on 
the 
and 


^rit. 

r 


har  -  vest  wain.  Hail! 
gold  -  en  morn,  Hail! 
voi  -  ces  com-bined,  Hail! 


.E 


yr  B  qz     •         m  •    m      m       *• 

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F         S^ICS      *  "    v 

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M:  . 

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Hail      to     the  col  -  ors 
Hail      to     the  rib-bons 
Hail      to     the  col  -lege 

h       fe      h 

that  float      in      the  light,  Hur  -  rah      for    the    Sil  -  ver    and 
that    Na  -  ture  has  spun:  Hur  -rah      for    the    Sil-  ver    and 
whose  col  -    ors    we  wear,  Hur  -rah      for    the    Sil-  ver    and 

|SI           Nbl           fcj         .._         N* 

Gold. 
Gold. 
Gold. 

I 

fm}'  K  i       _i          J 

J              J           _l 

_^          _i 

r          r        i         _^       _^ 

II 

cz-(  ™  b    d.       d  •   d    d     d 

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BZ3H3ZI 

b  b       «         J       W      J       ^ 

i         £• 

b  .    b 

X-  r 

B 

U       B 

Hj 

<?J  •        II 

By  permis 
(157) 

jion. 

d- 

CONTINUED  IN  OUR  NEXT. 


Tempo  di  Mar  da. 


Music  by  Conrad  Ebert,  O.  S.  B. 
iT~"^ 


= 


=t= 


to 


Have    you  read  the     la  -  test    sto        -        ry        Pub  -  lish'd  in     a     mag  -  a-  zine; 


mf 


f 

3= 


Where      the      he  -  ro    and  the   vil        -        lain      Keep      the     in-t'rest  brisk  and  keen  ? 


-_ !-f 4 f- 

-t=*|=£==«|==£: 


± 


Well,      the      he  -  ro  loves  the  maid      -      en,       And      the  maiden  loves  him  true;     .     .     . 

J_-        rJ J- 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(Io8) 


CONTINUED   IN   OUR   NEXT. 


While    the          vil  -  lain  seems  to     think  ....          He     has        got  .  .     a     claim  there,too. 


I          I      ^ 3  , P 


^^^s^^^L^ 


Then  the  maid -en    and  the    vil-  lain     Have      a   storm-y,    an -gry  scene;          Then  the 


*=*-M=* 


:« 


' 


=M 


^ 


5^^^ 


vil  -  lain  tries    to     kill      her      But      the       he    -   ro        steps         be      -      tween. 


-I   ,       -^  -  h  -  £  —  £.  _  I  _  -|   ,         ^"3    I         ,-b- 


IST  AND  2o  TENORS. 

-*M— 


m 


£=£ 


Then  the    vil  -  lain  draws  a     pis      -      tol,  But         the  he  -  ro,  not      per-plexed, 

BASS. 


EE 


^E    =A=EJ=*=EJ=«=  i^EJ^ 


(159) 


CONTINUED   IN   OUR   NEXT. 


^     ^  I  .  ritard. 


Al 


so    pulls    a    sev-  en  -shoot     -     er  —        To    be 


con  -  tin  -  ued   in  our  next. 


s 


-£ *- 


3 


3= 


^- 


3 


DEAR  AUNT  MAY. 

Music  by  Walter  Howe  Jones. 


TENORS.  I         ^v       i^     i  w     fe      I         i 


1.  I     went    to      Hobbs  the      oth  -  er     day     And      said  "Pro    -    fess-or,  I'm         going    a  -  way, 'Twill 

2.  "It's   somewhat  sin-gu-lar,     don't  you  know,For  you  not      to    re-  mem  -  ber    a    year     a  -  go  When 
BASSES. 


3-i    ..  , M*-H^ 


g^ 


not       be  .  .    long  •  that       I       shall  stay,  I'm    called    by  the    sick -ness    of    dear  Aunt  May."  "Yes, 
you      for    ex-cus  -  es        then  ap- plied,That  you      might      vis   -   it    the  loved  one's  side.   How  you 


i P— TV     N     IS 


yes,  too      bad,     in    -     deed,    I        see;    I've     had      the       same    thing     hap-pen  to      me;    But    a 
stayed  two  weeks,  came     back  and    said,  With   tears     in  your  eyes  that  Aunt  May     was    dead.    Most 

N     S 


note    I've  made    in    this    lit  -  tie    book  here  Says  your  dear    Aunt      May  died  some  -  time    last    year, 
any     ex-  cuse    I'll    be    glad.  .       to    grant,  But  you'll  have    to     in -vent     an     -      oth    -    er      aunt." 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(160) 


N.   S.   U.   SO   GAY. 


NEVADA   STATE   UNIVERSITY. 
Music  by  Lester  R.  Merrill.  Arranged  by  R.  W.  Atkinson. 


TENORS.  (Air  in  2d  Tenor.) 


TS*    -j  y — ft — frlrr — I* — 


In    a       day     that  will      be 

col  -  lege  days    are 

BASSES.  iw     *.  ,V 


— p-          b 1 ha 1 bj F ix'--''  ix 

-l X 1  IX  -I— P 1^ '          — ^ — 3» 


e 


-F- 


^ 


bye      and    bye,    We'll    of    -  ten   dream      of     a       by  -  gone  day,     And    sing        a  -  gain      the 
gone      and    past,    And    wide     and    far         our          lots      are    cast ;    The    mem  -  'ry    sweet      of 


^^ 


1EE3i=iEEi!E== 

•^ £ ^ \--^ 

« — a? « r^ — 


tD 


i+ — ft- 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(161) 


N.   S.    U.   SO  CAY. 


V  2 


Allegro. 


sweet  old       song:     for"N.     S.        U.  "    so      gay. 
days  of        yore,  we'll  keep  un  -  til      the     (Omit 

b  S?\  I  b  I    . — " 


When 
.     .)     last. 


So      here's  to      the 
here's  to       Ne  - 


N    -        ^_                                 i         S      I  -^     "^  fc       ^       i 
* — "W "£" — hft— r* — ^ * *— r2- -5 PH-d** 


_f»  _T»        J       - 

dl^|^EEB 

4i^di= 


Allegro. 


£=l 


— I h 

-F-  —te b 

friend-  ship    that*  binds    us  Fn        one,       And      the        fair    hours       of       youth      yet      un  - 

va    -    da,       so    staunch  and         so      strong,     May    pros  -  per    -    i     -     ty        stay      with    her 

K          I  K 

J>     , ^ ^ J> *L 

2=5r 


;8=^: 
?-=t 


^Ef^lEEEES 

^=fe=E=^>- 


m 


fe«^E|: 


Ut 


J>    J        =p=         =RJ—  =A 


,-15 J -jLp 

~« « « 


^==^=tet=3 

-t-H 1 3— I f 

-|j* * 9— 


^ 


done, 
long. 


'-§—  *• — & — 


i^^  i  ^ 

Come, drink    to      the  health   of      old    jol  -  ly      "N.  U."  And    the 

Come, drink    to      the  health   of      old    jol  -  ly      "N.  U. "Where  all 

N         ^ 


-&=&- 


w  I*  '     "H 

£* fL—ff-r.. # _ 

^m I     i i i I £. S^1 &~ ^K 

-=1 — ^ — i FP 1^ — & — i W--  -i ^ — 

=^=dE  3r=p=t=£k= 


youth  yet    un  -  done, 
stay  with  her   long. 


=f= 


-*?=* 


I 


ESE  =^  E^=E^^=»= 
=bS=e=:    =SEE  -f^t— 


& 


(162) 


N.  S.  U.  SO   GAY. 


y  2 


-fcj— 


ban    -    ner    of         the      sil  -   ver     and        the      blue,  .... 
hon    -     or     and         all     ein    -    i  -  nence       be  -    (Omit 


fr—  T 
Now 


•  )         long 


. 


0  TCHE  SE  NO   DE  KE. 

AN   INDIAN   SONG. 


AIR.  Vivace. 

-A- 


Sing:       O    tche  se    no  de    ke  *Rum  in  see  game,  Bar    ba    To    ta    li    hei !          Hei !  Hei  ! 

TENOR.  A  A  „  - 


FB; 


IST  BASS. 


zz^^z^ziElF^^^^ 


2o  BASS. 


Bar    ba  To    ta     li    hei !         Hei !          Hei ! 

A_   A  • 

>.  A A 


li: 


|====pt 
=£±±=& 


|=  — «      M_r=±. f*-y^»_,t_^—   =pfei:  =S=fc 

F=g=£=^^=*=*=tMg=£^ 


Tet  -  tel  -  ti,  watch-et  -  ty   Bar  -  ba  To  -  ta  -  li;      Hei !          Hei !  Hei !    Bar  -  ba    To  -  ta  -  li      hei ! 


3  e  3          <0> 


Tet    tel  -  ti,  watch-et  -  ty   Bar  -  ba  To  -  ta  -   li;       Hei !          Hei !  Hei !    Bar  -  ba    To  -  ta  -  li      hei ! 


NOTE.    There  are  forty-nine  verses  to  this  Indian  song,  and  a  chorus  to  each  one;  and  all  the  same.    Sometimes  only  forty -eight 
are  sung. 

*  The  "  e  "  is  pronounced  like  u  in  but. 

By  permission. 

(163). 


ALMA  MATER.— UNIVERSITY  OF  NORTH  DAKOTA, 


Words  by  John  Macnie. 

SOPRANO  AND  ALTO. 


<M=^     ,^d—  =~:=j—  d=d^~j= 

_L-  ^  J  

i-\=4     i=4_^     1 

Sp_<L_£_g_       -^-                 -f—^r 

1.  Hail        to      thee,      0          Al    -  ma       Ma     -    ter  ! 
2.  Free       as     roam     our     winds    the       prai    -    rie, 
TENOR  AND  BASS. 

1        J             •             *             <F              J                     <p       ^            1 

Hail      to      thee     with      heart     and      tongue  ! 
Tho't    and  speech   here        un  -   con   -    fined, 

Iff)',  —  4  —  *~~I  p  k  —            —  br  '^  —              —  *"  — 

\f  H 

»  1  H  1 

L^  [if                                                            A                                              |V 

'     |—     " 

*       um           r^        \ 

f^               ix               r     i                     ™         r 

9            • 

n                                      i                          i 

r    T    ^ 

JLfi     _|       __|s     .]                J         -       J*B,  1 

<JI                 -m 

1               '^l       ^J         \ 

1  ^  *•  3 

j  1  .^  1  -«;  1 

CO)          *j  •          *!         ^      '    m           *          &          "i1    ,J      '"i 

~     4               9          '     * 

r           m,  .               *      .  —  . 

iJ             —           -i.                                                             r      *       — 

\ 

Pride      we      feel       and      love    yet       great  -    er, 
Free      as       eag  -    lets    round  their       eyr    -    ie, 

*               * 

While     we       raise      the      grate  -    ful        song. 
Soar,   proud     off  -  spring     of         the       mind. 

(^\*        5  *        '*•        [#•                                 I«A          i              5 

i                   t          L 

i                                                      1 

l^y*              i                      i                 1^                                     BE                                  '                       i 

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)                   1 

"•^             m              _i 

J       Q«i           •  '          |       1 

I(h         «           i          a              \          m         f          m 

••«'       ^ai1  •         S         .  —  ! 

SB         0           *         3    J        1      '                 *          *    C        1 

1                    •       *  • 

Home     of           loft  -    y        tho't     and        learn  -  ing, 
Love      of          free  -  dom,    love       of         du    -    ty, 

•*•       -f-       -f-        -*•       ^       -f-       -f-             _ 

Bea    -   con         of         our     west  -  .  ern      land, 
Love      of         truth    with  -  out          a      bound, 
1                                      1             * 

£>-:  -                                    L-      k—          —+-*- 

EE  —  *—  -  *-5- 

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r     r            r                       i   r 

I.)*         it 

L             J           • 

L^j 
o     *      _IN     "*1          1       ^     ^ 

^                   I 

1  y  i        1  1     •         •         *    m                  m            J 

t^^n              jm 

~1                     1    ^^         i       •  • 

>T  b      |            _            *p         ^-^«^, 

_1    «    ~                  4 

r                       J 

m  •           * 

\T~/                 0     •                v              J2                      v                    Jr    •                V              '                       w 

-          a» 

*     •          .    *    <r^ 

tr-  -p1         -f-                          T 

Shrine  whence  still       the         ev    -    er      burn  -    ing 
Val   -    or        in        thy       sons,     and    beau   -    ty 

r  n^    r    r    *   r  "^ 

Torch   is        passed  from      hand      to        hand. 
In     thy      daugh  -  ters        all,       be        found. 

^^ 

|  1  -p~  1  j.  *-r-*  1*  £S  •-• 

fc£  J?J  i  ?_  j  J__  _L  ^_ 

-  —  "t  —  t  r  —  n 

^?_                            ^?  —  E  1  

1»  H»  p  1 

•-      -1*     i*       t~ 

3  Alma  Mater  !  thine  the  glory, 

If  or  thought  of  ours  or  deed, 
Find  a  place  in  song  or  story, 

Win  endeavor's  glorious  meed. 
Prosper  ever,  fostering  mother  ! 

Down  the  ages  long  resound, 
Loud  thy  fame,  while  many  another 

Finds  in  thee  what  we  have  found. 

By  permission. 
(164) 


THE  ORANGE  AND  THE   BLACK. 


Words  by  Otis  Hinson. 

SOPRANO  AND  ALTO. 


ALBANY   COLLEGE. 


Arranged  by  E.  J.  Biedermann. 


1.  Though  Eu  -  gene  has      al  -  ways      fa  -  vored  the  .   .      lem  -  on  col  -    or    bright,  And  Cor 

2.  Through  the  four   long  years    of       Col  -  lege,  'midst  the  scenes  we  love         so    well,  As     the 

3.  When  the  cares    of  life    o'er  -  take     us,  mingling  fast    our  locks      with  gray,  Should  our 
TENOR  AND  BASS. 


_^       =*=C3 ^zzjZEpi:=p         _£: 


val  -  lis  men  and  maid-ens  hail  the  or  -  ange  with  de  -  light, 
mys  -  tic  charm  to  knowledge  we  vain  -  ly  seek  to  spell, 
dear  -  est  hopes  be  -  tray  us,  false  for  -  tune  fall  a  -  way, 


We  will    float  our  ban  -  ner 

Or  we     win    ath-let    -   ic 

Still  we'll  ban  -  ish  care      and 


-0. « «. ^._ 


'P^&. 


r 


-_|  -^  .^D  L_.  _J 


proud-ly,  nor  hon  -  or  shall  it  lack  While  old  Al  -  bany  stands  de  -  fend  -  er  of  the 
vic-t'ries  on  the  foot  -  ball  field  or  track,  Still  we'll  shout  for  dear  old  Al-bany  and  the 
sad-ness,  as  we  turn  our  mem  -  'ries  back,  And  rt  -  call  those  days  of  glad-ness,  'neath  the 


Or-  ange  and   the   Black;      We      will  float  our   ban-ner   proud-ly, 

Or  -  ange  and  the  Black;       Or        we  win  ath  -  let  -  ic     vie  -  fries 

Or  -  ange  and  the   Black;      Still  we'll  ban  -ish  care  and   sad  -ness,        as    we  turn     our  mem-  'ries 


nor          hon  -  or  shall 
on   the  foot  -  ball  field 


it 
or 


gZ-^g,1 bS±=^p±==i=g==|^== 


lack 
track, 
back, 


While  old     Al  -  bany  stands  de   -   fend  -  er 
Still    we'll  shout    for    dear    old       Al  -  bany 
And      re  -  call    those  days    of       glad  -  ness, 


of  the 
and  the 
neath  the 


Or  -  ange  and 
Or  -  ange  and 
Or  -  ange  and 


the  Black, 
the  Black, 
the  Black. 


Melody  used  oy  permission  of  the  WHITE-SMITH  Music  PUBLISHING  COMPANY,  owners  of  the  copyright. 

Copyright,  1902,  by  HINDS  &  NOBLE. 

(165)     - 


GRIT. 


C.  D.  Merrill. 


TENORS.       —  96. 


W.  W.  Sleeper. 


1.  Now      John     -    ny  Sands     from     Or    -    e  -    gon    came,    An        Or  -  e  -  gon  Fresh  -    man 

2.  He  wres-  tied  Avith  Lat  -  in     and     strug-  gled    with  Greek,  But      Hor    -     ace's  met  -  ri  -  cal 

3.  A  maid -en  came  sing -ing   and      dan       -       cing      by,     And    smiled 'neath  her  hat  .    .       of 

4.  Now      ra  -  ging,  he  ran     to     the      sand        -        y     shore    And  cried  with    a  wild .    .     hur  - 

5.  He  swal-lowed  it  up,  and     he      swal-lowed     it    down,    He  crammed  to   the  full    of     his 


BASSES. 


K       K 


cres. 


raw;  . 
law  ;  . 
straw  ; 
rah  !  . 
maw  ;  . 


But    with  all.     .      the      grit       of        his 

And  .     .  Ho-mer's  fierce   grip      laid      him 

'  Be    .     .  mine,"       he        cried,.  .      "No, 

'  I'll    .     .  swal-  low     a       bush  -  el         of 

'A     .     .  bush- el       of         si    -   lex,"    the 


cres. 


Or    -    e    -    gon     name,       He'd 
flat        on       his      back;      For    he 
no,"    her       re    -  ply,      "You've 
si  -    lex        or      more,       I'll  .     . 
cor  -    o    -  ner     wrote,  "Was 


n     cres. 

ff 

IS           »_       J 

REFRAIN.               sf 

Is    ^    ^ 

0$     «           19        "W 

\         P* 

1 

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_i^  

not       e  -  nough  ss 
had  -  n't      the      sj 
not       e  -  nough  s! 
put       e  -  nough  sj 
too       much  .  .      si 

cres.     ^—  ^ 

md      in       his         craw, 
ind      in       his          craw, 
ind      in      your       craw." 
md      in       my         craw." 
md      in       his         craw." 

0       I"       ^  ^J—  J 

1    IX          IX          IX          1 
Not       e  -  nough   sand  ! 

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-  nough  sand  ! 

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Not     e  -  nough  sand 

!                                  Grit,    grit, 

Not    e-  nough  sand  in 

his      craw." 

—  '  —  r~mi~r~mi  i"i 

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Not     e  -  nough  sand !  grit,  grit,  Not    e  -  nough  sand  in     his     craw. 

By  permission. 
(166) 


THE  PURPLE  AND  GOLD. 

UNIVERSITY  OF  WASHINGTON. 
Words  by  Sarah  E.  Sprague. 
TENORS. 


Music  by  Mrs.  Julia  L.  Schultz. 
Arranged  by  Charles  E.  Engelhard. 


1.  She's    cir  -  cled     by     moun-tain,    by    for  -  est    and  sea,       Her  lakes  smile  up  -  on         us,  and 


2.  The    col  -  ors     she  wears    are  those  that   of    old 

3.  Dear  Fa   -  ther     in     Heav  -   en,     we    ask    Thee   to  hold 
BASSES. 


A  -  domed  on  -  ly    kings  —  the 

In      lov    -  ing    re  -  mera-brance  the 


loy  -  al  are 
Pur  -  pie  and 
Pur  -  pie  and 


we 
Gold. 
Gold, 


To    the     njoth  -  er    that    guards     us,     as     ea    -    gle 
Yes,  roy    -   al      are      they    which  she  wears    on 

And  bless      ev  -  er  -  more      the  dear  -  est 


her  nest,  Our 
her  breast  —  Our 
and  best  —  Our 


^==? 


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loved  Al  -  ma      Ma  -  ter,     bright  star       of     the  West.  Then  fond  -   ly    we'll  greet    her     wher  - 
loved  Al  -  ma      Ma  -  ter,     bright  star       of     the  West.  Then  fond   -   ly     we'll  greet    her     wher  - 
loved  Al  -  ma      Ma  -  ter,     bright  .star       of     the  West.  Then  fond   -  ly    we'll  greet    her     wher  - 

_u  1                   _fc  (S  |S  1                   *  r*.         —+.   '         0  ft           —  ft             *  I*-!      -g"  ft               ft                   J* 

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— * — *- 
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ev    -     er        we      be,        With    hip    -    hip       huz  -  za,          re  -     peat  -     ed         by      three.  .  . 


a 


fe: 


£ i- £= 


By  permission. 
(167) 


OUR   COLLEGE  UPPER  TEN. 


Arranged  by  Lloyd  Adams. 


1.  Miss    Sil    -    ver  -  link      to     Col-lege  came, She  did, 

2.  Miss  Blue  -  stock-ing        to     Col-lege  came,  (Big-wig  ! 

3.  Miss  Tai    -    lor  -  made  would  Col-lege  try;  Oh     my! 

4.  Oh!    lit -tie  Miss  Honest  to     Col-lege  came,  She  did, 

5.  Now  hark  to  me,    all,  all  ye    Col-lege  maids,  Oh  hear! 


she    did.         Ar  -  a  -  bel  -la   Ma-rie  was  her 
big  -  wig  ! )    Van  De  Ruyter-Lee-Fairfax  she 
Oh    my  !     With  her  skirt  cut  en    train  and  her 
she    did,         And       no  -  bo  -  dy  bothered  to 
Oh    hear  !  Haughty  Pride,costly  Style  they  are 


— q_=p^=] 


•* *»i pii  '       M 

^E      ^p  E§ 


— X X— *— 1^ 1^ K i^ — S ^- — ^ ^ 1 ^v ,< ' 


Chris-tian  name,  (Stu-pid  !        stu-pid!)       Her       dresses  were  rich,      her    di -amends  rare,  And  she 
hyphened  her  name,  A      prig!       A       prig!  They  were  clev  -    er  folks  in  the    far          a -way,  But  the 

pom-pa-dour  high,  So     high!      So      high!      She  was  real-ly    so  swell  that  she  caught  a  dude  beau,  The 
knowher  full  name, The  kid,      sweet    kid.        She  was  just  "Lit-tle  Nell,"  our    Col  -  lege pearl, She  was 

both  sor-ry  jades,  Up  here,       up      here.      Bet-ter  leave  all  such  baggage  when  leaving  the  train,  Honor 


stared          a        ver  -  y        su   -   pe   -   ri    -    or      stare,     But   .  . 
fam  -  i    -    ly      force    did  -  'nt      last      to       her     day,       And  .  . 


cash  couldn't       buy         ca  - 
haugh    -    ty     mien       and 


flirt    and    the       fop     made  a       ver  -   y      brave  show,     But  .  .        gen  -  u  -  ine    heart       she 

stu -dent  and       la  -  dy      and      jol   -  ly     good      girl,     And  she    curled  her    ex  -   ams.         a 

Truth  and  Good -Faith,  and    Am  -  bi  -  tion    and    Brain;   .Let  your     work  all    be      done        with 


i 


Copyright,  1902,  by  HINDS  &  NOBLK. 
(168) 


OUR   COLLEGE   UPPER  TEN. 


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Don't 

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to 

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Ten.     .     . 

She 

had    none, 

and      so 

She 

was 

not 

of 

our       Up    -    per 

Ten.     .     . 

For 

beau  -   ti    - 

ful    curl. 

She's 

the 

sort 

for 

our       Up    -    per 

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a 

might 

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stared  a     ver  -  y  su  -  pe  -  ri  -   or    stare,But    was    not     of      the    Up  -  per      Ten.  .  . 

hyphened  her  name  in  a        lord     -     ly     way,  But    was    not     of     our    Up  -  per      Ten.   .  . 

a     skirt  en     train  and      a     pom -pa-  dour  Don't  e  -lect     to 

prin-cess  in      soul,  and     fit    for     an     earl,  And    she      leads 

Worth  and    Work  and     Tal      -    ent    reign,        And    make 


our  Up  -  per  Ten.  .  . 
our  Up  -  per  Ten.  .  . 
our  Up  -  per  Ten.  .  . 


isOUR  COLLEGE  CHEER. 


TENOBS. 


Our     col  -  lege  cheer,    Rah!      rah!       rah!      rah! 
BASSES. 


^ 


cheer;  .  .      Our  col-lege  cheer,  Rah!  rah!  rah!  rah  I 


we  love  our    col  -  lege  cheer. 


i 


?=|e 


(Give 
the 
college 
cheer.) 


^t 


pom,  pom.pom, 


^^ 


pom,  pom,  pom,pom,pom,pom,pom, 

Copyright,  1901,  by  HIXDS  &  NOBLE. 

(169) 


e$ 


OH,   OREGON!   OH,   OREGON! 

UNIVERSITY  OF   OREGON. 


Words  by  I.  M.  Glen. 

Not  too  fast. 
TENORS.  QUARTET. 


Music  by  Frank  Strong. 


=£ 


TMd   -t — * — » — *=*=  =PE= 
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1.  There's     a     pret  -  ty       lit   -  tie      vil  -lage    In         a      val  -  ley       in       the  West;      Past     the 

2.  For      her    sons    are     just      as      no  -   ble,  And     her  daugh-ters   just       as   fair,         As      the 
BASSES. 

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vil  -    lage  winds       a         riv    -    er,      Fed       by       snows       on  moun- tains'  crest;      Near     its 
no  -blest      and       the      fair  -    est     That     e'er  breathed     the     liv  -   ing       air;        And     her 


t/                     *  I*? 

banks  there  stands  a 

spir    -    it         all  is 
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col    -  lege,   Full        of       dig    -    ni    -    ty         and  fame,      And      the 
loy    -    al,      And     we'll     have      the    world        to  know       That     the 

js js_    ^ — ^r ^ 1 ^ pi_ 


to 


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'Var      -      si    -    ty          of        Or    -      e    -    gon's       The      In      -      sti    -      tu    -    tion's     name, 
bonds        can      ne'er       be       bro  -    ken    Formed      in      dear  old  U.  of          O. 


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CHORUS. 


Oh,     Or   -     e   -  gon! 


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Oh,   Or    -    e  -gon!  Oh,     Or  -    e 

Oh,       Or     -     e     -     gon! Oh,      Or   -     e    -  gon! 

j-  -r  /  J*    f 


gon!        The 


Oh,    Or     -     e  -  gon! 

Copyright,  1900,  by  HINDS  &  NOBLE. 

(HO) 


Oh.       Or    -    e 


/ 
gon! 


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OH,   OREGON!  OH,   OREGON  I 

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chan  -  ges      all        ex  -    cept    your    skin;Then    shakes  you    kind    -    ly      by         the     fln,     And 


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turns  you     out      in      life      to    win.  Oh,    Or  -  e  -  gon !  Oh,     Or  -   e  -  gon ! 

Oh,     Or    -    e   -  gon! 

#  IX      N       s  r^' 

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Oh,     Or   -   e  -  gont 


CHANT  OF  THE  "SHORT  AGS.S 


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To  dig  up  Greek  and  Latin  roots,  We  do  not 
Our  thoughts  to  beef  do  mostly  turn,  To  cabbage 
And  when  we've  found  out  how  to  grow  The  rich  and 

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come             to 
and                to 
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college, 
matoes, 
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But  of  the  earth  and  all  her  fruits,  To  get  a 
We  want  the  cheapest  way  to  learn,  Of  raising 
We'll  take  our  sheep-skins  home  with  us,  And  shine  a  - 

store                 of 
big                  po 
mong                the 

—  &  ^  

knowledge, 
ta-toes. 
bump-kins. 

£u 

-H 

By  permission. 
(171) 

^=£— 

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CHING-A-LING 


Whistle. 


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2.  We 
CHORUS 

rev    -    el            in           song,                in          Spain       we            be    -    long, 
charm      and         en    -    trance                all           men         in            the        dance, 
TENORS. 

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Come    they      from  near   us      or   come      they  from  far; 

Shines  clear  in      the    East        we     re    - 
We  dance  and    we     glide,         while 

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loud     far      and    wide,     Sounds  the  tune         of       our    light              gui  -  tar.                Ha!        ha! 

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CHING-A-LING. 


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(173) 


THREE  CHEERS   FOR  T.  A.  AND   P.  U, 


Words  by  Helen  Brooks. 

SOPRANO  AND  ALTO. 


PACIFIC   UNIVERSITY. 


Music  by  D.  T.  Shaw. 


1.  Oh,         our     col 

2.  Oh,     .     .          Or 

3.  White     .          as 
TENOR  AND  BASS. 


lege,         the   gem  of      the          o   -  cean, 

e    -   gon,     .     .    spark    -   ling     thy        foun -tains, 

the  %     .     .    snow          on       thy       moun-tains, 


'Mid      the 
Broad   and 

So  .     . 


for  -  ests  of  fir 
deep  are  thy  riv 
pure  be  the  lives 


tree  and  pine,  . 
ers,  we  know; 
of  thy  sons;  . 


Our    hearts     bring    to      thee        our    de 

Rich  thy       val    -    leys,    and     rug     -    ged    thy 

With     faith      shin  -  ing     clear         as     thy 


$=£=£=* 


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ET)  -!1  —  «  —  «  —  si  si  (—  ^sH  

Z          '».     u  J 

JJ                                                       IX          IX 

vo  -   tion,                    Thy  .  . 
moun-tains,                   E 
foun  -  tains,                 May    thy 

...    -        ^                     ^^ 

U^J 

im     -•     press  shall 
ter      -      nal      thy 
daugh  -  ters      be 

•£•       •*••*• 

ff                V 

strength  -  en      with 
}eaks,      clad        in 
ike          cor  -    ner 

1 
m>                           9 

3-                     *         * 
time;                For     the 
snow;                But    more 
stones;               Our      de  - 

^     Is 

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._  1                   IX        IX 

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vere  th 
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lx 

ord    of     years  we     re  - 
to    thy    heart    is      the 
tion  to     thee   shall  fail 

•          m 

ee,          For  the  hearts  that  were  pa  - 
ge,          Where    gath  -  er    the   youth  1 
r,           And  thy  coun-sels  we'll  still    ] 

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3nt  and  true, 
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ep    in  view; 

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To  .  . 
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f  u    -     ture  shall    serve 
search    for   the     rich    - 
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m^^^^     f    JhJ* 

to 
es 

ty 

9 

en  -  dear  thee, 
of    knowledge, 
for  -  ev  -  er, 

Three 
Three 
Three 

L-J 
cheers    for    T.      A. 
cheers    for    T.      A. 
cheers    for    T.     A. 

f     f  r^ 

v 

and    P. 
and    P. 
and    P. 

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IX        IX                   [— 
By  permission. 
(174) 

1 

THREE   CHEERS   FOR  T.   A.   AND   P.   U. 


CHORUS. 


Then  hur -rah    for    T.      A.    and    P.      U.,  Hur-   rah    for    T.     A.    and    P.     U.  Our 


-*-*- 


watch-word     is  "Pro  -  gress  "  f  or  -  ev  -  er, 


Three      cheers  for    T.     A.      and     P.     U. 


-r 


ar — g g 


II 


TENORS. 


NOTHING  — BUT  ANOTHER   GIRL. 

Music  by  Walter  Howe  Jones. 


^ 


± 


4      . 


Sh 


e          had     asked        to      have      a          call    -    er,        For         a  "friend"   had    come      to 


BASSES. 


5 


3= 


^ 


town.       "Is       there     a     -      ny  -  thing     be  -  tween    you  ?"  Asked  the  ma    -    tron,  with      a 


£ 


=£ 


^ 


>        > 


frown;      And        the    maid   -  en    paused    a        mo    -  ment,      For        her  head     was        in 


1 


r-f—w 


-r — * — ^ 

whirl,      But        she    an  -  swered  quite    de  -  mure  -  ly,    "Noth  -  ing  but        an-  oth  -  er       girl." 


V  V 


*          * 
Copyright,  1901,  by  HINDS  &  NOBLE. 

(175) 


THE  GHOST-DANCE. 


POMONA  COLLEGE. 


Words  by  Fannie  Fulkerson. 

SOPRANO  AND  ALTO. 


Music  by  A.  D.  Bissell. 


Ghost  dance  up  on  In  -  dian  Hill, 

In  -  dian  maids  and  war  -  riors  still, 

Down  they  danced  with  one  ac  -  cord 

Said  their  shad  -  owy  chief  and  lord, 

We  have  the  "brawn"  and  the  "brains"  as  well, 

That's  what    his  -    fry  e'er      will  tell, 

TENOR  AND  BASS. 


Eight 
Flit 
'Down 
We're 
So 
Of 
K  , 


near  Po  -  mo  -  na,  .    near  Po  -  mo  -  na,  } 

) 


round  Po  -  mo  -  na,  .  round  Po  -  mo  -  na, 
to  Po  -  mo  -  na,  .       to    Po  -  mo  -  na, 
at    Po  -  mo  -  na, 
says  Po  -  mo  -  na, 


at  Po  -  mo  -  na, 

says  Po  -  mo  -  na, 

our  Po  -  mo  -  na, 


our  Po  -  mo  -  na, 


%r-£-^*—* — "=5=       -[-  ^-—4. -rf      $.     &- 


Sigh     for    the  learn -ing    they      nev  -  er      sought,      Har-m'ny      Hall      and    the    bat  -  ties  fought, 
Here's         the  cam -pus,   And  here's  the      spot       Where    the        sen   -     iors         once  turned  out, 
All  ghosts  who  care  what    the     year  will    bring,      Now      join      hands      and        dance     in  a  ring, 


- 


£ 


=1= 

w- 


3jEE|EEQ§2;3|Ee[3;S 

— 1»— k^^31-  -t-^F 


t=r- 


I 


3=3=2=*^ 


^=^^e=t=t±=t 


=3= 


:*'=  =! 


*  Adapted  from  a  song  of  the  Cochuilla  Indians  on  the  San  Jacinto  Reservation  in  Southern  California.     Refrain  to  be  sung 
after  each  verse,  and  twice  after  the  last. 

Copyright,  1902,  by  HINDS  &  NOBLE. 

(176) 


THE   GHOST-DANCE. 


And  for  the  pop  they      nev    -    er    bought 
Where  they  made  things  just       red  hot 
And  for  this  dear  old       Col    -  lege   sing, 


Down  at    Po  -  mo  -  na,  .       at   Po  -  mo  -  na. 

Here  at    Po  -  mo  -  na,  .       at  Po  -  mo  -  na. 

Long  live  Po  -  mo  -  na,  .      live  Po  -  mo  -  na. 


Second  time.  He    ne 


te  -ra    to  -  ma,  ne    te  -  ra    to  -  ma. 


Moderato. 
TENORS. 


SHE   SHOOK   HER   HEAD. 

Music  by  Walter  Howe  Jones. 


TENORS.  J  f 

\?     *r\ *  *     rr 

"May     I      kiss    you,  dear?  "a    youth  once  cried,  Al  -  tho' scarce  hop  -  ing  what   he    said; 
BASSES.  [ 


ones. 

EsEfcft 


But  the 


— W~- ~m~~m —  ~3 

:?±^g^£=fc| 


maid  -  en  turned    a    -    way        her  eyes,     And      slow-  ly,       sad   -  ly        shook     her  head.  "But 


r— i^v^E       =£E*EE£E 
f==t=  =Fp  =*=$ — F-J 


would    you  mind,"  he       still    went   on,    "Now  would    you    real  -  ly       care,"  he    said,    "If       I 


ritard. 


=F 


allegro. 


shoiiid        kiss       you?"  and          a  -  gain      She     turned     a    -    side — and    shook    her    head. 


===f"—  F-^—  g— 


Copyright,  1901,  by  WALTER  HOWE  JOXES. 

(177) 


THE   MAN   WHO   HAS  PLENTY  OF  GOOD   PEANUTS. 


IST  TENOR. 
(Melody  in  2d  Tenor.  ) 


Arranged. 


m 


20  TENOR. 


1.  The      man    who    has      plen  -  ty        of    good       pea  -  nuts,     And      giv  -  eth       his        neigh-bor 
IST  BASS. 

^^ 


S 


ii 


BASS. 


43- 


=r=*^e 


none, 


He   shan' 


shan't  have     a  -  ny      of     my       pea-  nuts  when  his      pea  -  nuts  are    gone ;        When 


=£: 


£=^TJ=£ 


^t=i: 


:i 


:tz=l 


his  pea  -  nuts          are        gone, 


* 


When    his          pea  -  nuts 
|    rail,   is      -> 


are        gone ; 


He 


£==£ 


^n                  —                                                                                            T^ 

r       r          1 

ffh      r             f*        «        «                 i 

k              L»          J              A       m          'm 

sn     i           r      i*      P        HJLJ 

™              j            «              «        T  •       F             1 

3              ^     L     U 

shan't     have       a    -    ny        of    my 

,  j     •  K              r   , 

^         u 

pea  -  nuts,     When 

IS                          IS 

his          pea  -  nuts          are      gone.     . 

r      i          r 

IP             Pi                        p  •       *             1 

1  v*/  *iif         J                                 ^J 

a                        -m 

S25iq  p.  *       «'  j  — 

—  ?  —  J        5 

-(-!•  r*  —                  P     -L  *-"                \ 

1  ^  1  1  X  L.^,  

CHORUS. 

Presto. 

ntt      i              is         ».         N 

P    I 

\ 

3£8  —  d  P  P  r 

0                            01  • 

-0-^—                »'                0-r 

jn_.  ^_  —  ^  

*~I  ~m~  

-fr-.  -»-!—               —  «-  

\M-/                •                    ^                ^ 

» 

r                   I                                      »  . 

Oh!              that        will          be         ; 

oy       -       ful, 

1                    1 

n 

joy       -       ful,          joy       -        ful, 

+^  5^—  F^-Pn»  —  i  

~  m   2  £  3  

J-.  —       —  J-=  — 

^=  1  —  f^u_r_r-^-^  — 

Copyright,  1900,  by  HINDS  &  NOBLB. 

(178) 


THE   MAN   WHO   HAS   PLENTY  OF  GOOD   PEANUTS. 


^ 


m 


0-  - 


»-    —  »*! 
1 


Oh!         that     will        be      joy 

-  Is— J^= 


ful, 


When    his         pea  -    nuts         are       gone. 


The  man  who  has  plenty  of  nice,  rich,  ripe,  red  strawberry  short  cake, 

And  giveth  his  neighbor  none, 
He  shan't  have  any  of  my  nice,  rich,  ripe,  red  strawberry  short  cake, 

When  his  nice,  rich,  ripe,  red  strawberry  short  cake  is  gone. 

The  man  who  has  plenty  of  St.  Jacob's  Oil,  for  rheumatism,  corns,  cramp,  colic,  chaps,  tetter,  and  chil- 
blains, 

And  giveth  his  neighbor  none, 

He  shan't  have  any  of  my  St.  Jacob's  Oil,  for  rheumatism,  corns,  cramp,  colic,  chaps,  tetter,  and  chil- 
blains, 
When  his  St.  Jacob's  Oil,  for  rheumatism,  corns,  cramp,  colic,  chaps,  tetter,  and  chilblains  is  gone. 

The  man  who  has  plenty  of  Pomp's  peculiar,  patent,  perpetual,  pocket,  panoramic  ponies  for  passing 

examinations, 

And  giveth  his  neighbor  none, 

He  shan't  have  any  of  my  Pomp's  peculiar,  patent,  perpetual,  pocket,  panoramic  ponies  for  passing  ex- 
aminations, 

When  his  Pomp's  peculiar,  patent,  perpetual,  pocket,  panoramic  ponies  for  passing  examinations  are 
gone. 

The  man  who  has  plenty  of  John  Wanamaker's  endurable,  reversible,  sit-on-'em  and  mash  'em,  patent 

restorable,  operatic  plug  hats, 
And  giveth  his  neighbor  none, 
He  shan't  have  any  of  my  John  Wanamaker's  endurable,  reversible,  sit-on-'em  and  mash  'em,  patent 

restorable,  operatic  plug  hats, 

When  his  John  Wauamaker's  endurable,  reversible,  sit-on-'em  and  mash  'em,  patent  restorable,  operatic 
plug  hats  are  gone. 

The  man  who  has  plenty  of  soft,  sweet  soda-crackers, 

And  giveth  his  neighbor  none, 
He  shan't  have  any  of  my  soft,  sweet  soda-crackers, 

When  his  soft,  sweet  soda-crackers  are  gone. 

The  man  who  has  plenty  of  de-monetized,  de-moralized,  de-generate,  unconstitutional,  saponaceous  sil- 
ver money, 

And  giveth  his  neighbor  none, 
He  shan't  have  any  of  my  de-monetized,  de-moralized,  de-generate,  unconstitutional,  saponaceous  silver 

money, 
When  his  de-monotized,  de-moralized,  de-generate,  unconstitutional,  saponaceous  silver  money  is  gone. 

MORAL. 
The  man  who  has  plenty  of  good  peanuts, 

And  giveth  his  neighbor  none, 
He  shan't  have  any  of  my  nice,  rich,  ripe,  red  strawberry  shortcake, 

When  his  St.  Jacob's  Oil  for  rheumatism,  corns,  cramp,  colic,  chaps,  tetter,  and  chilblains  is  gone; 
When  his  Pomp's  peculiar,  patent,  perpetual,  pocket,  panoramic  ponies  for  passing  examinations  are  gone ; 

When  his  John  \Vanamaker's  endurable,  reversible,  sit-on-'em  and  mash  'em  patent  restorable,  opera- 
tic plug  hats  are  gone. 
He  shan't  have  any  of  my  soft,  sweet,  soda  crackers, 

When  his  de-monetized,  de-moralized,  de-generate,  unconstitutional,  saponaceous  silver  money  is  gone. 

CHORUS. 

Oh!  won't  that  be  joyful,  joyful,  joyful,  Oh !  won't  that  be  joyful, 
When  all  of  his  good  things  are  gone. 


(179) 


Andante  expressivo. 
TENORS. 


"I  WISH   YOU'D  SHAVE." 

Music  by  Walter  Howe  Jones. 


Deep     down       in    -    to      each     oth   -  er's    eyes      We      gazed,       my      love    and        I ;    .     . 
„  BASSES. 


^=£ 


— 9 » 

=[=¥ 


F— F- 


— j» — *-= 

c=pge 


I  ^ 

Clasped  to  my  breast    the  heart  I    prize,   No       liv  ing  crea-ture  nigh  ;    And     in  love's  fond    de  - 


SEES 


__ e~rr—+     *       +  -r- 

^^EgEE   ft^=^i=fr^  E*^3E 

f     lx+—     -^u— t^^-  — ^— *— 


-I r^ 

Ix     * 


4— r-^-F—  PLJ- 

J=E3=t=t=^ 
-^=p=p±=lt 

IX       I  X 


light    I  pressed    Her  warm    soft  cheek  to    mine,     And     felt  that  not       the  gods  themselves  Had 


-* +-. -=— r£— — - ^— * Ph 1 


• f U 


rap   -    ture  so       di  -  vine.       She     spoke    e'en  as      the  whis  -  per-ing        Of       gen  -  tie  moon-  lit 
rit. 


e± 


a  tempo.  „. 

4-i ?U >-4^-, 


^-^F=^ 1— 'r-^ P- P—  *— 

:i=j=rgi=  ^==Efe=,*=-t=t= 

=?!=^=±^=  =£=£=2= 


^t=Jzz=±z 


^EE£EEjEElfeg±^i^E^^Bg^^^^g=Fg^ 
=U=—  ^-Efe=z=gz=  =*=*=     -?— Egzz 


Wave: — "Be    -    fore       you     do       this  kind       of  thing      I         real    -    ly  wish —     you'd  shave." 

rit.  „ 


I&- 


f 


1* — K 

-** h=- 


U 


t=rt==t=:^= 
1e^=fe=t=4=*= 
Ix  &  l 

Copyright,  1902,  by  HINDS  &  NOBLE. 
(180) 


A  NEW   MEDLEY. 


Allegro.  SOLO. 


Arranged  by  R.  W.  Atkinson. 

mf 


-^t^B—fl 

—  «.  - 

1-        Ik.            Ik.            ik.             l                7P    T 

• 

n    ^  TENORS.                                         /  ^        ^        ^ 

Come,  let      us        all         go 
Mis        -      ter      Noo  -    die 

E^-^L  -  Jf  4——^ 

Come,  let      us      go, 
BASSES,  f 

Come,      co 

—  1  —  ^  *  4 

p  —  1-  ^  '                            J 

me,         Come,  m  (Humming.)    .     .     . 
_ 
-~W=^- 

"stBEES  —  ,*  —  ,*  —  *~  —  f-s?-1  — 

-fr  F 

V     V     V     \  ^~^\ 

Come,    let       us       go,       ... 


see       the    sol  -  diers,  see      the    sol  -  diers,   see  the      sol  -  diers;  Come, let      us       all         go 

plays      the    bu    -  gle,   doo  -  die,  doo  -  die,    dee   die,    de  -    oo   -   die,     Big  bass    drum     goes 


-tW- 


1 


"VT 


see        the        sol  -    diers,     see  the      sol     -      diers     play. 

bom,      bom,     bom,  bom  -  pe  -   ty,     bom  -  pe  -  ty,     (Omit.  .     )  bom,     bom,  bom. 

nr 


"VT 


:Ete 


m (Omit  Sd  time.)     .     .     .   bom,    bom. 


i-| 


1 


Andante. 


mp 


IT 

A       ship      goes     sail   -     ing   down     the      bay,  Good-bye,     my     lov  -  er,    good-bye;  .   .  We 


f 


W— V 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(181) 


A   NEW   MEDLEY. 


^=d==^^^=^E^=^=^ 
=^2=*=E3=*=t^^EE=£=£ 


JtEt 


-G — P- 


shall    not    meet    for    ma  -  ny  a  day,  good-bye,   my   lov  -  er,  good  -  bye,  good-bye,  good-bye.       I 


m 

E_tl 


F=? 


x      I 


^i^-f               _£ 

tf           *- 

~N~f*  *  £  —  S  

-%•  —  :  -=1  h  — 

-1  

I'M  F  F-  —  p  

-f  d  

feel      like     a    morn  -  ing     star, 

I      feel,            I            feel,     I 
f> 

1                               J 
feel,                              I 

ft*)'    b    L                                    ^n 



^^fi^h^' 

John-ny,  get  your  gun,  get  your  gun,  get  your  gun,  there's 


cres 


^^*=?EE£ 


feel        like       a       morn  -  ing      star, 


[        feel, 

*LP 


feel,       I 


$=&=& 


s^— ^-^_f-=^=g 

czxrzzzjtzzjs — tz — tz — 1± 


:^: 


goin'       to 


be          a        war,    get   your  gun,      O      John  -  ny,   get  your  gun,      get     your 


-    cen 


F 


feel, 


feel  like      a      morn  -  ing  star; 


gun,    get    your  gun,     O      John-ny,    get    your   gun,    for  there's  goin'  to       be       a      war; 


do.     //A 


feel, 


feel,      I  feel, 


There's  goin'    to       be        a       war,        O 


John  -  ny,   get  your  gun,    get   your  gun,    get    your  gun,  There's  goin'   to       be        a        war,    Then 

(182) 


A   NEW   MEDLEY. 


UNISON. 


John-ny,  get  your  gun,     John-ny,  get  your  gun,     John- ny,  get  your  tick   -  et,    show's   be   -  gun; 
UNISON. 


Chick-ens  in    the  yard,  Roos-ter    on    the  fence,  John-ny,  get  your  hair    cut,     fit  -  teen  cents. 


con  espressione. 


SB 


=*=||*=td 

-rV~ E= 


-a — »• *  — «• *~ 


:*± 


Twink-ling  stars  are    laugh-ing,    love,      laugh-ing    at    you  and      me ;  .    .       While  your  bright  eyes 


___J^,U 


r 


izr^-^Eu— I l^zzfcizzb^bk  •          -ET~     *  ~ 


look     in       mine    Twinkling   stars,  they    seem    .    .         to 


Be    E      N,       J     A    jay,    M     I     N, 
UNISON. 


H 


_£ ft_  J^ J*L 


Ben  -  ja  -  min,        BUT,        Ben  -  ja  -  min   But,       L       E       R,     Come     some   oth    -   er 

3 


I 


-f*- 
^ 


(183) 


A  NEW  MEDLEY. 


a  tempo. 

'  /  K  •  J-g-g-^. 


Tempo  di  valse. 
"N  I  La      la  la       la 


^^ ^~ — \~ — ^ — I   ^B™ — '^W      ~^R "^R rl  •  •    ^" — ^    ^i         ^    • 


-^ 


day,   Li  -  to  -  ri  -  a,     Li   -  to  -  ri  -  a,     Twee- die  wink-um,     .    .         O     naugh  -  ty,    naugh  -  ty 

(Two  SOLO  VOICES.) 


_14U- 

ifcir 


tt=*=*F=tt 


t_£>_4- 


=JF=™F?**a* 


$*=£=£=£* 


'>»     P       P —  ~N»~J|       p^  1ST 

=F=f3=c=El= 


Cla-ra,    .     .     .  How  can       you    treat        me     so,    ....  I'd     go          to    Den    -    er- 


f~E^ 


?-^-*    x   f[    ^— x— 1-[— x — x-1|     y— x— F^—  x— x— hf— x 

boom  boom  boom  boom  boom  boom 

la      la  la      la  la      la  la       la  la      la        la 


_ .<p|_Lg._JZZ 

=x=Fp-x — x^^-x— x— 
I 


boom  boom 

la      la  la      la 


BObfcfc:£=fc£= 


ar  -  a, 


If    you'd       but   bid          me        go;  .     .  I'd  climb     the      high  -  est 


H  — x— 


•i ^m. -g=zzzn 


-*— X- 


boom  boom  boom  boom  boom  boom  boom  boom 

la   la     la   la     la   la     la   la      la   la     la   la     la   la     la  la 


--*—•— 


moun      -      tains,        I'd  swim       the   broad    -  est     seas,      ...  If     you     would  on    -    ly 

J.  jstT    "^sj.  s     i      i 

— f       h  —4-    S        -»-       -G>r 


3!r=*=ME¥ 


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-x— x — «-x— 


boom  boom  boom  boom  boom  boom  boom  boom 

la         la          la  la  la          la  la         la  la          la  la. 


*- 


EE^E 


P 


F- 


love  me,  dear,       I'll       do  just       as  you         please,     ....      For      I     want 

i 

rt\         /^N 


AA 


»=     =*—  E=P=  ^    ^  IliH 


» — x  I  i     x      a— 


jgL ax*=4-4M-l 


boom 


boom  boom  boom       boom. 


CHORUS. 
Allegro. 


A  NEW  MEDLEY. 

la  la  la  la 


la 


la  la, 


| 


one  kiss  more,    one   kiss  more,    Give      it    me    at  once,  or     I   shall  say  that  you're  a  dunce,For  I  want 


£ 


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N 


=f-  =* 

la  la  la  la  la  la  la. 

Largo. 


/ 


Sostenuto. 

] N-4 


p^^^p- 

I        (  N — 'i 


one  kiss  more,    one   kiss  more.         Ah, 

isfe 


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r 


3H1 


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Z^kfe-     b^-b^r^p-- l=ff— 


Gau  -  de  -  a  -  mus  ig  -  i  -  tur 

^re±f= 


IX     I 


*-*- 


jk,  ^>  Presto.  , 


ju  -    ve-nesdumsu  -    mus,      Gau-de-a-mus  ig  -    i  -  tur.      [1.  2.  3.  4.]  one,  two,  three,  we 're  out. 

/TV 


SB 


I     IX 
THERE  WERE  THREE   BOOKS. 

Words  by  Arthur  Nash. 
Largo.  , 


— 


1.  There  were    three  books      stood    on  .  .  a  shelf,        And      thus  they      spoke,        each 

2.  Said  one      new  book         un    -  to  .  .  his  mate,    "Why, you're  an  an  -  tique,  but    I'm 

3.  Then  said      the  sec  -  ond,"How  came  .    you  here?         To       cir      -  cu  -    late  .  .       your 

4.  And  spake    the  third          un  -    to  .  .  the  oth-ers," Who'd  ev       -  er        think        we're 


r  ~r 


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UNISON.   CHORUS. 


1 


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— \ 


4= 


GROANS. 


i 


(Spoken.) 

for    .  .         him  -  self.      Sing!  And    they      all    flopped  their  leaves    and  cried,  "Oh  !  Oh    Oh!" 

right  -  up   -    to  -  date.      Sing  ! 
cue,  .  .         my    dear  ! "  Sing !  , 

lov       -        ing    broth  -  ers  ?"  Sing  ! 


£=& 


Copyriglit,  1901,  by  HINDS  &  NOBLE. 
(185) 


BINGO. 


TENORS. 


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Here's    to* 
BASSES. 


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drink  it    down,  drink    it    down;     Here's  to 


J* 


drink  it 


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FINE. 


.^ — ^ — ^ — p — p 


down,  drink    it      down,  drink  it  down, down, down.        Balm        of      Gil  -    e  -     ad,     Gil  -  e  -  ad, 

v 


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Balm     of    Gil  -  e  -  ad,    Gil  -  e  -  ad, Balm    of     Gil  -  e  -  ad,  Way  down  on  the  Bin  -  go  farm.       We 

-£— J* JS. 


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L^ ^ ^. ^_^_p ^-L(X iX IX &-—&-— f- 


won't  go  there  an  -  y  more,  We  won't  go  there  an-  y  more,  we  won't  go  there  an  -  y  more, Way  down  on  the 


Bin-go  farm.  Bin-go,   Bin-go,     Bin-go,  Bin-go,  Bin-go,  Bin-go, Way  down  on  the  Bingo  farm. 


_  . 

f 


*  The  name  of  any  college  may  be  inserted  in  the  blank  spaces. 

By  permission. 
(186) 


CLEAR  THE  WAY  FOR   U.  S.  C. 


Tempo  di  Marcia. 


UNIVERSITY  OF  SOUTHERN   CALIFORNIA. 

Words  and  music  by  P.  S.  Shanahan. 


There's  a      col-lege    in        a    sun-ny      south-ern    land,  And   we    love,  yes,  love    it        well; 

It 


MB  --  1 

— 


mf 


|||=|=| 


— 'M — 

jr   -* 


Ev  -  'ry    year    we  gath  -  er  there,     a       hap  -  py     band,  For    we    love,   yes,    love    it       well; 


*  5: 


t— *- 


— *- 


Ev  -  'ry  -  bo  -  dy    tips    his    hat      to         U.       S.       C.     'Tis    our  own  dear    col  -  lege    home; 


— * 


And     we    nev  -  er  shall    for -get    old       U.      S.      C.    Where-so  -  ev  -  er      we    may      roam.  .  . 


=:]:=: 


By  permission. 
(187) 


CHORUS. 
TENORS.   With  spirit. 

l/^ 


CLEAR  THE   WAY   FOR   U.  S.  C. 


\ — b**- 


Eahirah!      (  GIRLS.) 

k.  ^—^J^t-tj-J— J ^T 

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(BOYS  AND  GIRLS.) 


[ j 2 I ^        1^        1^— . 


Bah! rah!  Eahirah! 

We  are  the  boys  of  U.    S.      C.     .     .       We  are  the  girls  .  .      of  U.    S.     C.     ,     .         We  are  the 

BASSES.  Eahirah!  Eahirah!  Eahirah!  Eahirah!       ^3~~^ 


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Var  -  si  -  ty      of  South-ern  Cal  -  i  -  for  -  nia,      We  are   the    Var  -  si  -  ty      of   Southern   Cal  -    i  - 

--J-r-dV— g~£— gV- r^-  ^tJ^  JViJt*^-AV-^- 

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oh  !  Clear  and  high  ring  out  the  cry    for      U.     S.      C.  Kead-y       all    to  shout  the  call    for 


"•^— P^-H—      — —i          I         -H      ^ 

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Si/ 


f 


(188) 


if: 


CLEAR  THE   WAY   FOR   U.  S.  C. 

We    are  march-ing    on    to     vie  -  to  -  ry. 


C    ^    "     ^    ix 

U.    S.     C.  Clear  the  way,prepare  the  fray,  for     U.    S.    C.We  are  march  -  ing  to    vie -to  -  ry.  .  .  . 


1 


Rah  !  rah  ! 


^F 


I 


AMICI. 


Words  of  4th  verse  by  Arthur  Rogers. 

Moderate. 


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Our  strong  band  can  ne'er    be     bro  -  ken,    It      can    nev  -  er      die;               Far      sur  -  pass  -  ing 
Mem-'ry's  leaf  -  lets   close  shall  twine  A  -  round  our  hearts  for      aye,      And  waft      us    back     o'er 
Col  -  lege    life      is    swift  -  ly    pass  -  ing,  Soon     its  sands  are      run  ;    But  while    we     live    we'll 
When  we     sing    our  lives'  last  meas-ure,  Sweet  -est  then   shall    be               Strains    re  -call  -  ing 
MASSES.                                     . 
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CHORUS. 


"I" 

wealth   un  -   spo  -  ken, Sealed    by  friend-ship's  tie. 
life's    broad  track    To    pleas  -  ures  long  gone    by, 

ev    -    er       cher  -  ish  Friend-ships  here     be   A  gun. 

ev    -  'ry      treas  -  ure     Of       fond  mem  -  o    -    ry. 


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Deep  gra-ven  on    each  heart,     Shall   be  found  un- wav -'ring  true,  When  we  from   life  shall  part 

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^ 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(189) 


A  COLLEGE   PROVERB, 


Slowly. 

^ 

IS          I 

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'K^rll^is                          m          is       -  is 

i     - 

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p     _   !        ^  !            !          ~      ^        ,*         F           i         J        « 

J                                 IS            S 

ff\\  **                                               1^      ^ 

0      '  r  '    Bd 

VMy                     *T           ^                   4p 

*                         1               *        L        ^*         ^         * 

j      j 

1.  There's    an     an 
2.    Here's     an-  oth 

JJ  ,  b  |j  2 

-  cient     col  -  lege      say  -  ing,  And      it       runs  some-  what   li 
-  er      Col  -lege     Prov  -  erb,  And    it's     mean  -ing's    ver   -  3 

—  i  N  1—                —  i  1 

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fce     this,      That      a 
r      clear,         If    .     . 

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^—  h-»|  ^  

^^-(7—  4  —  ^-           -[jr? 

^  ^M  

CHORUS.     Faster. 


stu-dent's"right  in    clo  -  ver"  When  he  reach  -  es     sen  -  ior   bliss.       If       you  want    the  fruit    of 
those  you  love  are    dis  -  tant,  Then  make  love  to    those  more  near. 


_U»'^ — azz^pz^pi 


&g=^ 


1 — i •— 0 r0— 0 0- 0- 1 


knowledge,  You  must  climb  the  tree    and  shake  it;     If     the  sheepskin's  worth  the  hav -ing,  Why,    a 


IP& 


four  year's  course  will  make  it.  The       ex -am  -    i  -  na -tion's  aw  -  ful,    But    its  dan  -  ger  will    for- 


-*r 


>•- * 0 *• T-0 * 


Copyright,  1901,  by  HINDS  &  NOBLE. 
(190) 


^ 


A   COLLEGE   PROVERB. 

rit. 


s 


sake    'it;       If    you're    af    -    ter    a        di  -    plo  -  ma,  Say     an        A.      B.,  why  just     take     it. 


Moderato. 
TENORS. 


NUT  BROWN   MAIDEN. 


3E^f 


i 


1.  Nut  brown 

2.  Nut  brown 

3.  Nut  brown 


maid  -  en,  Thou  hast  a  bright  blue  eye  for  love,  Nut  brown  maid  -  en,  Thou 

maid  -  en,  Thou  hast  a  ru  -  by  lip  to  kiss,  Nut  brown  maid  -  en,  Thou 

maid-  en,  Thou  hast  a  slen- der  waist  to  clasp,  Nut  brown  maid  -  en,  Thou 

4.  Nut  brown  maid-  en,  Thou  hast  such  pearl -y,  pearl  -  y  teeth,  Nut  brown  maid  -  en,  Thou 
BASSES. 

—ml 


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hast         a       bright     blue       eye;  A        bright        blue     eye  is 

hast         a          ru    -    by         lip;  A  ru     -     by        lip  is 

hast         a         slen  -   der       waist;  A  slen    -    der    waist  is 

hast      such     pearl  -    y         teeth;          The        pearl    -    y       teeth  are 

-V 


thine,  love! 
thine,  love! 
thine,  love! 
false,  love! 


The 
The 
The 
They 


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glance            in           it               is 
Lkiss      -      ing         of             it's 
arm               a  -    round          it's 
rat       -      tie       when          you 
rbj     •*.  J  J-  * 

IP     _  E^=*  

mine,    love!         Nut           brown 
mine,    love!         Nut           brown 
mine,    love!         Nut           brown 
waltz,   love!         Nut           brown 

ft    J 

—  -mi  —  al  —      -m  — 

S^==u 

maid   -  en, 
maid  -  en, 
maid   -  en, 
maid  -  en, 

—  mi  \— 

Thou 
Thou 
Thou 
Thou 

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hast    a    bright  blue  eye    for    love, 
hast    a       ru  -  by     lip     to    kiss, 
hast    a      slen  -der  waist  to    clasp, 
hast  such  pearl  -y,  pearl  -  y    teeth, 

-P  P.  

Nut     brown 
Nut     brown 
Nut     brown 
Nut     brown 

—  1 

_£_p_£  —  ^_ 

maid  -  en,  Thou 
maid  -  en,  Thou 
maid  -  en,  Thou 
maid  -  en,  Thou 

==£—  £—  £—  £-  -^  —  H 

hast     a  bright  blue    eye. 
hast     a      ru  -  by     lip. 
hast     a      slen-  der  waist, 
hast  such  pearl  -y      teeth. 

elO:^ 

-t-M 

•  \ 

-^  *  <*  fr  —  k   I  V     \ 
\        V    * 

By  permission. 
(191) 

X 

LIZETTE. 


Words  of  2d  and  3d  verses  by  Arthur  Nash. 
IN  UNISON.     MALE  VOICES. 


Kucken. 


1.  See  these  rib  -  bons 

2.  Forth  with  mar  -  tial 

3.  When  I'm    by       my 


gay  -  ly  stream 
spir  -  it  bound 
camp  -  fire  ly 


ing,     I'm      a      sol  -  dier  now,   Li-  zette,    I'm      a 
ing,  March-ing     at      the  break  of    day, March-ing 
ing,     Un  -  der    for  -  eign  skies,  Li-  zette,     Un  -  der 


mf 


cres. 


sol  -  dier  now,  Li  -  zette  ;  And  of  bat  -  ties 
at  the  break  of  day;Man  -  y  a  trum  -  pet 
for-  eign  skies,  Li  -zette;  In  my  dreams,  my 


I  am  dream 
brave  -  ly  sound 
love  un  -  dy 


ing,  And  the  hon  -  ors 
ing,  While  the  mer  -  ry 
ing,  In  my  wak  -  ing 


I  shall    get ! 

cym  -  bals     play, 
hours,  Li    -  zette, 


AIR. 

With     a       sa    -    bre    at      my     side,  And     a  hel  -  met    on      my 

Sweetheart, ere         I     say  good  -  bye,  And     a  last     fond  part  -  ing 

Ev  -  er    will     fare  forth  to     thee !  Ev  -  'ry  smile, these  tears,  this 


^ 


&=*&=& 


(* 

F 


»=!=•= 


Copyright,  1900,  by  HINDS  &  NOBLE. 
(192) 


L1ZETTE. 


3^ 

EH: 


£ 


P      p     i 

brow,  With  a  fl  -  ery  steed  to  ride, 
take,  As  a  pledge  of  con  -  stan  -  cy, 
kiss  Which  in  part  -  ing  you  give  me, 


ix       p       x 

I      shall  tram  -pie     on 

Wear    this  tok  -  en     for 

Tok  -  en  of    that  hour 


the     foe!       Yes,       I 
my     sake  !     Cour  -  age, 
of      bliss,    When,      a 


£ 


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flat    - 

ter     me, 

Li 

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'Tis 

a 

life 

that  well 

will 

suit  — 

The 

gay 

sweet  - 

heart,  sweet 

Li 

-   zette  ! 

Smile 

from 

out 

these  tears, 

Li  - 

zette  ! 

For 

soon 

con   - 

quer  -  or, 

Li 

-   zette, 

I 

re  - 

turn 

to    claim 

my 

bride— 

Bat 

-     tie    - 

life  of  a  young  re  -  cruit,  ....  The  gay  life  of  a  young  re  -  cruit. 
you'll  have  your  young  re  -  cruit,  ....  For  soon  you'll  have  your  young  re  -  cruit. 
scarred  your  sol  -  dier  tried !  .  .  .  .  Bat  -  tie-scarred  your  sol  -  dier  tried ! 


(198) 


ZIP!  BANG!   IT  HIT  THE   MARK 


Moderate. 


THE  INTERRUPTED  SERENADE. 

Words  and  music  by  T.  E.  Scott,  Jr. 


B~ 


-*- 


- — [ — 


SOLO. 


1.  A    great      big    ug    -    ly    tom-cat 

2.  The     oth    -    er     cat        re-spond-ed, 

3.  But    pus    -   sy  would    n't  come  out, 


Came  in  -  to  our  back -yard,  . 
And  sang  with  all  her  might,  . 
She  saw  things  in  the  air;  .  . 


And  jump  -  ing 
"I    can't    come 
She    saw       the 


P 


on       the  fence-top  Sang  sweet  -  ly      to        his     pard,     .     .      "Come   out,      the   stars    are 

out,     you   bet-ter  Come  round  some  oth    -    er      night."      .        "Oh,     no  ! "  the   torn  -cat 

"shoe  -   fly"  coming  And  called   out  "Tom,  take    care."  .     .      "Good-night,"  the    torn  -  cat 


mf 

1 p 


f 


___ 


shin-ing;  .  .  Come  out  and  eel  -  e  -  brate, 
an-swered,  "Come  on  out  now,"saidhe,  . 
an-swered,  "Good-night,  I'll  have  to  go,  .  . 


Come  out,  we'll  sing     to  -  geth-er;  .     .      Come 
.    "You  can't  just  tell     how  rain -y     .     .          To  - 
My    head    is    bad  -  ly    dam-aged     .        And 


Copyright,  1902,  by  HINDS  &  NOBLE. 
(194) 


ZIP!   BANG!   IT   HIT  THE   MARK. 

f  CHORUS. 


out,       it's  get  -   ting    late." 
mor  -   row    it         may    be."  .     .     . 
so          is     my         big     toe."  . 


But  some  one  rais'd  the    win-dow        And  look'd  out  in    the 


J  _  _ 


_, 


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a  tempo. 


f— IT 


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dark 


SPOKEN. 
And     then    he      let    his      shoe  fly — [ Me-ow~\  Zip  !  bang !  it      hit     the     mark. 


PS 


S 


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IST  AND  2n  TENOR. 


HE  WAS   NERVOUS. 

Music  by  Alexander  S.  Thompson. 

\     ^  Lively. 


He  ....  was  ner-vous,  'Twas  time  for  him  .  .  .  now  to  pro-pose; 
She  ....  was  ner-vous,  'Twas  time  for  him  .  .  .  now  to  pro-pose; 
IST  AND  2o  BASS.  „ ^ 

/TS 


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J.-l  J^l 


Lively. 


^ 


He         tried     .     '.          to      be       calm, 
She        feared  .     .          ver  -  y        much 


but  he       could-n't. 

that         he      would-n't. 


Copyright,  1901,  by  HINDS  &  NOBLB. 
(195) 


MY  OLD   KENTUCKY   HOME. 


Words  and  music  by  Stephen  C.  Foster. 


Harmonized  by  E.  J.  Biedermann. 


1.  The    sun  shines  bright  in    the    old  Ken-tuck  -y  home, 

2.  They  hunt   no    more  for   the    pos-sum  and  the  coon 

3.  The  head  must  bow    and  the  back  will  have  to    bend, 


'Tis  sum-mer,  the  dark-ies  are 
On  the  mead-ow,  the  hill,  and  the 
Wher  -  ev  -  er  the  dark  -  y  may 


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gay;                              The    corn  -  tops      ripe       and      the  mead 
shore;                            They  sing       no       more       by       the  glim 
go;                                  A      few      more     days       and      the    trou 

njf              J 

-ows      in         the  bloom,  While   the 
-  mer      of         the   moon,     On      the 
-  ,ble       all        will   end,       In       the 

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birds  make  mu-sic  all  the  day; 
bench  by  the  old  cab  -  in  door; 
fields  where  the  su-gar-canes  grow; 


The  young  folks  roll    on    the    lit  -tie    cab  -in  floor.     All 

The   day   goes    by    like     a    sha-dow  o'er  the  heart,  With 

A    few   more  days   for    to    tote  the    hea-vy  load,    No 


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Used  by  permission  of  W.  A.  POND  &  Co. 
(196) 


MY   OLD   KENTUCKY   HOME. 


I 


JiE^hEz^EgEgg^i 


mer-ry,     all   hap-py     and  bright,  By'n-by  "Hard Times" comes a-knocking at    the  door,Then  my 

sor-row  where  all  was      de-  light,  The  time  has  come  when  the  dark-ies  have  to  part,  Then  my 

mat-ter,  'twill  nev-er       be  light,  A  few  more  days    will  we  tot-ter     on  the  road,  Then  my 


CHORUS. 


old  Kentuck-y  home, good-night.        Weep  no  more, my   la  -  dy,        Oh, weep  no  more  to-  day ;       We  will 

•  ,  .  -*-  :£'  -0-  „  •*-•     -m-  ~f'  •+--*-. -  -0- 


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sing     one    song     for    the  old     Kentuck-y  home,  For      the  old   Kentuck-y  home     far        a -way. 


:p — W 1 *— I* 


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(197) 


DOCTOR   PETER   PRICE'S   PERMANENT   PANACEA. 


Words  of  4th  verse  by  C.  B.  Rich. 

Allegro  moderate. 


Words  and  music  by  Walter  Howe  Jones. 
SOLO.  BARITONE. 


I(n      '  J 



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1.  Dear  gen  -  tie  -  men  and    la  -  dies,  your    at  • 
2.     Of  coughs  and  colds  and     chil    -    blains   it 
3.      It  makes  the     ice  -man  hon-  est,  makes  the 
4.      A    wire  from  Nice    in      Jan  -  u   -    a  -  ry, 

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ten-  tion  we  would  call    To     a    per  -feet    pa  -  tent  med  -  i  -  cine  that     is       a     cure   for      all      The 
is      a    dead-ly     foe,  While  a-gainst  its   won-drous  pow-ers     the  worst   fov  -  er     has     no    show;   It 
coalman  give  full  weight,  Reg-u-lates   the  inar-ket     pri  -  ces    bet  -  ter  than  they've  been  of     late  ;    It's 
nine-teen  hundred  two  :  "Ten       doz  -  en   Pan  -  a    -  ce  -  a,    have  them  read  -  y       for     us,    do!      Its 

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ills  that  flesh  is    heir    to  —  let    us    give  you  some  i  -  dea       Of   Doc  -tor    Pe-ter  Pri  -  ce'sPer-ma  - 
soothes  all     in  -  f  ant  troubles  and  makes  teething   a      de-  light;     It  makes  your  wife  an  -  gel  -  ic  when  you 
guar-an-teed   all  wool-  en,    an  inch  thick,-  a    full  yard  wide,    Is     war-  rant  -ed   fast   col  -  or,    is     the 
use  has  made  my  Chauncy'swornout  speeches  good  as  new.  Don't  fail     us,  Yours  f  or  -ev  -  er,  Mis  -sis 

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la,  la,  la,  la, 

Copyright,  1901,  by  WALTER  HOWE  JONKS. 
Copyright,  1902,  by  HINDS  &  NOBLE. 

(198) 


la, 


DOCTOR    PETER   PRICE'S   PERMANENT   PANACEA. 


vrs      •_                  r*    m     i     ». 

h.       it       K       P                 r* 

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nent       Pan  -  a  -  cea.     This  won-der-ful    con-coc-tion    ab  -  so  -  lute  -  ly    cures   all    pain  ;  'Twill 
come  home  late  at  night  ;      It    great  -  ly    aids     di  -  ges  -  tion,  mends  a    punc-ture    in    your   tire,      In 
same  on  eith  -  er    side,       In  -  sured  .  .     not     to      rip      or   tear    or     run  down  at      the    heel  ;     It 

Chaun-cy     M.  De-pew."    An  -  oth  -  er  from  Bal  -mo  -  ral     is    com  -men  -da  -to  -   ry    quite:  "Your 
i 

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poco  rit. 

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;  —  ^  —  *  —  *  —  d  —  *i— 

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f-  —  m.  —  *L    J  —  tL  J  —  «L_. 

kill  the   sick-est    pa-tientor  will  make  him  well    a  -  gain,    It    has  prov-en     ef  -  fi  -  ca  -  cious  f  or  an 
cas  -  es      of      e-  mer-gen  -cy      it    will  put  out    a     fire,  Makes  the  wick-ed  cease  from  troubling  and  it 
comes  in    gal-  Ion    bot  -ties,  dose,  one  bot  -  tie  with  each  meal  ;  In           or-  der  to  con-vinceyou     of    its 
Pan  -  a  -  ce  -  a  lengthens  out  one's  reign  ;  'tis  out  of    sight!  As        reign-mak-er     I  saw,  while  Prince,  its 

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I*                      k*        ^*        '**        ^        ""        Lr                  ~     \  m        m       ^          > 
ag  -  gra-  va-  ted  gout,  The    se  -  ver  -  est    men-tal     ail-ments    it     will      al-  ways  put       to  rout, 
gives  the  wea-ry    rest,      It     ex  -  ter  -  mi  -nates  book  ag-ents,  nev  -  er     one  can  stand    the  test, 
mer  -  its  please  to   hear      A             few    rec  -  om  -  men  -  da  -  tions  we    have  gath-ered   far      and  near, 
won-der-ful     ef-fects.     Please     send  one  thou-sand   cas-  es,  Ver  -  y       tru  -  ly,    Ed-  ward  REX. 
(Other  stanzas,  with  local  "grinds,"  may  be  added,  which  soloist  may  apparently  read  from  a  batch  of  letters  drawn 
from  pocket  before  stanza  4-) 

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Doc  -  tor     Pe  -  ter  Pri  -  ce's  Per  -ma-  nent  Pan  -a  -cea,         Is 

7-^  f-f  **  +4      - 

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(199) 


THE   FESTAL  DAY   IS   COME, 

FRA   DIAVOLO. 


Allegro. 

TENORS.     (Melody  in  2d  Tenor.) 

, r-          -J^=J-    =£ 

Ea      =I=*E^ 


! — =*- 


Arranged   by   R.  W.  Atkinson. 

J— 


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1.  The      fes     -     tal      day          is          come,   .   .      And    bright  -    ly         gleams  the    morn   -  ing,        The 

2.  Come  join         the  mirth       and        song,    .  *.      With   strong  hearts     glad  -    ly       beat   -    ing,         Sip 
BASSES.  *,        j  j^ 


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sun     peeps  forth         a    -    fresh,  .  . 
pleas  -  ure    while        we        may,    .  . 


Our       fes     -      tal        day  a    -    dorn     -      ing,  Hur 

For    earth    -    ly        joys         are      fleet    -      ing,  Hur 


W 
Hur  -  rah ! 


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hur  -  rah  ! 


Hur  -  rah ! 


rah! 


hur  -  rah !  .     .          The    fes    -  tal     day        is        come,          Hur  -  rah !  .     .          hur  - 

=£=&== 


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Hur -rah! 
hur-rah ! 


hur -  rah ! 


Hur  -  rah ! 


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rah !  .     .          The      fes  -  tal    day      is      come, 


Up  -    see,     up  -  see,      tra     la     la      la, 


hur -  rah ! 


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Up    -    see,     up    -    see,     tia      la       la       la,  Up   -  see,   up   -  see,     tra     la      la      la,      The 


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Copyright,  1901,  by  HINDS  &  NOBLE. 

(200) 


t 


l*=d= 


THE   FESTAL  DAY   IS   COME. 

ft  I  It        I 


fes     -     tal     day         is         come.  .  .          I         hear       the     boots,     the      boots,      the  boots,       the 


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—  '      c.re.s. 

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boots,         Fra  Di    -    a    -    vo  -   lo,     the 

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a  tempo. 


molto  rit. 

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I        hear        the    boots,      the      boots,     the    boots,      the 
a  tempo. 


a     -      vo    -    lo,         the        rob       -      ber, 


cres. 


Jl 


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b-b-b-b-b-b  boots, 


Fra       Di    -    a      -       vo    -    lo,  the 


cres. 

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Com  -  ing     .     . 


down          the          stairs. 


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(201) 


MIXED  VOICES. 

X~l h- 


THE  STUDENT'S   FAREWELL. 

Arranged  from  Mendelssohn. 


m 


+=9 


:=£ 


^ 


1.  Col-  lege   fair,  what  loy  -  al    hands  Have      in       wis  -  dom  thee     ere  -  a    -  ted;  With  glad 


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planned ; 


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voice    and     heart      e    -    lat  -    ed      Will       I      praise      thee,    no  -   bly  planned  ;With      glad 

planned ; 


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Will          I      praise thee, 


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voice       and         heart       e    -    lat      -      ed         Will         I     praise     thee,  no      -    bly      planned. 
.    .    .  Will          I  praise     thee, 


!_*- 


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2  To  the  busy  world  below 
Forth  we  go  our  friendships  leaving, 
Over  misspent  moments  grieving, 
Still  to  thee  our  hearts  o'erflow ; 
Fare  thee  well,  thou  college  fair. 


3  Loyal  love  we  pledge  to-day 
We  will  ever  faithful  cherish, 
Never  shall  its  memory  perish, 
Thougli  our  home  be  far  away; 
God  protect  thee,  college  fair. 


By  permission. 
(202) 


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Feuilet's  Romance  of  a  Poor  Young  Man. 
Racine's  Athalie. 

Who's  Who  in  Mythology  £      1000  mythological  char- 
acters  briefly  described.       Identifies  and   locates 
instanter  every   god   and   goddess,  hero   and    myth 
that  are  likely  to  be  broached  either  in  conversation 
sermon,  song,  drama,  painting  or  statuary.     75  cents. 
JOOO  Classical  Allusions  Briefly  Explained.    Locates  the 
places,   identifies  the   persons,  describes  the  things, 
which  are  constantly  alluded  to  in  literature,  on  the 
rostrum  and  platform,  in  sermons,  in  paintings,  in 
sculpture  and  in  conversation.    75  cts. 
The  Simple  A  B  C  of  Electricity.    50  cts. 
Ethics  for  High  Schools.     Bierbower.    $J.OO. 
The  Foundations  of  Education.     Seeley.    $1.00. 
How  to  Attract  and  Hold  an  Audience.    $1.00. 


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